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Re: More Tonal Theory: Arppegiators/Accent/Melody



i stole this one from a frith clip: +10 +21 ...

2009/7/26, Raul Bonell <raul.bonell@gmail.com>:
> well, in series i think there's nothing to worry about, if using 3
> harm. feedbacking the same interval ad infinitum ... secure
> cluster.... oh, jazzy players, Xmaj7... amazing, how much knowledge
> produces this list, even taking as starting point a simply 7th chord.
>
> maybe the drop in volume due to feedback loss, helps, for smoothing the
> blob.
>
> 2009/7/26, Per Boysen <perboysen@gmail.com>:
>> On Sun, Jul 26, 2009 at 5:19 PM, Raul Bonell<raul.bonell@gmail.com>
>> wrote:
>>> this combination +4,+7,+11 results in a 7th Major chord. bossa?? ...
>>
>> Yes, if the harmonizers are routed in parallel (the sharp 7th, not the
>> flat - like we use to type it "Xmaj7"). If routed as a chain though,
>> wow... then we're talking some fat cluster like blob here.... Except
>> for all the doubles I see a tritonus added (7+11), then a minor third
>> in the octave above the major third (4+11).
>>
>> Actually, I take back the comment about "blob" because when I'm
>> playing that chord on my guitar here right now it sounds pretty neat.
>> Wide, fat and shimmering of many overtones.
>>
>> Per
>>
>>
>
>
> --
> Raul Bonell at Blogger: http://raulbonell.blogspot.com
> Chain Tape Collective: http://www.ct-collective.com
>


-- 
Raul Bonell at Blogger: http://raulbonell.blogspot.com
Chain Tape Collective: http://www.ct-collective.com