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A few articles that talk about mastering that may be interesting to you. Mastering From the Trenches By Myles Boisen - Feb 1, 2005 12:00 PM http://emusician.com/mag/emusic_mastering_trenches/ Mastering Your Music Why You Need it, Where to Get it, and How to Make the Most of it. by The G-Man - NARIP.com and Immedia Wire Service, Posted Jan. 2004 http://www.musicbizacademy.com/articles/gman_mastering.htm STROTHER BULLINS discusses various aspects of mastering with five accomplished engineers, located in five different, bustling markets. http://www.audiomedia.com/redesign-2003/regional-issues/issue-usa/2003/2003-09/html/us-0903-masteringminds/0903-masteringminds.htm Enjoy! David Kirkdorffer ----- Original Message ----- From: "L. Angulo" <labalou2000@yahoo.com> To: <Loopers-Delight@loopers-delight.com> Sent: Monday, July 25, 2005 9:17 AM Subject: Re: 10 new pieces posted > Great tip Per! ive been wanting to get more into > mastering as well and expand which ive been doing with > my limited capabilities, do you have any good links or > recomended reading? i sometimes get lost in the > terminology though so if you have a comprehensive > online audio glossary id appreciated as well! > thanx > Luis > > --- Per Boysen <per@boysen.se> wrote: > > > On Jul 25, 2005, at 14:21, Ben wrote: > > > > > I like the compo but.. what a sound Per! I'm sure > > the DVD will be > > > astounding! > > > > > > Ben. > > > > > > Thanks. One "trick" I used, that made the sound > > clearer and gave a > > better stereo definition, was the classic mastering > > with phase/ > > stereo inversion. It may be off topic for this list, > > but here's a > > short description: > > > > 1. Make three clones of the stereo mix file (or > > three mixer busses if > > you want to work directly with streaming audio). > > 2. Phase invert clone one, stereo swap clone tweo > > and send them to be > > summed on a bus. If you listen only to that bus now > > you should hear > > some crappy sounding audio with a "hole in the > > center" stereo. > > 3. Make clone three mono and send it to a second > > bus. > > 4. When listening only to these two busses, blend > > them and "repair" > > the whole in the center with the mono bus. Also try > > different > > compression and filtering of the two busses. Mess > > around with levels, > > compression and filtering until the sum of the two > > busses (the master > > output) sounds right. > > > > I was truly amazed on how much there is to achieve > > from this > > mastering method, speaking about "appeared sound > > quality" Mixes > > mastered in this way can achieve a wide stereo > > spread while still > > play back with the correct levels on a mono system. > > You should check > > mono compatibility all through the mastering > > process. > > > > Greetings from Sweden > > > > Per Boysen > > www.looproom.com (international) > > www.boysen.se (Swedish) > > ---> iTunes Music Store (digital) > > www.cdbaby.com/perboysen > > > > > > > > > www.luis-angulo.com > > > > ____________________________________________________ > Start your day with Yahoo! - make it your home page > http://www.yahoo.com/r/hs > >