Looper's Delight Archive Top (Search)
Date Index
Thread Index
Author Index
Looper's Delight Home
Mailing List Info

[Date Prev][Date Next]   [Thread Prev][Thread Next]   [Date Index][Thread Index][Author Index]

Re: "Live Looping"



Tom -

It's being done.  Each of our posts is another page in the book that we are
collectively writing together. :-)

David

----- Original Message ----- 
From: "Tom Rex" <tomrex1@cox.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, April 13, 2004 8:23 PM
Subject: RE: "Live Looping"


> Why doesn't someone write a book entitled "Live Looping for Dummies"  
>that
> should catch on, like all the other "for dummies" books.
>
> Any takers?
>
> Tom
>
>
>
> -----Original Message-----
> From: Per Boysen [mailto:per@boysen.se]
> Sent: Tuesday, April 13, 2004 8:29 AM
> To: Loopers
> Subject: Re: "Live Looping"
>
> On 04-04-13 16.25,  "L. Angulo" <labalou2000@yahoo.com> wrote:
>
> > Hi Per,
> > If you have any links to this subjects i would
> > appreciate it i myself want to have a deeper
> > understanding of it
> > c ya?
> > L.a
>
>
> Hi,
>
> I scanned my bookmarks but only found two links:
>
> http://www.digido.com/
> Click on "Articles" to the left. Great explanations of some common
technical
> issues. Also many interesting articles at http://prosoundweb.com/
>
> Maybe a book would be better. Probably Craig Anderton has written
something
> useful. I have used his older books when teaching studio recording and I
> know he has had a lot of new stuff out since then ;-)
>
> Per
>
>
>
>
> >
> >
> >> And for the patching stuff - like inserting effects,
> >> effect aux sends etc
> >> etc - you just have to get a book and read it once.
> >> It's very simple. It's
> >> also valuable to put some time into experimenting
> >> and experience the
> >> difference in, as an example, putting a reverb
> >> before or after a compressor
> >> in an effect chain.
> >>
> >> But working with electronics is really a lot more
> >> difficult than "mastering
> >> an instrument", being a musician. A flute is always
> >> a flute and even if you
> >> do not play especially well it may sound good in an
> >> ensemble situation, only
> >> because "it is a flute and this music is very nice
> >> on the flute". With
> >> electronics there are no rules. There is only the
> >> sound and that is what you
> >> and everybody hear. When I came into electronics,
> >> from a musician
> >> background, I found that electronics are in fact
> >> what I have been trying so
> >> hard (mostly failing) to achieve on different
> >> instruments: Creating sound
> >> that has a contextual meaning without falling into
> >> any tradition. Almost
> >> impossible as a traditional instrumentalist ;-)
> >>
> >> There are of course fashions and traditions even in
> >> electronic sound and its
> >> application in music making, but that's another
> >> story...
> >>
> >> Best wishes
> >>
> >> Per Boysen
> >> -- 
> >> www.boysen.se
> >> www.looproom.com
> >>
> >
> >
> > =====
> > www.luis-angulo.com
> >
> >
> >
> >
> > __________________________________
> > Do you Yahoo!?
> > Yahoo! Small Business $15K Web Design Giveaway
> > http://promotions.yahoo.com/design_giveaway/
> >
> >
>
> Best wishes
>
> Per Boysen
> -- 
> www.boysen.se
> www.looproom.com
>