From Loopers-Delight-request@loopers-delight.com Sun Mar 1 00:20:27 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 1204C3BFAC; Sun, 1 Mar 2009 00:20:26 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <49A9D67D.5090906@post.cybercity.dk> Date: Sun, 01 Mar 2009 01:27:41 +0100 From: van Sinn Organization: van Sinn User-Agent: Mozilla/5.0 (X11; U; Linux i686; en-US; rv:1.4) Gecko/20030624 Netscape/7.1 X-Accept-Language: en-us, en MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com Subject: Re: OT: Tuning guitar in fifths for wider orchestration options References: <9ab0c76f0902260244g29d41921u8d908b47b81e15d9@mail.gmail.com> <49A84A4E.3030304@mhorse.com> <66f9cc1e0902271546o80f9797l2681701f3a57b741@mail.gmail.com> <49A8ACCD.20503@mhorse.com> In-Reply-To: <49A8ACCD.20503@mhorse.com> Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit Resent-Message-ID: <0HyfZC.A.XeG.KTdqJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89162 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 00:20:26 +0000 (UTC) Exactly! While alternate tunings are interesting, so is more strings ;) I was set for a 7-stringer, but decided to wait it out till I can afford an eight or nine stringer. Daryl Shawn wrote: > This is interesting, Per. Of course, a guitar has different resonances > for different keys too, but maybe not so dramatic a difference, which I > wasn't aware of. > > I hear what you're saying with regards to range. That makes a good > argument, if sticking with a six-string. > > Daryl Shawn > www.swanwelder.com > www.chinapaintingmusic.com > >> All wind instruments have completely new fingering for every key. And >> the resonating pillar of air behaves totally different if you just >> transpose the key a half step up or down. So the risk of getting in a >> rut is way smaller than when sticking with the guitar. >> >> >> >>> Honestly, I don't see a world of possibilities in switching tunings. >>> >> >> >> My question, when I started this thread, was to find out ways to do >> solo looping with guitar and have instant access to a wider range, >> i.e. being able to play like with a piano; making deep bases and high >> melodies in one go. The Stick is also good for that, but I thought >> that maybe you can tune a guitar "wider" to expand the range? But >> maybe a fifths based tuning will interfere badly with the ability to >> play fluent melody lines? > > > > . > -- rgds, van Sinn From Loopers-Delight-request@loopers-delight.com Sun Mar 1 00:46:08 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 44C3E3BFB2; Sun, 1 Mar 2009 00:46:08 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <49A9DC87.7070401@post.cybercity.dk> Date: Sun, 01 Mar 2009 01:53:27 +0100 From: van Sinn Organization: van Sinn User-Agent: Mozilla/5.0 (X11; U; Linux i686; en-US; rv:1.4) Gecko/20030624 Netscape/7.1 X-Accept-Language: en-us, en MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com Subject: Re: OT: Tuning guitar in fifths for wider orchestration options References: In-Reply-To: Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit Resent-Message-ID: <_bLekC.A.5WH.QrdqJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89163 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 00:46:08 +0000 (UTC) richard sales wrote: > > Of note to all lovers of open tunings, and I count myself as one of > them, I've heard that Leo Kottke has transposed all of his songs to > standard! Taking multiple guitars to gigs - and keeping them tuned - is > a pain in the butt, and when you're flying it gets quite spendy. A possible remedie is drop tuners (i.e. Hipshot and Sperzel D-thing). > I can't understand why no one has successfully invented a tuning peg > that could auto tune your guitar. I talked to Paul Smith (PRS) about > this a while back and he said it was because of the weight of the tuner > changing the tone of the guitar. But I think I saw that Gibson had one > coming out. It's available, wasn't invented by Gibson, but a German. Gibson licenced it. I can poke the name/link. The system is available for some Fender & Gibson look/work-alike guitars. About a thousand euro, last I checked. There's the system made famous by Jimmy Page. Yikes, more memory losses. -- rgds, van Sinn From Loopers-Delight-request@loopers-delight.com Sun Mar 1 00:47:18 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 9B6853BFAA; Sun, 1 Mar 2009 00:47:18 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Greylist: delayed 402 seconds by postgrey-1.27 at arsenic; Sun, 01 Mar 2009 00:47:18 UTC DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=yahoo.com; s=s1024; t=1235868036; bh=ZorW63eZ2th9JnRTbtg7PvMUB5KEOS0jcB6U5UukTV8=; h=Message-ID:X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type; b=IZFJkZzZ9SCLd+XKR69bwRGcrZzpAh4upamE/0ntQ+CHgyei8nzDCswSHsLInCCVBiaiLPqrhikkTGXnM0dQDtHDQzVRZAaR/cJ8To1EfzxXE14dYxUfV1TWZyI3vrUR++9u6vtkRSWKGjI2cO6L6lewIRxcC0zMWceelj9nyPk= DomainKey-Signature:a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=Message-ID:X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type; b=U9xVZK9OdSTd+f5FCQZb4UKNhS+cFJ5rnOvOkHrZdj7zRupf7ytzPpP3Z40Ymk6XeNX8Kd2RAYmI/T6Bv5WNWmwMPxp89/MkQ+NiU2GMxPkSEYb1EeuP788Ny3qJOFsrjSKWJ772QGacwutBPJ9PeUzHjP5pKzNKqvvSZr8nyR8=; Message-ID: <518740.71044.qm@web32708.mail.mud.yahoo.com> X-YMail-OSG: zY_YQVcVM1mTxf5Hq.MP62RG_k4lRMa4flSnV8gJFLsM0zuAkcO4t16iMrOw5wSUEWhz70YE8LkWmCR74fkr06X_jajI2xfoQGaI3lWdZZm7etUbnc9FDwxxEhhtDYHtql3XSyYD4GtTZInQCWPbaCNZQkvn36H_4QcH2oUv1RkmIpldpzEHRe2PfcRbAQtZ_S.EbZ26ZKseWd8ygmSd68xFpxIZLFF2 X-Mailer: YahooMailWebService/0.7.289.1 Date: Sat, 28 Feb 2009 16:40:36 -0800 (PST) From: bill bigrig Reply-To: billbigrig@yahoo.com Subject: Re: OT: Tuning guitar in fifths for wider orchestration options To: Loopers-Delight@loopers-delight.com In-Reply-To: <49A9D67D.5090906@post.cybercity.dk> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89164 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 00:47:18 +0000 (UTC) Howdy, Isn't 5th tuning on a guitar pretty much just tuning it as if were a larger mandolin or violin? rig --- On Sat, 2/28/09, van Sinn wrote: > From: van Sinn > Subject: Re: OT: Tuning guitar in fifths for wider orchestration options > To: Loopers-Delight@loopers-delight.com > Date: Saturday, February 28, 2009, 4:27 PM > Exactly! While alternate tunings are interesting, so is > more strings ;) > I was set for a 7-stringer, but decided to wait it out till > I can afford an eight or nine stringer. > > > > Daryl Shawn wrote: > > This is interesting, Per. Of course, a guitar has > different resonances for different keys too, but maybe not > so dramatic a difference, which I wasn't aware of. > > > > I hear what you're saying with regards to range. > That makes a good argument, if sticking with a six-string. > > > > Daryl Shawn > > www.swanwelder.com > > www.chinapaintingmusic.com > > > >> All wind instruments have completely new fingering > for every key. And > >> the resonating pillar of air behaves totally > different if you just > >> transpose the key a half step up or down. So the > risk of getting in a > >> rut is way smaller than when sticking with the > guitar. > >> > >> > >>> Honestly, I don't see a world of > possibilities in switching tunings. > >>> > >> > >> > >> My question, when I started this thread, was to > find out ways to do > >> solo looping with guitar and have instant access > to a wider range, > >> i.e. being able to play like with a piano; making > deep bases and high > >> melodies in one go. The Stick is also good for > that, but I thought > >> that maybe you can tune a guitar "wider" > to expand the range? But > >> maybe a fifths based tuning will interfere badly > with the ability to > >> play fluent melody lines? > > > > > > > > . > > > > > -- rgds, > van Sinn From Loopers-Delight-request@loopers-delight.com Sun Mar 1 00:51:57 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 997923BFB2; Sun, 1 Mar 2009 00:51:57 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=yahoo.com; s=s1024; t=1235868716; bh=pyVwMwm/YLv8X4ax0k68Tu8oSQRhnrmwlPxsCY07S5I=; h=Message-ID:X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type; b=NHg+vhugjObt1WCp/3xZVcUK5xhhkcyCEv/y33rSFAsZ/eC0W+EtEvlMro3tGWtdwZa09C4VP6gjBkCWpxF/wlT0PrNhA1vWaQ3CfGEPmZ1L8Y9KE9+Ejt5yWPunQfAIj31d8xO7CsgxGm1rt6T2lLvsdacxP5Bw46C3n0wA17g= DomainKey-Signature:a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=Message-ID:X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type; b=MmjwWinKgTwdqWSCt/N/I3SR4NTh3oMtQtbYiSNry0ya7gaWVlHDo70FSMBVR9D5Bc81lPXRvjvJiYSuiTUcWVnAn4VtIODQ6v2yKc4t21yP5qyzaEcGG9kLlgPQiQ+5Q0RTn2sShfej27nbf5YcWWTWtQda/qiN5howkPrgKYc=; Message-ID: <772849.78621.qm@web32708.mail.mud.yahoo.com> X-YMail-OSG: OFElJooVM1mUNJACaNjqFga7fjyyVbVZbvsfGYkrXKbpWdbblekBt.gZfta0Z958Hxh.y2RbPt2W0w53Ditw8bJMreLKxYNZ2TxbvPcnsdhEvqPD6Bu4PJEMZgvZsmM4EHFZJ9f8igahR7.59WorIACDhD4eiimEqBvktXJ0a0caX9e0fMkao4tuWvfm6VNBdbNQzXVAaUUbfVHnrBkYP2gS6otzTchXgw-- X-Mailer: YahooMailWebService/0.7.289.1 Date: Sat, 28 Feb 2009 16:51:56 -0800 (PST) From: bill bigrig Reply-To: billbigrig@yahoo.com Subject: Re: OT: Tuning guitar in fifths for wider orchestration options To: Loopers-Delight@loopers-delight.com In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Resent-Message-ID: <2al3DD.A.OtH.twdqJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89165 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 00:51:57 +0000 (UTC) Howdy, Speaking of Leo Kottke, Where could one get the tablature, notation, etc. for his 12 string slide guitar version of Cripple Creek. The one that was on the "John Fahey, Leo Kottke, Peter Land album of the mid 70s. I gave myself 30 years to learn it and the clock is running out. MOST helpful would be what open tuning he used. Thanx in advance. Rig --- On Sat, 2/28/09, richard sales wrote: > From: richard sales > Subject: Re: OT: Tuning guitar in fifths for wider orchestration options > To: Loopers-Delight@loopers-delight.com > Date: Saturday, February 28, 2009, 10:44 AM > On Feb 27, 2009, at 11:45 PM, Andreas Willers wrote: > > > Daryl wrote: > > > > "I was tuned DADGCF, so suddenly I started > writing everything in D minor. > > That's why God invented capos! > > > > I'll second that. Spent years of working towards > the point where I can play the stuff I hear in my head on > the neck fast and intuitively, although I regulary use > simpler open tunings and retune on the spot in some improv > situations. Also I immediately bought this new Woodies > G-band partial capo > > http://www.woodiesuk.moonfruit.com/ > > you can make your own by sawing off Keyser capos. Works > great and definitely scrambles the eggs for open tunings or > standard. I keep three or four on hand for when I get > stumped. > > > > > Of note to all lovers of open tunings, and I count myself > as one of them, I've heard that Leo Kottke has > transposed all of his songs to standard! Taking multiple > guitars to gigs - and keeping them tuned - is a pain in the > butt, and when you're flying it gets quite spendy. > > I can't imagine Vaseline Machine Gun in standard! > > I can't understand why no one has successfully invented > a tuning peg that could auto tune your guitar. I talked to > Paul Smith (PRS) about this a while back and he said it was > because of the weight of the tuner changing the tone of the > guitar. But I think I saw that Gibson had one coming out. > > I'd like to have that for a Q Stick guitar. > > Paul has some KILLER amps that should be available soon! > And acoustic guitars. > > For me, to address Per's original thought, the C > tuning, CGCGCE, seemed to have the widest range. But I > don't experiment much any more. I thought I'd > invented that tuning in the sixties, but then I heard Peter > Lang using it so it must have occurred to multiple seekers > at once - as ideas tend to do. > > I get sea sick reading about all the tunings for lap steel! > Sheesh! So I'm saving that for my old age! :) > > DADGAD is a very strange tuning to solo in. I've heard > folks do it well, but I would be more inclined to a standard > open D major or minor. But DADGAD is the bomb for all that > Norwegian Wood kind of stuff. I've done a lot of that > and still love it. > > Like an old farm wagon, I continue to find new stones, > twists and challenges in my old ruts. > > richard sales > www.glasswing.com > www.richardsales.com > www.hayleysales.com From Loopers-Delight-request@loopers-delight.com Sun Mar 1 01:35:01 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id CECB93BFAA; Sun, 1 Mar 2009 01:35:01 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-Id: <121D2977-2834-4363-9749-BC329A6FD790@mikecrain.com> From: Mike Crain To: Loopers-Delight@loopers-delight.com Content-Type: multipart/alternative; boundary=Apple-Mail-11--133937971 Mime-Version: 1.0 (Apple Message framework v930.3) Subject: Re: Live Looping: it pops up everywhere gone OT Xenakis Date: Sat, 28 Feb 2009 17:34:59 -0800 X-Mailer: Apple Mail (2.930.3) Resent-Message-ID: <8Q1A7B.A.0OB.FZeqJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89166 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 01:35:01 +0000 (UTC) --Apple-Mail-11--133937971 Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes Content-Transfer-Encoding: 7bit Try the Red Fish Blue Fish group. It's based in San Diego and is the percussion ensemble under the direction of Steven Schick. It's a fantastic disc!! Mike Crain Percussionist/Composer Sacramento, CA 95818 mike@mikecrain.com http://www.mikecrain.com http://www.myspace.com/mikecraincom "Not only will the harmonic possibilities of the overtones be revealed in all their splendor, but the use of certain interferences created by the partials will represent an appreciable contribution." - Edgard Varese --Apple-Mail-11--133937971 Content-Type: text/html; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Try the Red Fish Blue Fish = group. It's based in San Diego and is the percussion ensemble under the = direction of Steven Schick.

It's a fantastic = disc!!


Mike Crain
Percussionist/Composer
Sacramento, CA = 95818
mike@mikecrain.com
Not only will the harmonic possibilities of the overtones be = revealed
will represent = an appreciable = contribution.  




= --Apple-Mail-11--133937971-- From Loopers-Delight-request@loopers-delight.com Sun Mar 1 01:35:55 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 83E583BFAA; Sun, 1 Mar 2009 01:35:55 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=yahoo.com; s=s1024; t=1235871354; bh=Y3uLjEGtaiSdXmHcGJ69Qh+qEf7VXSzv0xOMi6pYD6A=; h=Message-ID:X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type; b=vmENh+AuvFE/ocC+NjUdqn6aS6ZLVe48ML1HWmYF4L60YdLDhN2Q4apieaQdHZJYxVhVpKyRYCZRLJct45pe9DOOClJXvwaJ1zNYKInV2nOteqHsww7+8ureRE4HyCyXuNV1JLoDkoYoHqNO4XNQXkYMaZuxFV+z7lgrFQ6Kz8w= DomainKey-Signature:a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=Message-ID:X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type; b=u2BdPPeQXZ7N4Yqx7ETeMvN1IK6isA3KBmPp0961M9hTMKjUQVBy53XZ5PlmueR0/9ZyHbqjXgPUxEWJN92IugMFp9caP222aNAKWffuLLGInM28SEVTPMKcqs4FSW2xAXlcGDDHap+veN0YPkFN9KzYJkdNUecCUJLi216YIrY=; Message-ID: <595320.87930.qm@web32704.mail.mud.yahoo.com> X-YMail-OSG: JL_I2WgVM1n1a3Kpxn1.gGt5WWq6sLVJra3Gt3CkF.hyKfzSNesOSC3LEvLzs3jZ8Vyyg6zKSQuD8tjfAnfhAWe5NQY8hnGnJNC5n9Yn_5iPopl4X8vPJc3M_2lFrz8S4Nl2_mlE1CPpDw_OMlC4nGYSAyS8hdw.wLA5dBbjaLRGbLUdydNFyXI4XH_VEfYRV62n3gL2Lo.SwNA0yHcbaMZEPD7D7PM- X-Mailer: YahooMailWebService/0.7.289.1 Date: Sat, 28 Feb 2009 17:35:54 -0800 (PST) From: bill bigrig Reply-To: billbigrig@yahoo.com Subject: Re: OT: Tuning guitar in fifths for wider orchestration options To: Loopers-Delight@loopers-delight.com In-Reply-To: <49A8D77E.50500@mhorse.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89167 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 01:35:55 +0000 (UTC) Howdy, When I wanted to learn mandolin so that I could make muzik ala Nash the Slash, and FM, I tuned the mandolin to the middle 4 strings of a guitar. Obviously, I couldn't use the note values of the guitar so I just transposed them down, (or up, i don't remember), to the most practical open notes of the mandolin. You have to get used to the open chords being in a different key, but it worked great for me. Fast forward to now, recently bought an acoustic/electric mandolin and i'm going to be right in the middle of FM country. Ben Mink and Nash the Slash are becoming quite acheivable now. rig --- On Fri, 2/27/09, Daryl Shawn wrote: > From: Daryl Shawn > Subject: Re: OT: Tuning guitar in fifths for wider orchestration options > To: billwalker@baymoon.com, Loopers-Delight@loopers-delight.com > Date: Friday, February 27, 2009, 10:19 PM > No sweat, I was putting myself pretty far out there and > didn't have a very thick branch to hang from. It's > always interesting to hear about the paths that serious > players take. I used to looove effects boxes, and may go > there again someday, who knows. > > That is a really, really pianistic voicing - pretty cool no > matter how you pull it off! Now I'm thinking about > voicing harmonic minor in different keys and seeing where > that takes me... > > best, > > Daryl Shawn > www.swanwelder.com > www.chinapaintingmusic.com > > > Dude, sorry to be so emphatic. To be honest, I just > went through a long > > period of minimizing my signal processing and > simplifying my rig as a > > conscious choice to free myself of the reliance on > effects, and it helped me > > to realize I could jettison all but the most basic > effects ( for me that is > > compression, overdrive, delay, and reverb) and still > get my music across. It > > was liberating, and when I finally ended my effects > sabbatical, it gave me > > new inspiration for using stuff I hadn't used in a > long time, Like filter > > effects, ring modulation and polyrhythmic delay. And > I've been through > > periods where I got sick of DADGAD, where I felt > played out in the tuning, > > but recently I have been using the approach where > I'll pick a mode I like > > and see how well I can voice that mode in a given > tuning, and that will open > > a compositional thread. For a long time I couldn't > break out of the > > > Blackmountainsidedaveygrahamceltic6/8reelyjiggydronytriplety > vibe that > > DADGAD is known for. But try voicing D or A harmonic > minor in that same > > tuning and it becomes a different thing altogether. I > think it is perfectly > > valid to use as many or as few tools as one needs to > find there musical > > bliss. Per was originally asking about tunings to > increase his range on the > > instrument, and of course we all mutated away from > that :) I don't think I > > belong to any kind of cool club by using alternate > tunings, but I got to > > agree with Bob Brozman on this one, what we call > standard tuning, for all we > > know, was an arbitrary decision. Viva La > difference!!!! > > Bill > > > > > > PS the chord was a result of trying to play close > piano voicing's in > > standard tuning, a result of a couple of lessons I > took from pianist Art > > Lande many many years ago, I think he thought I was > nuts:) I alternate the > > low E, and the C#, B, and A on the A string as an > alternating bass notes > > under the upper extensions of the chord, which is an E > major add 9 add 11. > > Then I do massage therapy on my hands for several > hours :) From Loopers-Delight-request@loopers-delight.com Sun Mar 1 01:43:21 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 569BB3BFAD; Sun, 1 Mar 2009 01:43:21 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=yahoo.com; s=s1024; t=1235871800; bh=bTOiI4//JlJrAQk+KEhnZT5gtqg1dy0o+pijllFKoNA=; h=Message-ID:X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding; b=3XThaiQb6/cRJigOt17NpD8MStx/tcawW+wOI6yqu5OHo8hHce8NSZLAEmi0yzctLl3R3gZPxNmod3HjI1mFB3KY0Blhr9ii/iawVq3Z6+pG9L0bKpn8XgU1HDe1djGCCGnte6iNYIxAdS8rHMevrVU28j6F+It8Dy15rzDw8TE= DomainKey-Signature:a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=Message-ID:X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding; b=10H6GnX+FhnIqY+XBpq32D22hyk55R2wfJ+K6kFy6ZGIfJ0bwiRQp55VS7WfTtppU2AyiCzcIdzZBktRhEl2XWIjIJexZqrWCxlzwZw3fasxDi+t3bjUV5esjTcwKh0ZXL0YraPNv2WxvJ7dL10VPLq59TJ/dcIMRs5tEhotT1c=; Message-ID: <375205.93148.qm@web32704.mail.mud.yahoo.com> X-YMail-OSG: V17zYYQVM1nMlzoBLkfABIegw6U5Y6wQQtKsysDnqOY58wFwpQXCOKcxcIlZWDr6ec8xc6eSOR9P.PNi1dqasE_7P9p2oSVoU0vJPDeIYIKomMiNJsmNL55cWM0f87iw3om4D3sp2lsk8eezmhgiPCfeobc1TsiX4PvY_RvBOC4RdcOa_lwm0ZX5Vk5bZOWbrGUwZOpn_cJ5KpLAtjH6y_rVmgGSgg-- X-Mailer: YahooMailWebService/0.7.289.1 Date: Sat, 28 Feb 2009 17:43:20 -0800 (PST) From: bill bigrig Reply-To: billbigrig@yahoo.com Subject: Re: OT: Tuning guitar in fifths/ my rant defending alt. tunings :-) To: Loopers-Delight@loopers-delight.com In-Reply-To: <49A8A74A.5030501@mhorse.com> MIME-Version: 1.0 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: quoted-printable Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89168 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 01:43:21 +0000 (UTC) Howdy, Does anyone know if bruce Cockburn used an open tuning on "Dust and Diesel= "? Can anyone give me the chords or lead me to the tablature? Thanx Rig --- On Fri, 2/27/09, Daryl Shawn wrote: > From: Daryl Shawn > Subject: Re: OT: Tuning guitar in fifths/ my rant defending alt. tunings = :-) > To: agentlesoul2004@yahoo.com, Loopers-Delight@loopers-delight.com > Date: Friday, February 27, 2009, 6:54 PM > Whoa, I certainly wasn't claiming I'm more creative > or talented than anyone else - yikes!! Hell no! No offense > taken, but I wasn't putting myself above anyone who does > use different tunings. That's a nice list. (Not that > Keith Richards is exactly known for his solo work...). I > should have placed more effort in indicating that, for ME, > for what I'm interested in, I don't see a whole lot > of possibilities that can't be gotten at otherwise. BUT > I'm a nylon-string player. I might feel different if I > had a dreadnaught Taylor, or if I was inspired by the > English folk/American roots path that the soloists among the > people you mention generally spring from. (Mitchell's > Ellington fixation aside). I'm more inspired by jazz, > classical and flamenco players, where playing in alternate > tunings isn't part of a tradition, and moreover, would > be a real limitation in the case of improvising. >=20 > I invoked YouTube not to refer to these people, but the > current crop of folks who mainly take a few tricks from > Michael Hedges (another alt-tuner who I have tremendous > respect for) and go a-tapping and a-slapping all day long. I > don't wish to directly put down artists so I won't > name names, but if you search for Hedges videos, a few links > away you'll find the people I'm talking about. >=20 > cheers, >=20 > Daryl Shawn > www.swanwelder.com > www.chinapaintingmusic.com >=20 > > my friend, with all due respect to your post, why in > God's holy name would you use youtube as your evidence > of boring amateur alt. tuning solo guitarist's? I > assume you are NOT referring to John Fahey, Leo Kottke, Nick > Drake, Joni Mitchell, Neil Young, Richard Thompson, Jimmy > Page,John Renbourn, John Martyn, Chet Atkins, Sonic Youth, > Swervedriver, THE GREAT KEITH RICHARDS WHO WROTE MORE 3 > CHORD ROCK SONGS IN HISTORY IN OPEN G THAN ANYBODY HAS A > RIGHT TO--how in the world can THAT be limiting?? Pierre > Bensusan, Martin Carthy, Bruce Cockburn, Ry Cooder, David > Crosby? Hell even boring ass Eric Clapton and even more > boring Peter Frampton use alt. tunings!!! Are you more > creative than all these guitarist's both as a guitarist > and more importantly a composer in altered tunings? I > DON'T mean to be rude at all or disrespectful to you > sir, but I propose there are only limited minds, NOT limited > tunings!! :-) If you doubt my word on the above using > them they are all documented in Mark Hanson's excellent > book "The Complete Book of Alterate Tunings" =20 > peace my friend marc > >=20 > > /Marc Marshall/ > > // /"I am human, I am large, I contradict > myself"/ > > // /.....and then some / > >=20 > >=20 > > --- On *Fri, 2/27/09, Daryl Shawn > //* wrote: > >=20 > > From: Daryl Shawn > > Subject: Re: OT: Tuning guitar in fifths for wider > orchestration > > options > > To: Loopers-Delight@loopers-delight.com > > Date: Friday, February 27, 2009, 3:17 PM > >=20 > > With a heaping helpful of due respect to all those > whose alt-tuned playing I > > enjoy - and the distinct feeling that I'm a > lone fuddy-duddy here - I'm > > one of those resisters, though I did play in > nothing but altered tuning for a > > long time. For me, the advantage was the mental > breaking of ruts, but I found it > > was the wrong approach - treating the symptoms, > not the cause of the rut. > > I'd found myself always playing the same > things, but came to see that I was > > simply limited in the technique and knowledge I > had. Altered tuning threw away > > the experience I'd already gained, so I ended > up even quicker in a new rut - > > I was tuned DADGCF, so suddenly I started writing > everything in D minor. After > > five years, I switched back to standard, and > practice as often as I can in it, > > and haven't found myself in a rut (by my own > subjective analysis, of > > course...) since. The solution was increasing my > knowledge of the guitar, > > getting closer to the goal of making seamless the > division between self and > > instrument, able to play what I heard in mind, not > putting fingers down and > > finding new sounds by chance. > >=20 > > I dunno...if a sax player gets in a rut, do they > quickly switch to clarinet? Or > > do they practice different things, seek out new > music to listen to, find new > > playing opportunities to challenge the rut, which > is a mental construct anyway? > >=20 > > Honestly, I don't see a world of possibilities > in switching tunings. Sure, > > there's a big ringing resonance that one can > get with unisons or open > > octaves, but that already sounds played out to my > ears unless the composition is > > a good one. If you go on YouTube and watch the > scores of open-tuned solo guitar > > players, you'll see the easy temptations they > fall into - basing everything > > on a pedal note on the lowest open string, sliding > around the same chord > > position on the low strings with the high ones > ringing out, hitting the 12th and > > 5th fret harmonics compulsively in every damn tune > - because those tricks sound > > good, at an average and tired level of good. > >=20 > > Just my experience...YMMV (and probably already > has, I'm gathering!). > >=20 > > Daryl Shawn > > www.swanwelder.com > > www.chinapaintingmusic.com > >=20 > > > I know many guitarists that resist open > tunings and I honestly don=E2=80=99t > > know why. They really open up another world of > possibilities and are a great way > > to take a break from standard tuning, if for no > other reason than to provide > > fresh perspective and break out of playing ruts. > > > > Bill > > >=20 > >=20 > > =20 > >=0A=0A=0A From Loopers-Delight-request@loopers-delight.com Sun Mar 1 01:59:26 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id F17223BFAD; Sun, 1 Mar 2009 01:59:25 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=yahoo.com; s=s1024; t=1235872764; bh=x5QIzdl28IrSVI8OoiNrY5/lqrsvVYt7e5j2v1Eux/o=; h=Message-ID:X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding; b=2vqD1ejz/R7aL/eGg1ez2y03ht5N0VotRQ6RziDeDDMRDnjLxnTbcpRsGq54vuHeZi7bIM8WZrY5JfS1iegm0R18H/wvwhgjqm7KIeH+lmIxzPzC3uAxj3j0n3PIolFh/Cy51SdgG/rQHdvqeltp6baZpcXPgEU8VuwYfSwLqD8= DomainKey-Signature:a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=Message-ID:X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding; b=a43gTLElb5Vznt6sd65x4VlyRFKYJbDkNCJnqByua+UN6ix4hF6vpdWVVZeFtYuv180znvihmzTdJRhuu6r48tCcanZVlmc59onTHFIV/XT+jRhFYpzzJo8jhpCOJHWzW7wFmggTi8ko/wWfpW/Uoynj9PxpclOwLyn1toLBWl8=; Message-ID: <890450.22556.qm@web32703.mail.mud.yahoo.com> X-YMail-OSG: wvVL0jIVM1mh89xSpOojvDDOLKMW3.455MVNeCcjuYpA7cxIk.RVKtaswXlWXqkdBuyKWmmUM9EJTJYpEqnRU6UqTGy.Kl7saHWyeDGqmaWcgelrAuFEAHkHovV0ilXPcuLSBxrbrwcyeK4xef5jmv6yzCoE0CstUQDMOLow5_PUEg_5UiJH3gd2hSBR6b_on0Gsq83vd9lcsccw2LbqPoYb9GXDtPM08c9FmGeM1Heu1zVrx5z_sVVyj5TG X-Mailer: YahooMailWebService/0.7.289.1 Date: Sat, 28 Feb 2009 17:59:24 -0800 (PST) From: bill bigrig Reply-To: billbigrig@yahoo.com Subject: Re: OT: Tuning guitar in fifths for wider orchestration options To: Loopers-Delight@loopers-delight.com In-Reply-To: <49A84A4E.3030304@mhorse.com> MIME-Version: 1.0 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: quoted-printable Resent-Message-ID: <9nfbqB.A.SPC.9veqJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89169 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 01:59:25 +0000 (UTC) Howdy, I knew a guitarist that one night, while we were on the road, had had a f= ew beers and went all hyper about different tunings and started showing off= all the ones he knew. EVERY alt. tuning he used was accompanied by the usu= al chords, slides, etc. What really impressed me though was the virtuosity = he displayed when breaking into lead lines, runs, fingered chords, and just= fast, melodic playing. It was highly educational. He proved to me that an = open tuning limits you only as much as you allow it. Rig --- On Fri, 2/27/09, Daryl Shawn wrote: > From: Daryl Shawn > Subject: Re: OT: Tuning guitar in fifths for wider orchestration options > To: Loopers-Delight@loopers-delight.com > Date: Friday, February 27, 2009, 12:17 PM > With a heaping helpful of due respect to all those whose > alt-tuned playing I enjoy - and the distinct feeling that > I'm a lone fuddy-duddy here - I'm one of those > resisters, though I did play in nothing but altered tuning > for a long time. For me, the advantage was the mental > breaking of ruts, but I found it was the wrong approach - > treating the symptoms, not the cause of the rut. I'd > found myself always playing the same things, but came to see > that I was simply limited in the technique and knowledge I > had. Altered tuning threw away the experience I'd > already gained, so I ended up even quicker in a new rut - I > was tuned DADGCF, so suddenly I started writing everything > in D minor. After five years, I switched back to standard, > and practice as often as I can in it, and haven't found > myself in a rut (by my own subjective analysis, of > course...) since. The solution was increasing my knowledge > of the guitar, getting closer to the goal of making seamless > the division between self and instrument, able to play what > I heard in mind, not putting fingers down and finding new > sounds by chance. >=20 > I dunno...if a sax player gets in a rut, do they quickly > switch to clarinet? Or do they practice different things, > seek out new music to listen to, find new playing > opportunities to challenge the rut, which is a mental > construct anyway? >=20 > Honestly, I don't see a world of possibilities in > switching tunings. Sure, there's a big ringing resonance > that one can get with unisons or open octaves, but that > already sounds played out to my ears unless the composition > is a good one. If you go on YouTube and watch the scores of > open-tuned solo guitar players, you'll see the easy > temptations they fall into - basing everything on a pedal > note on the lowest open string, sliding around the same > chord position on the low strings with the high ones ringing > out, hitting the 12th and 5th fret harmonics compulsively in > every damn tune - because those tricks sound good, at an > average and tired level of good. >=20 > Just my experience...YMMV (and probably already has, > I'm gathering!). >=20 > Daryl Shawn > www.swanwelder.com > www.chinapaintingmusic.com >=20 > > I know many guitarists that resist open tunings and I > honestly don=E2=80=99t know why. They really open up another world > of possibilities and are a great way to take a break from > standard tuning, if for no other reason than to provide > fresh perspective and break out of playing ruts. > >=20 > > Bill > >=0A=0A=0A From Loopers-Delight-request@loopers-delight.com Sun Mar 1 06:16:40 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id EE3813BF9B; Sun, 1 Mar 2009 06:16:39 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: From: To: References: <7B2752428A654566B0DF6C49BC17A18A@MichaelPC> In-Reply-To: Subject: Re: Free fractal music Software? Date: Sun, 1 Mar 2009 00:16:35 -0600 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Windows Mail 6.0.6001.18000 X-MimeOLE: Produced By Microsoft MimeOLE V6.0.6001.18049 X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - server316.tchmachines.com X-AntiAbuse: Original Domain - loopers-delight.com X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - michaelplishka.com Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89170 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 06:16:39 +0000 (UTC) Tony K, any info on Fractmus? It runs for a while- I get all excited and then it crashes... ----- Original Message ----- From: "Tony K" To: Sent: Friday, February 27, 2009 2:28 PM Subject: Re: Free fractal music Software? some sites to explore.. http://homepage.ntlworld.com/doklands/fract.html http://www.brotherstechnology.com/math/fractal-music.html http://gingerbooth.com/courseware/fracmusic.html http://www.geocities.com/SiliconValley/Haven/4386/ I've used the last one (FractMus) pretty cool stuff. On Fri, Feb 27, 2009 at 3:09 PM, wrote: > Not free but too cool! http://tinyurl.com/buw7nl > I'm majorly diggin this... > > ----- Original Message ----- > From: mike@michaelplishka.com > To: Loopers-Delight@loopers-delight.com > Sent: Friday, February 27, 2009 12:30 AM > Subject: Free fractal music Software? > Anyone know any good, free fractal music software (not necessarily image > based)? > > ~peace~ > > > www.michaelplishka.com > www.zenstorming.com > www.scribbledmusings.com > -- -==-=-=- Tony From Loopers-Delight-request@loopers-delight.com Sun Mar 1 07:54:34 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id B7D613BF9B; Sun, 1 Mar 2009 07:54:34 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <49AA3F33.4080705@cruzio.com> Date: Sat, 28 Feb 2009 23:54:27 -0800 From: Rick Walker User-Agent: Thunderbird 2.0.0.19 (Windows/20081209) MIME-Version: 1.0 To: "LOOPERS DELIGHT (posting)" Subject: Re: OT: Tuning guitar in fifths for Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89171 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 07:54:34 +0000 (UTC) I haven't read every post in this thread (so please forgive me if I missed a similar reply) but has anyone mentioned that a Violin is tuned in fifths because it is a very small instrument compared to an Upright Bass (tuned in fourths)? One can play some pretty beautiful and intense chords on a Mandolin or a Ukele for this same reason (long live Bill's 'Honey, I shrunk the guitar' guitar). On a normal scaled guitar, however, t's a long, long stretch (compared to a person like myself with smallish hands) from a fifth back to a third or minor third if the guitar is tuned in fifths. **************************** That being said and done: I just find that If I doodle around with a new tuning, open or otherwise that different melodic and harmonic themes will naturally pop out depending on the tuning. Martin Simpson talks about using the five standard simple guitar chordal shapes and just moving them around on the guitar in different tunings....................Songs just pop out of the guitar using this simple approach. I was teaching a bass student today and he was futzing around with my thrift store bought baritone ukelele which I have tuned to an open 7th chord. He's a much more sophisticated string player than me (I'm teaching him rhythmic studies) and he just was bringing amazingly beautiful things out of the uke (which sounds like some beautiful mixture of a toy plastic guitar and a nylon string classical guitar and not like a ukelele at all). I was just marvelling at how this simple four note tuning was producing such beautiful stuff. I think a fantastic guitarist can play anything on anything if they work it enough. For me , this discussion is mostly about creating new things to surprise and delight ourselves, compositionally. Rick Walker (I'm not a guitarist, but I play one on TV) From Loopers-Delight-request@loopers-delight.com Sun Mar 1 08:15:08 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 27B003BF95; Sun, 1 Mar 2009 08:15:07 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-Id: From: Mike Crain To: Loopers-Delight@loopers-delight.com Content-Type: multipart/alternative; boundary=Apple-Mail-2--109934019 Mime-Version: 1.0 (Apple Message framework v930.3) Subject: Re: Live Looping: it pops up everywhere gone OT Xenakis Date: Sun, 1 Mar 2009 00:15:03 -0800 X-Mailer: Apple Mail (2.930.3) Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89172 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 08:15:07 +0000 (UTC) --Apple-Mail-2--109934019 Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes Content-Transfer-Encoding: 7bit . . . . and perhaps I should say Red Fish Blue Fish is the Host percussion ensemble at University California San Diego. anyway . . . check it out if you can. Mike Crain Percussionist/Composer Sacramento, CA 95818 mike@mikecrain.com http://www.mikecrain.com http://www.myspace.com/mikecraincom "Not only will the harmonic possibilities of the overtones be revealed in all their splendor, but the use of certain interferences created by the partials will represent an appreciable contribution." - Edgard Varese --Apple-Mail-2--109934019 Content-Type: text/html; charset=US-ASCII Content-Transfer-Encoding: quoted-printable  . . . . and perhaps I = should say Red Fish Blue Fish is the Host percussion ensemble at = University California San Diego.

anyway . . . check = it out if you can.


Mike Crain
Percussionist/Composer
Sacramento, CA = 95818
mike@mikecrain.com
Not only will the harmonic possibilities of the overtones be = revealed
will represent = an appreciable = contribution.  







= --Apple-Mail-2--109934019-- From Loopers-Delight-request@loopers-delight.com Sun Mar 1 10:18:00 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id D5CCE3BF95; Sun, 1 Mar 2009 10:18:00 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com From: "Michael Peters" To: "Loopers Delight" References: <890450.22556.qm@web32703.mail.mud.yahoo.com> Subject: RE: OT: Tuning guitar in fifths for wider orchestration options Date: Sun, 1 Mar 2009 11:17:58 +0100 Message-ID: <004301c99a56$ff2835a0$fe78a8c0@mpeserver> MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable X-Mailer: Microsoft Office Outlook 11 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3350 Thread-index: AcmaT9YeZXbkjSVHS+mON3Qu2aaK6wABbG+Q In-Reply-To: <890450.22556.qm@web32703.mail.mud.yahoo.com> X-AntiVirus: checked (outgoing) by AntiVir MailGuard (Version: 8.0.0.45; AVE: 8.2.0.98; VDF: 7.1.2.96) Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89173 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 10:18:00 +0000 (UTC) my 2 cents, about 20 years ago I felt totally stuck and frustrated with = my guitar style and technique. At this time I went to the first Guitar = Craft course in Germany and retuned my guitar to Fripp's new standard tuning (CGDAEG). I decided to throw away everything I could play and continue = with this new tuning exclusively. I started with Guitar Craft material and = slowly felt at home with this tuning. I then played in a cover band (Sting, = Dire Straits, Peter Gabriel and such) and I had to work hard to map all these tunes to the NST tuning. That was a good learning experience. Then last year, I got a nice half-acoustic Hagstr=F6m and out of a whim decided to = tune it in the classical EADGBE tuning. How exciting to rediscover the old tuning! How wonderful to be able to learn normal guitar pieces again! I finally own both tunings now. (Now many of my guitar craft friends have = been at home with both tunings for many years, but I seem to be a bit = slower.) -Michael From Loopers-Delight-request@loopers-delight.com Sun Mar 1 10:27:21 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 60E283BF97; Sun, 1 Mar 2009 10:27:21 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:in-reply-to:references :date:message-id:subject:from:to:content-type :content-transfer-encoding; bh=VJAzzriHPg9J7T6BhQmSrHNYNF4CZAqC2lJdBG2HBEU=; b=Wrs4mAgdjq7/+QcjUF8fXabUYrbvqCbuMv6L9RBqp4RgQV3UHknqQZjZ4Pw6UTTio3 gqzf2ZysfcKxrZXBnm/ClASEq2s/ciMjNkpW+/k1tVkVrqZZ52Nfb/pS77FqePhsraej 68ej30v7CemRexDcubbz1HW6Gd1s6H4eazfyE= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type:content-transfer-encoding; b=fD1SmV4lwuwXqHs98nw5cwC5XCrOEz8FUWIOX6fmzBoBC6Ytf9kQd0FFvK7ep3u7hA 1WCqhF7mLmtCGM4JHQOp/Vr+O2FmMUEsyfOqz8p4ThMP5fYmqA/i5jqiHasS3gSKE5vS aRIln5E8GENWEAPAvi6YuwOZ7900TkyqSaH34= MIME-Version: 1.0 In-Reply-To: <66f9cc1e0903010223gcdd2ba2n3b1ea47aa18de36@mail.gmail.com> References: <49A9D67D.5090906@post.cybercity.dk> <518740.71044.qm@web32708.mail.mud.yahoo.com> <66f9cc1e0903010223gcdd2ba2n3b1ea47aa18de36@mail.gmail.com> Date: Sun, 1 Mar 2009 11:27:20 +0100 Message-ID: <66f9cc1e0903010227g641e5d7v6a2ab17e4b08ae34@mail.gmail.com> Subject: OT: Tuning guitar in fifths for wider orchestration options From: Per Boysen To: loopers-delight Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89174 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 10:27:21 +0000 (UTC) On Sun, Mar 1, 2009 at 1:40 AM, bill bigrig wrote: > =A0Isn't 5th tuning on a guitar pretty much just tuning it as if were a l= arger mandolin or violin? That's right! On Sun, Mar 1, 2009 at 1:27 AM, van Sinn wrote: > Exactly! =A0While alternate tunings are interesting, so is more strings ;= ) > I was set for a 7-stringer, but decided to wait it out till I can afford = an > eight or nine stringer. Well, for me buying a new instrument is not an option. But buying some thicker strings is something I can afford. So, many thanks to Ariel that posted suggestions for a suitable gauge in this tuning! And thanks to everyone else that answered the question. The thread really took off into a lot other interesting paths! Love this list :-) Greetings from Sweden Per Boysen www.boysen.se www.perboysen.com From Loopers-Delight-request@loopers-delight.com Sun Mar 1 13:02:19 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 4A7FF3BFA6; Sun, 1 Mar 2009 13:02:19 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=6l/ULpqONuy/yMcYQyhL4z+NRUXvy6N97WGsOS0QV6li/kDG7rZ+j38fTZWF6d/J61MkN9gfH2A5nXYrmvIc6Y6lTYBbW0XFgKChIPcQwdyg7OFBTc68+1zYy2OZcitEtVJNdNE0ohuWmC2MTdG0WwiqMncoo5HRbVBVRg3GPuo=; X-YMail-OSG: j2Ce5ngVM1lQJQxNnf42QOC6sxKuU3MxE_BVg8iP2dqhtKiTPnziILVfRHWvB4yQwon8CiBWTyo_Xy8hx38lskubhNq2cEQMsiFjsiWu1HZ20Uc.Q1oABRMKyWn2lSbvsLnfoiHG8TLqF7sv4fM35AWq9D8N8Rr_XBRnfOmMlExG951P9sjOVGw2XXN0qg-- X-Mailer: YahooMailWebService/0.7.289.1 Date: Sun, 1 Mar 2009 05:02:17 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: OT: Tuning guitar in fifths for wider orchestration options To: Loopers-Delight@loopers-delight.com In-Reply-To: <49A9DC87.7070401@post.cybercity.dk> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <56644.43223.qm@web38608.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89175 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 13:02:19 +0000 (UTC) actually the system was invented years ago before in the U.S. by trance performance,Jimmy Page,Graham Nash and others have been using this system succesfully for years,the German company just put this whole concept into tuning pegs instead of inside of the body of the guitar. However i ve read a lot of negative reviews on this new gibson prototypes and about the system being too expensive and not being really efficient and having major issues. I called the power tune company here in germany not long ago to ask them if they would consider developing this technology for acoustic guitar but they said thats something they will try to explore,although is much more complicated to develop for some reason.Trance performance however has already done it and brought out an acoustic guitar prototype that costs a fortune with the system inside(there was a video of Graham Nash commenting on it it but i lost the link) but it seems like a monstrous task and you would have to buy a guitar with it otherwise your precious acoustic will go through some major surgery!! but for me if any of this companies comes out with an efficient tuning peg system accesible for all acoustic guitars then it will be a dream come true!! Luis > > I can't understand why no one has successfully > invented a tuning peg that could auto tune your guitar. I > talked to Paul Smith (PRS) about this a while back and he > said it was because of the weight of the tuner changing the > tone of the guitar. But I think I saw that Gibson had one > coming out. > > It's available, wasn't invented by Gibson, but a > German. Gibson licenced it. I can poke the name/link. The > system is available for some Fender & Gibson > look/work-alike guitars. About a thousand euro, last I > checked. > There's the system made famous by Jimmy Page. Yikes, > more memory losses. > > > -- rgds, > van Sinn From apache@testarchitecten.nl Sun Mar 1 13:04:36 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: from testarchitecten.nl (s3.breda.mach-it.net [213.197.60.6]) by arsenic.violacea.com (Postfix) with ESMTP id 27F843BF92 for ; Sun, 1 Mar 2009 13:04:32 +0000 (UTC) Received: from apache by testarchitecten.nl with local (Exim 4.67) (envelope-from ) id 1LcrUb-0005Ej-58 for looparc@loopers-delight.com; Fri, 27 Feb 2009 02:26:21 +0100 To: looparc@loopers-delight.com Subject: You've received A Hallmark Valentine-Card! From: hallmark.com Content-Type: text/html Message-Id: Date: Fri, 27 Feb 2009 02:26:21 +0100
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From Loopers-Delight-request@loopers-delight.com Sun Mar 1 13:42:15 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id E8AB83BF97; Sun, 1 Mar 2009 13:42:14 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Trace: 159049069/mk-filter-1.mail.uk.tiscali.com/B2C/$b2c-THROTTLED-DYNAMIC/b2c-CUSTOMER-DYNAMIC-IP/79.78.163.94/None/akbutler@tiscali.co.uk X-SBRS: None X-RemoteIP: 79.78.163.94 X-IP-MAIL-FROM: akbutler@tiscali.co.uk X-MUA: Thunderbird 1.5.0.9 (Windows/20061207) X-IP-BHB: Once X-IronPort-Anti-Spam-Filtered: true X-IronPort-Anti-Spam-Result: Ak0BADsfqklPTqNe/2dsb2JhbAAI1lmEGgaGUg X-IronPort-AV: E=Sophos;i="4.38,284,1233532800"; d="scan'208";a="159049069" Message-ID: <49AA92A3.5060503@tiscali.co.uk> Date: Sun, 01 Mar 2009 13:50:27 +0000 From: andy butler User-Agent: Thunderbird 1.5.0.9 (Windows/20061207) MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com Subject: Re: OT: Tuning guitar in fifths/ my rant defending alt. tunings :-) References: <119655.6010.qm@web51506.mail.re2.yahoo.com> <49A8A74A.5030501@mhorse.com> In-Reply-To: <49A8A74A.5030501@mhorse.com> Content-Type: text/plain; charset=UTF-8; format=flowed Content-Transfer-Encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89176 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 13:42:14 +0000 (UTC) Daryl Shawn wrote: > BUT I'm a nylon-string player. Hmm, that's interesting. I also play a lot of nylon guitar, it was pretty much my main thing at one time. Only alt tunings I ever found appealing on it were dropped D for that nice bass note, or dropping the G to F# to play lute tab. With steel strings, I like the change in sound from changing the tension, but with nylon it doesn't inspire. I wonder how much of the appeal from alt tuning is the change in timbre, rather than the shifting around of notes. andy From Loopers-Delight-request@loopers-delight.com Sun Mar 1 15:32:53 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 26A6A3BF95; Sun, 1 Mar 2009 15:32:53 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <49AAAC65.7090504@post.cybercity.dk> Date: Sun, 01 Mar 2009 16:40:21 +0100 From: van Sinn Organization: van Sinn User-Agent: Mozilla/5.0 (X11; U; Linux i686; en-US; rv:1.4) Gecko/20030624 Netscape/7.1 X-Accept-Language: en-us, en MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com Subject: Re: OT: Tuning guitar in fifths for wider orchestration options References: <56644.43223.qm@web38608.mail.mud.yahoo.com> In-Reply-To: <56644.43223.qm@web38608.mail.mud.yahoo.com> Content-Type: text/plain; charset=us-ascii; format=flowed Content-Transfer-Encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89177 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 15:32:53 +0000 (UTC) I haven't looked into either solutions for a long time: costs! 8-( However, I did wonder how micro-motor driven tuners on the headstock would stay stable, given that strings will be dragged over the nut. I'd think the Trans Performance system will be much more stable, as it features motor driven tuners as part of the bridge, i.e. akin to a headless tuner system. I once saw a vid of Page demonstrating the system; very impressive! Also, this system can hold a large number of tunings, whereas the tuner peg system can only do 5-7, IIRC. Whichever solution, it still means slacking and tensioning strings. I'm pretty sensitive to tension, so while a few 'nearby-related' tunings might work fine, retuning to quite varying systems seems less feasible. Two applications which might work really well would be a fretless guitar and a slide axe. Elsewhere in this really interesting thread, it was mentioned that certain tunings, open ones included, too easily leads to getting stuck in a groove That's how I feel about slide works; open-E soon gets immensily boring. Ability to retune between various open and whatever tunings on the fly *while* playing the slide.. now, that would be really interesting :nod: Dreams are the stuff life is made of... now, where's the money? L.Angulo wrote: > actually the system was invented years ago before in the U.S. by trance performance,Jimmy Page,Graham Nash and others have been using this system succesfully for years,the German company just put this whole concept into tuning pegs instead of inside of the body of the guitar. > However i ve read a lot of negative reviews on this new gibson prototypes and about the system being too expensive and not being really efficient and having major issues. > I called the power tune company here in germany not long ago to ask them if they would consider developing this technology for acoustic guitar but they said thats something they will try to explore,although is much more complicated to develop for some reason.Trance performance however has already done it and brought out an acoustic guitar prototype that costs a fortune with the system inside(there was a video of Graham Nash commenting on it it but i lost the link) > but it seems like a monstrous task and you would have to buy a guitar with it otherwise your precious acoustic will go through some major surgery!! > but for me if any of this companies comes out with an efficient tuning peg system accesible for all acoustic guitars then it will be a dream come true!! > Luis > > > >>>I can't understand why no one has successfully >> >>invented a tuning peg that could auto tune your guitar. I >>talked to Paul Smith (PRS) about this a while back and he >>said it was because of the weight of the tuner changing the >>tone of the guitar. But I think I saw that Gibson had one >>coming out. >> >>It's available, wasn't invented by Gibson, but a >>German. Gibson licenced it. I can poke the name/link. The >>system is available for some Fender & Gibson >>look/work-alike guitars. About a thousand euro, last I >>checked. >>There's the system made famous by Jimmy Page. Yikes, >>more memory losses. >> >> >>-- rgds, >>van Sinn > > > > > > > . > -- rgds, van Sinn From Loopers-Delight-request@loopers-delight.com Sun Mar 1 16:10:38 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 254F43BF99; Sun, 1 Mar 2009 16:10:38 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:date:message-id:subject :from:to:content-type; bh=wRJ0aU0a8NjB6IXHJ5NmLyXNjZbUhv0u57OmC/IoB1w=; b=HcVNRMWofr4A+5MI0sseCJBRvImqs4zBnnztA105TbNhXDj2XJkztjGqLTkAFb2BRL ZbVm8fnm5oBT/6ukhgXXmxOW4xgmkDy0pxOEbsDEFI93RRkx4rCpuVW9aXyiiq1jcATA 5MhJP3pRBDgFpWjx/fXQqPr3exrYnxSaNDcDU= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:date:message-id:subject:from:to:content-type; b=mcBU12IsaTzi7SzmTYMfl6ZDVzRb4mD50rj9WaHB0sTkTdj13BKb0OX7+wg7Z5Lity 2kkoJTUxzhj4g6n0PwPLuAVeZtXMzPQG2F9Wd+463Umk8XjbEiRQfj23Hl+lHKQ35l1T QkGT57PgWttIMKykswyAxAjx1oR7tRAXkcsj8= MIME-Version: 1.0 Date: Sun, 1 Mar 2009 11:04:20 -0500 Message-ID: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> Subject: RPM CD - Jim Goodin - Vertical released From: Jim Goodin To: loopers-Delight@loopers-delight.com Content-Type: multipart/alternative; boundary=0016e64714c4d67d1c046410da28 Resent-Message-ID: <-gTPsB.A.weG.9NrqJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89178 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 16:10:38 +0000 (UTC) --0016e64714c4d67d1c046410da28 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Some you possibly joined me in participating in the annual February RPM Challenge (www.rpmchallenge.com). For those not acquainted with the world wide web event, it is you might say a personal/artistic sort of directive or inspiration hosted by the Wire magazine and several others, that challenges musicians to create and release a CD of their music entirely done in the month of February. This is my 3rd year and 4th CD (in addition to my solo CD, Daryl [Shawn] and I did our 2nd Chinapainting CD Trick of Amethyst for the 2007 RPM event) to produce through this event. My 2009 RPM CD is titled Vertical and I'm posting it here for download. For Vertical I used fretless guitar, oud, violin, voice and I'm proud to say for this list's interest, looping technology (EHX 2880). 6 of the 18 trax are heavily looped. The link which is a ZIP bundle includes the trax, cover, insert, tray and label graphics. Jim Goodin - Vertical I welcome your comments should you desire. Thanks for listening and again congratulations to all who played this year. Jim PS next up the ReUse project, stay tuned... www.jimgoodinmusic.com www.chinapaintingmusic.com www.vimeo.com/jimgoodindigital --0016e64714c4d67d1c046410da28 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Some you possibly joined me in participating in the annual February RPM Cha= llenge (www.rpmchallenge.com). = =A0For those not acquainted with the world wide web event, it is you might = say a personal/artistic sort of directive or inspiration hosted by the Wire magazine and several others, that c= hallenges musicians to create and release a CD of their music entirely done= in the month of February. =A0This is my 3rd year and 4th CD (in addition t= o my solo CD, Daryl [Shawn] and I did our 2nd Chinapainting CD Trick of Amethyst=A0for th= e 2007 RPM event) to produce through this event. =A0My 2009 RPM CD is title= d Vertical and I'm posting it here for download.

For Vertical I used fretless guitar, oud, violin, voice and = I'm proud to say for this list's interest, looping technology (EHX = 2880). =A06 of the 18 trax are heavily looped.

The= link which is a ZIP bundle includes the trax, cover, insert, tray and labe= l graphics.

I= welcome your comments should you desire.

Thanks f= or listening and again congratulations to all who played this year.

Jim

PS next up the ReUse project, stay tuned...


--0016e64714c4d67d1c046410da28-- From Loopers-Delight-request@loopers-delight.com Sun Mar 1 16:30:35 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 4D6FC3BF94; Sun, 1 Mar 2009 16:30:35 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha1; d=embarqmail.com; s=s012408; c=relaxed/simple; q=dns/txt; i=@embarqmail.com; t=1235925034; h=From:Subject:Date:To:MIME-Version:Content-Type; bh=rRvk3Zj6I6+kk8teBrSRGS/OU6g=; b=po1jyBEnIF3PlaNaf7hljBLgDZySDwnE3p/cSKFFrWC+Rbc4vqAkZXgpOE7F1Zas N8KXcNCtUWsMXqOaM6VZxDawOD63UCfytP5mDFu5oJIem/YRXj5ROiR/cTMqs6Rg; X_CMAE_Category: 0,0 Undefined,Undefined X-CNFS-Analysis: v=1.0 c=1 a=BBN4iAGjS9sA:10 a=FYYQydA7AAAA:8 a=wUJ9XRdNAAAA:8 a=mXmh1LwXAAAA:8 a=ZgFmqT6sAAAA:8 a=VTTnSA-9XNzfDWs79uAA:9 a=rWZqqbblww6z1UUdasEA:7 a=AgbwWuGtO7wqQxXyWCF8JAzP0osA:4 a=Q-HI_so7LLUA:10 a=kZDQ2csh-oYA:10 a=hPofd1mmkRAA:10 a=pufoRJSiRt4A:10 a=K8sKunsjz6wA:10 a=HKjzKo7LuBcA:10 a=br5QjLurtgQA:10 a=b8hG5vVbyAkA:10 a=akHczQuEAAAA:8 a=E_yRJ_AoAAAA:8 a=l9qCn0o8AAAA:8 a=CjxXgO3LAAAA:8 a=WnIsvUKSbm84KS7QIwMA:9 a=CLbyncWw7UOOL_MZKVoA:7 a=UB7gR5q7dVHcK6bPNlUeRAdpWhEA:4 a=2c7NB83bEJEA:10 a=MSl-tDqOz04A:10 a=AfD3MYMu9mQA:10 X-CM-Score: 0 X-Scanned-by: Cloudmark Authority Engine Authentication-Results: smtp02.embarq.synacor.com smtp.user=jeff_d@embarqmail.com; auth=pass (LOGIN) Message-ID: <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> From: "Jeff Duke" To: References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> Subject: Re: RPM CD - Jim Goodin - Vertical released Date: Sun, 1 Mar 2009 11:30:55 -0500 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_000E_01C99A61.2F436160" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.3138 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3350 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89179 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 16:30:35 +0000 (UTC) This is a multi-part message in MIME format. ------=_NextPart_000_000E_01C99A61.2F436160 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hey Jim, way to go, the link sends me to an offer to log in though. I = can hardly wait to hear Vertical. ----- Original Message -----=20 From: Jim Goodin=20 To: loopers-Delight@loopers-delight.com=20 Sent: Sunday, March 01, 2009 11:04 AM Subject: RPM CD - Jim Goodin - Vertical released Some you possibly joined me in participating in the annual February = RPM Challenge (www.rpmchallenge.com). For those not acquainted with the = world wide web event, it is you might say a personal/artistic sort of = directive or inspiration hosted by the Wire magazine and several others, = that challenges musicians to create and release a CD of their music = entirely done in the month of February. This is my 3rd year and 4th CD = (in addition to my solo CD, Daryl [Shawn] and I did our 2nd = Chinapainting CD Trick of Amethyst for the 2007 RPM event) to produce = through this event. My 2009 RPM CD is titled Vertical and I'm posting = it here for download. For Vertical I used fretless guitar, oud, violin, voice and I'm proud = to say for this list's interest, looping technology (EHX 2880). 6 of = the 18 trax are heavily looped. The link which is a ZIP bundle includes the trax, cover, insert, tray = and label graphics. Jim Goodin - Vertical=20 I welcome your comments should you desire. Thanks for listening and again congratulations to all who played this = year. Jim PS next up the ReUse project, stay tuned... www.jimgoodinmusic.com=20 www.chinapaintingmusic.com www.vimeo.com/jimgoodindigital ------=_NextPart_000_000E_01C99A61.2F436160 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hey Jim, way to go, the link sends me = to an offer=20 to log in though. I can hardly wait to hear Vertical.
----- Original Message -----
From:=20 Jim=20 Goodin
To: loopers-Delight@loope= rs-delight.com=20
Sent: Sunday, March 01, 2009 = 11:04=20 AM
Subject: RPM CD - Jim Goodin - = Vertical=20 released

Some you possibly joined me in participating in the = annual=20 February RPM Challenge (www.rpmchallenge.com). =  For those=20 not acquainted with the world wide web event, it is you might say a=20 personal/artistic sort of directive or inspiration hosted by the Wire magazine and several others, = that=20 challenges musicians to create and release a CD of their music = entirely done=20 in the month of February.  This is my 3rd year and 4th CD (in = addition to=20 my solo CD, Daryl [Shawn] and I did our 2nd Chinapainting CD Trick of=20 Amethyst for the 2007 RPM event) to produce through this = event.=20  My 2009 RPM CD is titled Vertical and I'm posting it here for = download.

For Vertical I used fretless guitar, oud, violin, voice and I'm = proud to=20 say for this list's interest, looping technology (EHX 2880).  6 = of the 18=20 trax are heavily looped.

The link which is a ZIP bundle includes the trax, cover, insert, = tray and=20 label graphics.

I welcome your comments should you desire.

Thanks for listening and again congratulations to all who played = this=20 year.

Jim

PS next up the ReUse = project, stay=20 tuned...

www.chinapaintingmusic.com=
www.vimeo.com/jimgoodindig= ital

------=_NextPart_000_000E_01C99A61.2F436160-- From Loopers-Delight-request@loopers-delight.com Sun Mar 1 16:52:08 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 29D393BF89; Sun, 1 Mar 2009 16:52:08 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:in-reply-to:references :date:message-id:subject:from:to:content-type; bh=Rtzn+d7oL6yJM0z5DrLx5XIxCzlhZBd7e5Od6/BuWQk=; b=F+Z1j60iBMUO+IMl8Qoo2o35vYoRNtQ5WpW4a2Jo5KgOJY0xo4OzW6OxduWsSNrFbP yA3rBv372sVveSmvmYmX7FPOxrEU7den5bXmEP15CYoPkP8sMaKbVSfGDoI27DdTqp1H N8AtXlyF/aJ+uWXrhf9RoW20G9MRJGX40d4jE= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; b=WsYunow7nsPQq27N/WLlbNF1EiI0UQcuuiWayZ2UZHOChWhx6BRfgKPQRALmDEX6WK 5M/CIW5mNp+yhMtBsIbq0Rqt6BzcQ/24x9xjtZUOqp+CdeMEdkfMds62Gj8+XRVw4WVJ C3htsGKbZYrNfvUPfLqmCmH14hSLdhLyzSFh4= MIME-Version: 1.0 In-Reply-To: <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> Date: Sun, 1 Mar 2009 11:52:07 -0500 Message-ID: <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> Subject: Re: RPM CD - Jim Goodin - Vertical released From: Jim Goodin To: Loopers-Delight@loopers-delight.com Content-Type: multipart/alternative; boundary=0016364ec924b6481104641185b4 Resent-Message-ID: <0znn6C.A.BK.30rqJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89180 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 16:52:08 +0000 (UTC) --0016364ec924b6481104641185b4 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Jeff and others I believe you have to create an account first on GetDropBox. It's a great free within 2 gig usage service for file transfer and synchronization between say their server (your account) and your primary/secondary computers. Jeff thanks in advance for giving a spin... On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke wrote: > Hey Jim, way to go, the link sends me to an offer to log in though. I can > hardly wait to hear Vertical. > > ----- Original Message ----- > *From:* Jim Goodin > *To:* loopers-Delight@loopers-delight.com > *Sent:* Sunday, March 01, 2009 11:04 AM > *Subject:* RPM CD - Jim Goodin - Vertical released > > Some you possibly joined me in participating in the annual February RPM > Challenge (www.rpmchallenge.com). For those not acquainted with the world > wide web event, it is you might say a personal/artistic sort of directive or > inspiration hosted by the Wire magazine and > several others, that challenges musicians to create and release a CD of > their music entirely done in the month of February. This is my 3rd year and > 4th CD (in addition to my solo CD, Daryl [Shawn] and I did our 2nd > Chinapainting CD Trick of Amethyst for > the 2007 RPM event) to produce through this event. My 2009 RPM CD is titled > Vertical and I'm posting it here for download. > For Vertical I used fretless guitar, oud, violin, voice and I'm proud to > say for this list's interest, looping technology (EHX 2880). 6 of the 18 > trax are heavily looped. > > The link which is a ZIP bundle includes the trax, cover, insert, tray and > label graphics. > > Jim Goodin - Vertical > > > I welcome your comments should you desire. > > Thanks for listening and again congratulations to all who played this year. > > Jim > > PS next up the ReUse project, stay tuned... > > www.jimgoodinmusic.com > www.chinapaintingmusic.com > www.vimeo.com/jimgoodindigital > > -- The Acoustic World Guitar of Jim Goodin - http://www.jimgoodinmusic.com MySpace (solo) - http://www.myspace.com/jimgoodinmusic Chinapainting - http://www.chinapaintingmusic.com Chinapainting on My Space - http://www.myspace.com/chinapaintingmusic.com The Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay Publications, Inc. - http://www.melbay.com --0016364ec924b6481104641185b4 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Jeff and others I believe you have to create an account first on GetDropBox= . =A0It's a great free within 2 gig usage service for file transfer and= synchronization between say their server (your account) and your primary/s= econdary computers. =A0Jeff thanks in advance for giving a spin...

On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke <= span dir=3D"ltr"><jeff_d@embarq= mail.com> wrote:
Hey Jim, way to go, the link sends me = to an offer=20 to log in though. I can hardly wait to hear Vertical.
----- Original Message -----
From:=20 Jim=20 Goodin
Sent: Sunday, March 01, 2009 11:04= =20 AM
Subject: RPM CD - Jim Goodin - Vert= ical=20 released

Some you possibly joined me in participating in the annual= =20 February RPM Challenge (www.rpmchallenge.com). =A0For those=20 not acquainted with the world wide web event, it is you might say a=20 personal/artistic sort of directive or inspiration hosted by the Wire magazine and several= others, that=20 challenges musicians to create and release a CD of their music entirely d= one=20 in the month of February. =A0This is my 3rd year and 4th CD (in addition = to=20 my solo CD, Daryl [Shawn] and I did our 2nd Chinapainting CD Trick of=20 Amethyst=A0for the 2007 RPM event) to produce through this event.=20 =A0My 2009 RPM CD is titled Vertical and I'm posting it here for down= load.

For Vertical I used fretless guitar, oud, violin, voice and I'm = proud to=20 say for this list's interest, looping technology (EHX 2880). =A06 of = the 18=20 trax are heavily looped.

The link which is a ZIP bundle includes the trax, cover, insert, tra= y and=20 label graphics.

I welcome your comments should you desire.

Thanks for listening and again congratulations to all who played thi= s=20 year.

Jim

PS next up the ReUse project, stay=20 tuned...





--
The Acoustic World Guit= ar of Jim Goodin =A0- http://www.= jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www= .chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapa= intingmusic.com
The Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com
Jim Goo= din uses GHS Strings - http://www.ghs= strings.com and Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay = Publications, Inc. - http://www.melbay.co= m
--0016364ec924b6481104641185b4-- From Loopers-Delight-request@loopers-delight.com Sun Mar 1 17:03:33 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id B878A3BF9B; Sun, 1 Mar 2009 17:03:33 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-id: <49AABECE.5070403@soundscapes.us> Date: Sun, 01 Mar 2009 11:58:54 -0500 From: Bill Fox User-Agent: Thunderbird 2.0.0.19 (Windows/20081209) MIME-version: 1.0 To: undisclosed-recipients:; Subject: The AM/FM Show Playlist for February 28, 2009. Content-type: text/plain; charset=ISO-8859-1; format=flowed Content-transfer-encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89181 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 17:03:33 +0000 (UTC) http://soundscapes.us/amfm/playlists/2009/090228.html The AM/FM Show has two alternating hosts. When I am at the helm, expect to hear electronic, ambient, spacemusic, Progressive Rock, and an eclectic mix of other genres. The show airs from 6:00 am to 8:00 am on WMUH Allentown, 91.7 FM and on the internet. I also host Afterglow every Thursday from 8:00 am to 9:30 am. Show #147 February 28, 2009. On this program, I continued the special on Sequences electronic music magazine. Each contemporary issue comes with a CD. However, the early isses came with a cassette. The cassettes from issues one through thirteen have been remastered and are now available on CDR in plastic slip covers with artwork and track details. Details are at: http://sequencesmagazine.com Phase I/Space: ARTIST TRACK ALBUM (label) ==================== ==================== ============================== VA [R. Gleisberg] Initiation Ceremony Sequences No. 5 VA [Haze] Dig Them Mushrooms Sequences No. 5 VA [Fonya] unknown Sequences No. 5 VA [R. S. Thompson] Starlight Sequences No. 5 Phrozenlight Wet Seasonic Autumn (none) Robert Rich and Zerkalo Part 6 Zerkalo (Faria) Faryus Synth.nl Stratosphere AtmoSphere (Groove) Syndromeda First Dream The Twilight Conjunction (Ricochet Dream) Jeffrey Koepper Rising Sun Radiate (Ricochet Dream) Phase II/Eclectic: Pre-empted to expand Phases I and III. Phase III/Progressive Rock: ARTIST TRACK ALBUM (label) ==================== ==================== ============================== VA [Flamborough Daughters of Night Dante's Inferno (Musea) Head] VA [Colossus Inferno - Canto X Dante's Inferno (Musea) Project] Andrew Gorczyca From This Day Reflections - An Act of Glass Forward (ProgRock) Talisma Introssimo Quelque Part (Unicorn) Frost Dear Dead Days Experiments In Mass Appeal (InsideOut) Frost Falling Down Experiments In Mass Appeal (InsideOut) Unitopia Journey's Friend The Garden (InsideOut) * = excerpt ++ = Advanced CDR from artist VA = Various Artists (compilation) On the next show, I will continue the special on the sampler CDRs that come with each issue of Sequences electronic music magazine. Bill ====================================================================== Host of the AM/FM Show every other Saturday at 6:00 am EST (GMT-5:00). Phase 1: Electronic, ambient, and space music to bring you back from "Beyond the Barriers." Phase 2: Mixed bag of acoustic, electric, pop, or New Age. Phase 3: Progressive rock from past masters to contemporary releases. Web Site - http://soundscapes.us/amfm Listen to WMUH Allentown locally at 91.7 FM or on-line at http://www.muhlenberg.edu/wmuh and click one of the LISTEN NOW links at the top right corner of the page or go directly to: rtsp://helix.muhlenberg.edu:554/broadcast/live.rm or http://muhlenberg.edu/wmuh/WMUH.ram Playlists are also published at http://billfox.blogspot.com RSS (2.0) feed from http://billfox.blogspot.com/rss.xml Atom (0.3) feed from http://billfox.blogspot.com/atom.xml ====================================================================== The progdj list is the central clearing house for radio playlists of Progressive Rock programs. Tired of joining dozens of mailing lists to post playlists or track airplay? The progdj list solves that problem. The progdj list is the place to go in order to see playlists and CD and concert reviews by DJs of progressive rock-friendly radio programs. Anyone interested in seeing playlists can join. There is NO SPAM because I keep the spammers out before the members ever see any hint of it. The progdj list is for DJs (obviously!) and band members, record label personnel, promoters, managers, and anyone else interested in seeing what gets played on the air. Need to find who is playing prog on the radio? Go to the progdj list. To join, go to http://groups.yahoo.com/group/progdj and click on the [Join This Group!] link. ====================================================================== From Loopers-Delight-request@loopers-delight.com Sun Mar 1 17:18:09 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 70ADE3BF95; Sun, 1 Mar 2009 17:18:09 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha1; d=embarqmail.com; s=s012408; c=relaxed/simple; q=dns/txt; i=@embarqmail.com; t=1235927888; h=From:Subject:Date:To:MIME-Version:Content-Type; bh=kqbQAPQFaaciWGdfau7W8ne0bog=; b=pdNFFPFqlycR+Mf4Lg5+c4ekAcdBcMvC5JTmwUTST9jcCJ39b0vImXMAfTkH2r49 /zocMEJTZvh8nSfQpgnfK3/UwCtPAm3XK7CM1l27iCe4wUcpz0RLBl6s2dWHKdMZ; X_CMAE_Category: 0,0 Undefined,Undefined X-CNFS-Analysis: v=1.0 c=1 a=BBN4iAGjS9sA:10 a=FYYQydA7AAAA:8 a=wUJ9XRdNAAAA:8 a=mXmh1LwXAAAA:8 a=ZgFmqT6sAAAA:8 a=RuyKgJuBAAAA:8 a=DPgOdzIHAAAA:8 a=KCVmX8HyAAAA:8 a=s9ThSRKNAAAA:8 a=xAEii7aeAAAA:8 a=jzXCgf_h3TeNuwgqFVsA:9 a=A1sXmOXHlpIquW0BUx8A:7 a=36ZvK2zhUkThD76jRFxQLSaIfyQA:4 a=br5QjLurtgQA:10 a=cvn8laQl214A:10 a=gi0PWCVxevcA:10 a=akHczQuEAAAA:8 a=E_yRJ_AoAAAA:8 a=l9qCn0o8AAAA:8 a=CjxXgO3LAAAA:8 a=nirGjmYGminw__PgpfYA:9 a=BVSUMuVLixLMYyAZ8C8A:7 a=ByaHghrvBHmKbNwutsoWIC-MTHoA:4 a=2c7NB83bEJEA:10 a=MSl-tDqOz04A:10 a=AfD3MYMu9mQA:10 X-CM-Score: 0 X-Scanned-by: Cloudmark Authority Engine Authentication-Results: smtp01.embarq.synacor.com smtp.user=jeff_d@embarqmail.com; auth=pass (LOGIN) Message-ID: <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> From: "Jeff Duke" To: References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> Subject: Re: RPM CD - Jim Goodin - Vertical released Date: Sun, 1 Mar 2009 12:18:29 -0500 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0007_01C99A67.D489CF00" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.3138 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3350 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89182 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 17:18:09 +0000 (UTC) This is a multi-part message in MIME format. ------=_NextPart_000_0007_01C99A67.D489CF00 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable I joined, installed, got a dropbox and I still can't get that link. = Sorry for my lameness. Any tips? j ----- Original Message -----=20 From: Jim Goodin=20 To: Loopers-Delight@loopers-delight.com=20 Sent: Sunday, March 01, 2009 11:52 AM Subject: Re: RPM CD - Jim Goodin - Vertical released Jeff and others I believe you have to create an account first on = GetDropBox. It's a great free within 2 gig usage service for file = transfer and synchronization between say their server (your account) and = your primary/secondary computers. Jeff thanks in advance for giving a = spin... On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke = wrote: Hey Jim, way to go, the link sends me to an offer to log in though. = I can hardly wait to hear Vertical. ----- Original Message -----=20 From: Jim Goodin=20 To: loopers-Delight@loopers-delight.com=20 Sent: Sunday, March 01, 2009 11:04 AM Subject: RPM CD - Jim Goodin - Vertical released Some you possibly joined me in participating in the annual = February RPM Challenge (www.rpmchallenge.com). For those not acquainted = with the world wide web event, it is you might say a personal/artistic = sort of directive or inspiration hosted by the Wire magazine and several = others, that challenges musicians to create and release a CD of their = music entirely done in the month of February. This is my 3rd year and = 4th CD (in addition to my solo CD, Daryl [Shawn] and I did our 2nd = Chinapainting CD Trick of Amethyst for the 2007 RPM event) to produce = through this event. My 2009 RPM CD is titled Vertical and I'm posting = it here for download.=20 For Vertical I used fretless guitar, oud, violin, voice and I'm = proud to say for this list's interest, looping technology (EHX 2880). 6 = of the 18 trax are heavily looped. The link which is a ZIP bundle includes the trax, cover, insert, = tray and label graphics. Jim Goodin - Vertical=20 I welcome your comments should you desire. Thanks for listening and again congratulations to all who played = this year. Jim PS next up the ReUse project, stay tuned... www.jimgoodinmusic.com=20 www.chinapaintingmusic.com www.vimeo.com/jimgoodindigital --=20 The Acoustic World Guitar of Jim Goodin - = http://www.jimgoodinmusic.com MySpace (solo) - http://www.myspace.com/jimgoodinmusic Chinapainting - http://www.chinapaintingmusic.com Chinapainting on My Space - http://www.myspace.com/chinapaintingmusic.com The Jim Goodin label and home for 7 other creative souls - = http://www.woodandwiremusic.com=20 Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull = Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel = Bay Publications, Inc. - http://www.melbay.com ------=_NextPart_000_0007_01C99A67.D489CF00 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
I joined, installed, got a dropbox and = I still=20 can't get that link. Sorry for my lameness. Any tips?
 
j
----- Original Message -----
From:=20 Jim=20 Goodin
To: Loopers-Delight@loope= rs-delight.com=20
Sent: Sunday, March 01, 2009 = 11:52=20 AM
Subject: Re: RPM CD - Jim = Goodin -=20 Vertical released

Jeff and others I believe you have to create an account = first=20 on GetDropBox.  It's a great free within 2 gig usage service for = file=20 transfer and synchronization between say their server (your account) = and your=20 primary/secondary computers.  Jeff thanks in advance for giving a = spin...

On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke = <jeff_d@embarqmail.com>=20 wrote:
Hey Jim, way to go, the link sends = me to an=20 offer to log in though. I can hardly wait to hear = Vertical.
----- Original Message ----- =
From: = Jim Goodin
To: loopers-Delight@loopers-delight.com
Sent: Sunday, March 01, = 2009 11:04=20 AM
Subject: RPM CD - Jim = Goodin -=20 Vertical released

Some you possibly joined me in participating in the = annual=20 February RPM Challenge (www.rpmchallenge.com).  For those not = acquainted=20 with the world wide web event, it is you might say a = personal/artistic=20 sort of directive or inspiration hosted by the Wire magazine = and several=20 others, that challenges musicians to create and release a CD of = their=20 music entirely done in the month of February.  This is my 3rd = year=20 and 4th CD (in addition to my solo CD, Daryl [Shawn] and I did our = 2nd=20 Chinapainting CD Trick of Amethyst for the 2007 RPM event) = to=20 produce through this event.  My 2009 RPM CD is titled = Vertical and=20 I'm posting it here for download.=20

For Vertical I used fretless guitar, oud, violin, voice and = I'm proud=20 to say for this list's interest, looping technology (EHX 2880). =  6 of=20 the 18 trax are heavily looped.

The link which is a ZIP bundle includes the trax, cover, = insert, tray=20 and label graphics.

I welcome your comments should you desire.

Thanks for listening and again congratulations to all who = played this=20 year.

Jim

PS next up the ReUse project, stay tuned...

=




--
The Acoustic World Guitar of Jim Goodin  - = http://www.jimgoodinmusic.com<= BR>MySpace=20 (solo) - http://www.myspace.com/jim= goodinmusic
Chinapainting=20 -
http://www.chinapaintingmusic.= com
Chinapainting=20 on My Space -
http://www.myspace= .com/chinapaintingmusic.com
The=20 Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com<= /A>=20
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and = Seagull=20 Guitars - http://www.seagullguitars.com,= Jim=20 Goodin is published by Mel Bay Publications, Inc. - http://www.melbay.com
= ------=_NextPart_000_0007_01C99A67.D489CF00-- From Loopers-Delight-request@loopers-delight.com Sun Mar 1 17:23:19 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id DA12D3BFA0; Sun, 1 Mar 2009 17:23:19 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:in-reply-to:references :date:message-id:subject:from:to:content-type; bh=9GlkTJkFJtSw1vr9msgFyh1ZizG7MPyeTEZqLiwrP6Q=; b=ZDH/l4EqU2pjo5oBiItdgIpEboV1yiJvQSvzUEpXU7TQDcGtPuLjK4st8pK9iX4OMV sz9xxsnhYTkIgQTkd60vXFXuAMbNi6q3efFhO5BoGNpMuPPQcW3oGpyoHgnGwDyYiZXN P/rqaDRssC7akPPnA07CDXgF0yeslk2+LVuKY= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; b=bplg2bkNznWQ/3VPovf+J6nn7tIHBMCp4dEiWQ8dfK4Cg2ewkKO0lwT2eOmnd2zWE8 9e9CPOfWUCfbmhRYwA+KBJjEqKDyjms9pY+s8yPzVhnE+z9yqK+9CCm+7haXq2xenSWz +Ijb+s9nn+D5v3vKupLcNKifT9emh3oT/MbH8= MIME-Version: 1.0 In-Reply-To: <49AA92A3.5060503@tiscali.co.uk> References: <119655.6010.qm@web51506.mail.re2.yahoo.com> <49A8A74A.5030501@mhorse.com> <49AA92A3.5060503@tiscali.co.uk> Date: Sun, 1 Mar 2009 10:23:17 -0700 Message-ID: Subject: Re: OT: Tuning guitar in fifths/ my rant defending alt. tunings :-) From: Dennis Moser To: Loopers-Delight@loopers-delight.com Content-Type: multipart/alternative; boundary=00163641689932aa16046411f56a Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89183 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 17:23:19 +0000 (UTC) --00163641689932aa16046411f56a Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Andy ... in all my experience, you are only the 2nd person to mention the F# tuning for playing lute tab ... that was HOW I learned to play the lute before I got my lute! Good on you ... Best, Dennis (Recovering Lutenist, now Looping Guitarist) On Sun, Mar 1, 2009 at 6:50 AM, andy butler wrote: > Daryl Shawn wrote: > > BUT I'm a nylon-string player. >> > > Hmm, that's interesting. > I also play a lot of nylon guitar, it was pretty much my main thing > at one time. > Only alt tunings I ever found appealing on it were dropped D for > that nice bass note, or dropping the G to F# to play lute tab. > > With steel strings, I like the change in sound from changing the tension, > but with nylon it doesn't inspire. > > I wonder how much of the appeal from alt tuning is the change in timbre, > rather than the shifting around of notes. > > andy > > > -- http://myspace.com/usrsbin http://audiozoloft.com http://usrslashsbin.angrek.com/ --00163641689932aa16046411f56a Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Andy ... in all my experience, you are only the 2nd person to mention the F= # tuning for playing lute tab ... that was HOW I learned to play the lute b= efore I got my lute!

Good on you ...

Best,

Dennis (Rec= overing Lutenist, now Looping Guitarist)

On Sun, Mar 1, 2009 at 6:50 AM, andy butler = <akbutler@ti= scali.co.uk> wrote:
Daryl Shawn wrote:

BUT I'm a nylon-string player.

Hmm, that's interesting.
I also play a lot of nylon guitar, it was pretty much my main thing
at one time.
Only alt tunings I ever found appealing on it were dropped D for
that nice bass note, or dropping the G to F# to play lute tab.

With steel strings, I like the change in sound from changing the tension, but with nylon it doesn't inspire.

I wonder how much of the appeal from alt tuning is the change in timbre, rather than the shifting around of notes.

andy





--
http://myspace.com/usrsbin
http://audiozoloft.com
http://usrslashsbin.angrek.com/
--00163641689932aa16046411f56a-- From Loopers-Delight-request@loopers-delight.com Sun Mar 1 17:32:44 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 70B773BFA6; Sun, 1 Mar 2009 17:32:44 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:in-reply-to:references :date:message-id:subject:from:to:content-type; bh=sB+opWLClgTtjlB/LAOVr8pfyU4bLtzOEVywLDGfG2w=; b=ezqli9Qg6+6Ka6wAE3gWwn0Hg37Y1xNEOENMCXOYEacTa6360yTYedqOVXUqz5pe8q nEFb0ensQ1GqIJJQSbyyN0OoJPEVQpp9o5C4NEbRJS0r2Uz2yD1XCDkOfUPHzo4W0ktq yrYvzsL1NFADXgJMZa6OSCezILD/yf5vpZVow= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; b=iS9P1M4cMIFvgEoeWZ+8fEmwMKH53dSvslxlEdzeWCrMRpPT2vnsonpArs9fhp1bVB 5Jg2dBUS9u1x/REpKkoj4+dLEJFp78Vz0spFVnVZJjn3HLh0NNFV0D8CtRVO+nspjii7 3lmdCUe7G63Y6DgLGDEo+/EdFBOumRQBoTx6A= MIME-Version: 1.0 In-Reply-To: <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> Date: Sun, 1 Mar 2009 12:32:43 -0500 Message-ID: <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> Subject: Re: RPM CD - Jim Goodin - Vertical released From: Jim Goodin To: Loopers-Delight@loopers-delight.com Content-Type: multipart/alternative; boundary=001636284f22eb14cc04641216a9 Resent-Message-ID: <8D0_sD.A.chC.8asqJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89184 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 17:32:44 +0000 (UTC) --001636284f22eb14cc04641216a9 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Jeff and anyone else who tries, I didn't realize it was that painful as I've used this before but it's a bit to go through so I just discovered how I can make them public better for non-DBer's so here you go. These should work... http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3 http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3 http://dl.getdropbox.com/u/251618/03%20Balloon.mp3 http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John%20Fahey%29.mp3 http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3 http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Appalachia.mp3 http://dl.getdropbox.com/u/251618/07%20Vertical.mp3 http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3 http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3 http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3 http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3 http://dl.getdropbox.com/u/251618/12%20Ghost.mp3 http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3 http://dl.getdropbox.com/u/251618/14%20True.mp3 http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babes.mp3 http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3 http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3 http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3 http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg http://dl.getdropbox.com/u/251618/Vertical_Label.jpg http://dl.getdropbox.com/u/251618/Vertical_tray.jpg On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke wrote: > I joined, installed, got a dropbox and I still can't get that link. Sorry > for my lameness. Any tips? > > j > > ----- Original Message ----- > *From:* Jim Goodin > *To:* Loopers-Delight@loopers-delight.com > *Sent:* Sunday, March 01, 2009 11:52 AM > *Subject:* Re: RPM CD - Jim Goodin - Vertical released > > Jeff and others I believe you have to create an account first on > GetDropBox. It's a great free within 2 gig usage service for file transfer > and synchronization between say their server (your account) and your > primary/secondary computers. Jeff thanks in advance for giving a spin... > > On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke wrote: > >> Hey Jim, way to go, the link sends me to an offer to log in though. I >> can hardly wait to hear Vertical. >> >> ----- Original Message ----- >> *From:* Jim Goodin >> *To:* loopers-Delight@loopers-delight.com >> *Sent:* Sunday, March 01, 2009 11:04 AM >> *Subject:* RPM CD - Jim Goodin - Vertical released >> >> Some you possibly joined me in participating in the annual February RPM >> Challenge (www.rpmchallenge.com). For those not acquainted with the >> world wide web event, it is you might say a personal/artistic sort of >> directive or inspiration hosted by the Wire magazineand several others, that challenges musicians to create and release a CD of >> their music entirely done in the month of February. This is my 3rd year and >> 4th CD (in addition to my solo CD, Daryl [Shawn] and I did our 2nd >> Chinapainting CD Trick of Amethyst for >> the 2007 RPM event) to produce through this event. My 2009 RPM CD is titled >> Vertical and I'm posting it here for download. >> For Vertical I used fretless guitar, oud, violin, voice and I'm proud to >> say for this list's interest, looping technology (EHX 2880). 6 of the 18 >> trax are heavily looped. >> >> The link which is a ZIP bundle includes the trax, cover, insert, tray and >> label graphics. >> >> Jim Goodin - Vertical >> >> >> I welcome your comments should you desire. >> >> Thanks for listening and again congratulations to all who played this >> year. >> >> Jim >> >> PS next up the ReUse project, stay tuned... >> >> www.jimgoodinmusic.com >> www.chinapaintingmusic.com >> www.vimeo.com/jimgoodindigital >> >> > > > -- > The Acoustic World Guitar of Jim Goodin - http://www.jimgoodinmusic.com > MySpace (solo) - http://www.myspace.com/jimgoodinmusic > Chinapainting - > http://www.chinapaintingmusic.com > Chinapainting on My Space - > http://www.myspace.com/chinapaintingmusic.com > The Jim Goodin label and home for 7 other creative souls - > http://www.woodandwiremusic.com > Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull > Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel > Bay Publications, Inc. - http://www.melbay.com > > -- The Acoustic World Guitar of Jim Goodin - http://www.jimgoodinmusic.com MySpace (solo) - http://www.myspace.com/jimgoodinmusic Chinapainting - http://www.chinapaintingmusic.com Chinapainting on My Space - http://www.myspace.com/chinapaintingmusic.com The Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay Publications, Inc. - http://www.melbay.com --001636284f22eb14cc04641216a9 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable
Jeff and anyone else who tries, I didn't realize it was that painf= ul as I've used this before but it's a bit to go through so I just = discovered how I can make them public better for non-DBer's so here you= go. =A0These should work...

http://dl.getdropbox.com/u/251618/01%20Something%20Cr= afty%20Afoot.mp3=A0
http://dl.getdropb= ox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John%20Fahey%29.mp3<= /div> http://dl.getdropbox.com/u/251618/17%20500%= 20Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3
http://dl.getdropbox.com/u/251618/Vertical_Label.jpg<= /div>
http:/= /dl.getdropbox.com/u/251618/Vertical_tray.jpg
=A0
On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke &l= t;jeff_d@embarqmail.com> wrote:
I joined, installed, got a dropbox and= I still=20 can't get that link. Sorry for my lameness. Any tips?
=A0
j
----- Original Message -----
From:=20 Jim=20 Goodin
Subject: Re: RPM CD - Jim Goodin -= =20 Vertical released

Jeff and others I believe you have to create an account fi= rst=20 on GetDropBox. =A0It's a great free within 2 gig usage service for fi= le=20 transfer and synchronization between say their server (your account) and = your=20 primary/secondary computers. =A0Jeff thanks in advance for giving a=20 spin...

On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke <jeff_d@embarqmail.com>=20 wrote:
Hey Jim, way to go, the link sends= me to an=20 offer to log in though. I can hardly wait to hear Vertical.
----- Original Message -----
From: Jim Goodin
Sent: Sunday, March 01, 2009 11= :04=20 AM
Subject: RPM CD - Jim Goodin -= =20 Vertical released

Some you possibly joined me in participating in the an= nual=20 February RPM Challenge (www.rpmchallenge.com). =A0For those not acquainted=20 with the world wide web event, it is you might say a personal/artisti= c=20 sort of directive or inspiration hosted by the Wire magazine and several=20 others, that challenges musicians to create and release a CD of their= =20 music entirely done in the month of February. =A0This is my 3rd year= =20 and 4th CD (in addition to my solo CD, Daryl [Shawn] and I did our 2n= d=20 Chinapainting CD Trick of Amethyst=A0for the 2007 RPM event) to= =20 produce through this event. =A0My 2009 RPM CD is titled Vertical and= =20 I'm posting it here for download.=20

For Vertical I used fretless guitar, oud, violin, voice and I= 9;m proud=20 to say for this list's interest, looping technology (EHX 2880). = =A06 of=20 the 18 trax are heavily looped.

The link which is a ZIP bundle includes the trax, cover, insert,= tray=20 and label graphics.

Jim Goodin - Vertical=A0

I welcome your comments should you desire.

Thanks for listening and again congratulations to all who played= this=20 year.

Jim

PS next up the ReUse project, stay tuned...



=

--
The Acoustic World Guitar of Jim Goodin =A0- <= a href=3D"http://www.jimgoodinmusic.com" target=3D"_blank">http://www.jimgo= odinmusic.com
MySpace=20 (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting=20 -
http= ://www.chinapaintingmusic.com
Chinapainting=20 on My Space -
http://www.myspace.com/chinapaintingmusic.com
Th= e=20 Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com= =20
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull=20 Guitars - htt= p://www.seagullguitars.com, Jim=20 Goodin is published by Mel Bay Publications, Inc. - http://www.melbay.com



--
The Acoustic World Guit= ar of Jim Goodin =A0- http://www.= jimgoodinmusic.com
MySpace (solo) - http://www.myspace.com/jimgoodinmusic
Chinapainting -
http://www= .chinapaintingmusic.com
Chinapainting on My Space -
http://www.myspace.com/chinapa= intingmusic.com
The Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com
Jim Goo= din uses GHS Strings - http://www.ghs= strings.com and Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay = Publications, Inc. - http://www.melbay.co= m
--001636284f22eb14cc04641216a9-- From Loopers-Delight-request@loopers-delight.com Sun Mar 1 17:34:41 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 5BF2E3BF99; Sun, 1 Mar 2009 17:34:41 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <49AAC726.8000701@mhorse.com> Date: Sun, 01 Mar 2009 11:34:30 -0600 From: Daryl Shawn User-Agent: Thunderbird 2.0.0.19 (Windows/20081209) MIME-Version: 1.0 To: Loopers-Delight@loopers-delight.com, Jim Goodin Subject: Re: RPM CD - Jim Goodin - Vertical released References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> In-Reply-To: <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89185 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 17:34:41 +0000 (UTC) You know, I believe with Dropbox that the folder needs to be specifically shared with the recipients, so it won't really work to share en masse, I'm realizing. There was a more open online storage system I can't recall now, I think Krispen sometimes put his files there. There's also Jamendo. Daryl Shawn www.swanwelder.com www.chinapaintingmusic.com > I joined, installed, got a dropbox and I still can't get that link. > Sorry for my lameness. Any tips? > > j From Loopers-Delight-request@loopers-delight.com Sun Mar 1 17:38:26 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 256563BF99; Sun, 1 Mar 2009 17:38:26 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <001301c99a94$923abc90$cb04c150@yourc9d9764718> From: "Stephen Moyes" To: References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> Subject: Re: RPM CD - Jim Goodin - Vertical released Date: Sun, 1 Mar 2009 17:38:45 -0000 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.3138 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3350 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89186 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 17:38:26 +0000 (UTC) I'm afraid I can't get it to work either. It may be lameness on my part too, I'm really not sure. I'm really looking roward to hearing you new album though, Jim. I'm pleased to say that I managed to get my RPM Challenge album done in time too. I did the whole thing in three days and there is some DL4 looping on a couple of tracks, though I used it more for time saving purposes than in a creative way. It's called "rock and roll" and is more of a fun thing than a serious artistic statement. I'll get it uploaded somewhere for all to hear asap, maybe to Dropbox if I can work it out. Steve ----- Original Message ----- From: Jeff Duke To: Loopers-Delight@loopers-delight.com Sent: Sunday, March 01, 2009 5:18 PM Subject: Re: RPM CD - Jim Goodin - Vertical released I joined, installed, got a dropbox and I still can't get that link. Sorry for my lameness. Any tips? j From Loopers-Delight-request@loopers-delight.com Sun Mar 1 17:45:20 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 084293BFA6; Sun, 1 Mar 2009 17:45:19 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <001f01c99a95$88f6f3a0$cb04c150@yourc9d9764718> From: "Stephen Moyes" To: References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> Subject: Re: RPM CD - Jim Goodin - Vertical released Date: Sun, 1 Mar 2009 17:45:39 -0000 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.3138 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3350 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89187 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 17:45:19 +0000 (UTC) Fantastic! I'm listening to the first track now with a big grin on my face. You've got me hooked already. wonderful stuff. Steve Steve Moyes www.stevemoyes.org.uk www.creativemusic.org.uk www.creativemusic.blip.tv ----- Original Message ----- From: Jim Goodin Jeff and anyone else who tries, I didn't realize it was that painful as I've used this before but it's a bit to go through so I just discovered how I can make them public better for non-DBer's so here you go. These should work... From Loopers-Delight-request@loopers-delight.com Sun Mar 1 18:00:31 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 9E5423BF92; Sun, 1 Mar 2009 18:00:31 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha1; d=embarqmail.com; s=s012408; c=relaxed/simple; q=dns/txt; i=@embarqmail.com; t=1235930431; h=From:Subject:Date:To:MIME-Version:Content-Type; bh=M8RGiMa2rTK+W0vQF494aQP3Tp4=; b=OpVkSSXlkX/i9czr9ypv3etQaILyIHaCQQEvo4wsSwpj8/VOWqntXhWhpsO/Eh5T 6MiUVRLM47D6foQYm5Run3UnrGiQxmGalUbBZR5SluO4FSTtSfAZD0IJO9HAefGB; X_CMAE_Category: 0,0 Undefined,Undefined X-CNFS-Analysis: v=1.0 c=1 a=BBN4iAGjS9sA:10 a=l9qCn0o8AAAA:8 a=FYYQydA7AAAA:8 a=wUJ9XRdNAAAA:8 a=mXmh1LwXAAAA:8 a=ZgFmqT6sAAAA:8 a=RuyKgJuBAAAA:8 a=DPgOdzIHAAAA:8 a=KCVmX8HyAAAA:8 a=s9ThSRKNAAAA:8 a=xAEii7aeAAAA:8 a=lW1DyR0J2T7kJwPBgLAA:9 a=W3A1tnbLk_v29O01X-cA:7 a=0rYAqHTR4L5owT_dKGVfR4pZP2gA:4 a=br5QjLurtgQA:10 a=cvn8laQl214A:10 a=JqzK7hVu6n4A:10 a=akHczQuEAAAA:8 a=E_yRJ_AoAAAA:8 a=UJR3I45lnkmOnJ75jdcA:9 a=d2vWeZhzmw8mfpxVDagA:7 a=TW4G2fTjB_C0DxWb3ONbhU1Q1pkA:4 a=2c7NB83bEJEA:10 a=MSl-tDqOz04A:10 a=AfD3MYMu9mQA:10 X-CM-Score: 0 X-Scanned-by: Cloudmark Authority Engine Authentication-Results: smtp01.embarq.synacor.com smtp.user=jeff_d@embarqmail.com; auth=pass (LOGIN) Message-ID: <002c01c99a97$a8f3f7f0$0202a8c0@YOUR08D5303051> From: "Jeff Duke" To: References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> Subject: Re: RPM CD - Jim Goodin - Vertical released Date: Sun, 1 Mar 2009 13:00:51 -0500 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0029_01C99A6D.BFB765F0" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.3138 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3350 Resent-Message-ID: <1H-qB.A.Z3D._0sqJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89188 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 18:00:31 +0000 (UTC) This is a multi-part message in MIME format. ------=_NextPart_000_0029_01C99A6D.BFB765F0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable It allowed me to download the first track. (very nice!) and then claims = a security setting prevents me to download. I have worked around this by = copying each link to my browser instead of the email link and it works. = Great stuff, thanks. Jeff ----- Original Message -----=20 From: Jim Goodin=20 To: Loopers-Delight@loopers-delight.com=20 Sent: Sunday, March 01, 2009 12:32 PM Subject: Re: RPM CD - Jim Goodin - Vertical released Jeff and anyone else who tries, I didn't realize it was that painful = as I've used this before but it's a bit to go through so I just = discovered how I can make them public better for non-DBer's so here you = go. These should work... http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3=20 http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3 http://dl.getdropbox.com/u/251618/03%20Balloon.mp3 = http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John= %20Fahey%29.mp3 http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3 = http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Ap= palachia.mp3 http://dl.getdropbox.com/u/251618/07%20Vertical.mp3 http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3 http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3 http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3 http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3 http://dl.getdropbox.com/u/251618/12%20Ghost.mp3 = http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3= http://dl.getdropbox.com/u/251618/14%20True.mp3 = http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babe= s.mp3 = http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and= %20the%20Shadows%20Flee.mp3 = http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%2= 0Ray%20Lincoln%29.mp3 http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3 http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg http://dl.getdropbox.com/u/251618/Vertical_Label.jpg http://dl.getdropbox.com/u/251618/Vertical_tray.jpg =20 On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke = wrote: I joined, installed, got a dropbox and I still can't get that link. = Sorry for my lameness. Any tips? j ----- Original Message -----=20 From: Jim Goodin=20 To: Loopers-Delight@loopers-delight.com=20 Sent: Sunday, March 01, 2009 11:52 AM Subject: Re: RPM CD - Jim Goodin - Vertical released Jeff and others I believe you have to create an account first on = GetDropBox. It's a great free within 2 gig usage service for file = transfer and synchronization between say their server (your account) and = your primary/secondary computers. Jeff thanks in advance for giving a = spin... On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke = wrote: Hey Jim, way to go, the link sends me to an offer to log in = though. I can hardly wait to hear Vertical. ----- Original Message -----=20 From: Jim Goodin=20 To: loopers-Delight@loopers-delight.com=20 Sent: Sunday, March 01, 2009 11:04 AM Subject: RPM CD - Jim Goodin - Vertical released Some you possibly joined me in participating in the annual = February RPM Challenge (www.rpmchallenge.com). For those not acquainted = with the world wide web event, it is you might say a personal/artistic = sort of directive or inspiration hosted by the Wire magazine and several = others, that challenges musicians to create and release a CD of their = music entirely done in the month of February. This is my 3rd year and = 4th CD (in addition to my solo CD, Daryl [Shawn] and I did our 2nd = Chinapainting CD Trick of Amethyst for the 2007 RPM event) to produce = through this event. My 2009 RPM CD is titled Vertical and I'm posting = it here for download.=20 For Vertical I used fretless guitar, oud, violin, voice and = I'm proud to say for this list's interest, looping technology (EHX = 2880). 6 of the 18 trax are heavily looped. The link which is a ZIP bundle includes the trax, cover, = insert, tray and label graphics. Jim Goodin - Vertical=20 I welcome your comments should you desire. Thanks for listening and again congratulations to all who = played this year. Jim PS next up the ReUse project, stay tuned... www.jimgoodinmusic.com=20 www.chinapaintingmusic.com www.vimeo.com/jimgoodindigital --=20 The Acoustic World Guitar of Jim Goodin - = http://www.jimgoodinmusic.com MySpace (solo) - http://www.myspace.com/jimgoodinmusic Chinapainting - http://www.chinapaintingmusic.com Chinapainting on My Space - http://www.myspace.com/chinapaintingmusic.com The Jim Goodin label and home for 7 other creative souls - = http://www.woodandwiremusic.com=20 Jim Goodin uses GHS Strings - http://www.ghsstrings.com and = Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published = by Mel Bay Publications, Inc. - http://www.melbay.com --=20 The Acoustic World Guitar of Jim Goodin - = http://www.jimgoodinmusic.com MySpace (solo) - http://www.myspace.com/jimgoodinmusic Chinapainting - http://www.chinapaintingmusic.com Chinapainting on My Space - http://www.myspace.com/chinapaintingmusic.com The Jim Goodin label and home for 7 other creative souls - = http://www.woodandwiremusic.com=20 Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull = Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel = Bay Publications, Inc. - http://www.melbay.com ------=_NextPart_000_0029_01C99A6D.BFB765F0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
It allowed me to download the first = track. (very=20 nice!) and then claims a security setting prevents me to download. I = have worked=20 around this by copying each link to my browser instead of the email link = and it=20 works. Great stuff, thanks.
 
Jeff
----- Original Message -----
From:=20 Jim=20 Goodin
To: Loopers-Delight@loope= rs-delight.com=20
Sent: Sunday, March 01, 2009 = 12:32=20 PM
Subject: Re: RPM CD - Jim = Goodin -=20 Vertical released

Jeff and anyone else who tries, I didn't realize it was that = painful as=20 I've used this before but it's a bit to go through so I just = discovered how I=20 can make them public better for non-DBer's so here you go.  These = should=20 work...

http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.m= p3 
http://dl.g= etdropbox.com/u/251618/02%20Fireflies.mp3
http://dl.get= dropbox.com/u/251618/03%20Balloon.mp3
http://dl.getdropbox.com/u/251618/04%20Swamp%= 20%28in%20memory%20of%20John%20Fahey%29.mp3
http://dl.getdropbox.com/u/251618/05%20Radio%= 20Telescope.mp3
http://dl.getdropbox.com/u/251618/06%20In%20t= he%20Middle%20East%20of%20Appalachia.mp3
http://dl.getdropbox.com/u/251618/07%20Vertic= al.mp3
http://dl.getdropbox.com/u/251618/08%20Nautil= us.mp3
http://dl.getdropbox.com/u/251618/09%20Transm= ission%2C%20Over....mp3
http://dl.getdropbox.com/u/251618/10%20Ru7ani= yya.mp3
http://dl.getdropbox.com/u/251618/11%20Within= %20Moments.mp3
http://dl.getdropbox.com/u/251618/12%20Ghost.= mp3
http://dl.getdropbox.com/u/251618/13%20Take%2= 0Heed%2C%20Take%20Flight.mp3
http://dl.getdropbox.com/u/251618/14%20True.m= p3
http://dl.getdropbox.com/u/251618/15%20Out%20= of%20the%20Mouth%20of%20Babes.mp3
http://dl.getdropbox.com/u/251618/16%20Until%= 20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3
http://dl.getdropbox.com/u/251618/17%20500%20= Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3
http://dl.getdropbox.com/u/251618/18%20Moscow= %201923.mp3
http://dl.getdropbox.com/u/251618/Vertical_Co= ver_Insert.jpg
http://dl.getdropbox.com/u/251618/Vertical_La= bel.jpg
http://dl.ge= tdropbox.com/u/251618/Vertical_tray.jpg
 
On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke = <jeff_d@embarqmail.com>=20 wrote:
I joined, installed, got a dropbox = and I still=20 can't get that link. Sorry for my lameness. Any tips?
 
j
----- Original Message ----- =
From: = Jim Goodin
To: Loopers-Delight@loopers-delight.com =
Sent: Sunday, March 01, = 2009 11:52=20 AM
Subject: Re: RPM CD - Jim = Goodin -=20 Vertical released

Jeff and others I believe you have to create an = account=20 first on GetDropBox.  It's a great free within 2 gig usage = service=20 for file transfer and synchronization between say their server = (your=20 account) and your primary/secondary computers.  Jeff thanks = in=20 advance for giving a spin...

On Sun, Mar 1, 2009 at 11:30 AM, Jeff = Duke <jeff_d@embarqmail.com> wrote:
Hey Jim, way to go, the link = sends me to an=20 offer to log in though. I can hardly wait to hear = Vertical.
----- Original Message ----- =
From: Jim Goodin
To: loopers-Delight@loopers-delight.com
Sent: Sunday, March 01, = 2009=20 11:04 AM
Subject: RPM CD - Jim = Goodin -=20 Vertical released

Some you possibly joined me in participating in = the=20 annual February RPM Challenge (www.rpmchallenge.com).  For those not = acquainted with the world wide web event, it is you might say = a=20 personal/artistic sort of directive or inspiration hosted by = the Wire = magazine and=20 several others, that challenges musicians to create and = release a CD=20 of their music entirely done in the month of February. =  This is=20 my 3rd year and 4th CD (in addition to my solo CD, Daryl = [Shawn] and I=20 did our 2nd Chinapainting CD Trick=20 of Amethyst for the 2007 RPM event) to produce = through this=20 event.  My 2009 RPM CD is titled Vertical and I'm posting = it here=20 for download.=20

For Vertical I used fretless guitar, oud, violin, voice = and I'm=20 proud to say for this list's interest, looping technology (EHX = 2880).=20  6 of the 18 trax are heavily looped.

The link which is a ZIP bundle includes the trax, cover, = insert,=20 tray and label graphics.

I welcome your comments should you desire.

Thanks for listening and again congratulations to all who = played=20 this year.

Jim

PS next up the ReUse project, stay tuned...

=




--
The Acoustic World Guitar of Jim Goodin =  - http://www.jimgoodinmusic.com
MySpace = (solo) - http://www.myspace.com/jimgoodinmusic
Chinapaintin= g=20 -
http://www.chinapaintingmusic.com
Chinapainting = on My=20 Space -
http://www.myspace.com/chinapaintingmusic.com
The = Jim=20 Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com
Jim Goodin = uses GHS=20 Strings - http://www.ghsstrings.com and Seagull Guitars = - http://www.seagullguitars.com, Jim Goodin is = published=20 by Mel Bay Publications, Inc. - http://www.melbay.com


--
The Acoustic World Guitar of Jim Goodin  - = http://www.jimgoodinmusic.com<= BR>MySpace=20 (solo) - http://www.myspace.com/jim= goodinmusic
Chinapainting=20 -
http://www.chinapaintingmusic.= com
Chinapainting=20 on My Space -
http://www.myspace= .com/chinapaintingmusic.com
The=20 Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com<= /A>=20
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and = Seagull=20 Guitars - http://www.seagullguitars.com,= Jim=20 Goodin is published by Mel Bay Publications, Inc. - http://www.melbay.com
------=_NextPart_000_0029_01C99A6D.BFB765F0-- From Loopers-Delight-request@loopers-delight.com Sun Mar 1 18:22:57 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 650293BF89; Sun, 1 Mar 2009 18:22:57 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=kwtzgSnjwlMT2Kid3zdXhxnY0lqj6FDDvfkufWz0AUFCPPviSVSCN4LNmaXl9uxHlS3DJqTBjxvpbnC1iw5TdUnzqyVz5sNEVQyIkOshcIkuZQ+XsDzteZkM7KIyjUHcVUZpW6/0fFp56iOF1m024LBof3mfgF201uB1oxTFF8Y=; X-YMail-OSG: oNV28tgVM1l0xVbQJaG7iIoholWCPPd0ymszICK4.abDmKTVCkJ2JQDdvCdd6Dr06.SzYNaOTZkzaku0vBwMyW_sLMjbayl1_Jg7S9Ig.LZQcKKVdtJLoUO7uWdOeV5FinG84OfAqQAnczvG.nzcqAfQB52XuxbHGZO8OycHhitWiF1vf8QLUW75krTLjw-- X-Mailer: YahooMailWebService/0.7.289.1 Date: Sun, 1 Mar 2009 10:22:56 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: OT: Tuning guitar in fifths for wider orchestration options To: Loopers-Delight@loopers-delight.com In-Reply-To: <49AAAC65.7090504@post.cybercity.dk> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <384950.17571.qm@web38601.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89189 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 18:22:57 +0000 (UTC) Brilliant quote Van! > Dreams are the stuff life is made of... now, where's > the money? From Loopers-Delight-request@loopers-delight.com Sun Mar 1 18:32:28 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 611183BF66; Sun, 1 Mar 2009 18:32:28 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Originating-IP: [75.174.127.248] X-Originating-Email: [khartung@q.com] Message-ID: From: "Krispen Hartung" To: References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> <002c01c99a97$a8f3f7f0$0202a8c0@YOUR08D5303051> Subject: Re: RPM CD - Jim Goodin - Vertical released Date: Sun, 1 Mar 2009 11:32:18 -0700 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_038C_01C99A61.611633C0" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.5512 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.5579 X-OriginalArrivalTime: 01 Mar 2009 18:32:26.0083 (UTC) FILETIME=[11CA8330:01C99A9C] Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89190 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 18:32:28 +0000 (UTC) This is a multi-part message in MIME format. ------=_NextPart_000_038C_01C99A61.611633C0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Strange. I play a file and after a few seconds it mutes itself. I'll = try downloading instead. I have been using box.net for a few years. It = is a bit expensive, but I have 15gig of space. Plus it has a lot of = other features, like collaboration, streaming your MP3s from a folder = (no download required), sharing individual sharable or playable files, = links to facebook, etc. Kris ---- Original Message -----=20 From: Jim Goodin=20 To: Loopers-Delight@loopers-delight.com=20 Sent: Sunday, March 01, 2009 12:32 PM Subject: Re: RPM CD - Jim Goodin - Vertical released Jeff and anyone else who tries, I didn't realize it was that painful = as I've used this before but it's a bit to go through so I just = discovered how I can make them public better for non-DBer's so here you = go. These should work... = http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3 =20 http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3 http://dl.getdropbox.com/u/251618/03%20Balloon.mp3 = http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John= %20Fahey%29.mp3 http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3 = http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Ap= palachia.mp3 http://dl.getdropbox.com/u/251618/07%20Vertical.mp3 http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3 http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3 http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3 http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3 http://dl.getdropbox.com/u/251618/12%20Ghost.mp3 = http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3= http://dl.getdropbox.com/u/251618/14%20True.mp3 = http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babe= s.mp3 = http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and= %20the%20Shadows%20Flee.mp3 = http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%2= 0Ray%20Lincoln%29.mp3 http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3 http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg http://dl.getdropbox.com/u/251618/Vertical_Label.jpg http://dl.getdropbox.com/u/251618/Vertical_tray.jpg =20 On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke = wrote: I joined, installed, got a dropbox and I still can't get that = link. Sorry for my lameness. Any tips? j ----- Original Message -----=20 From: Jim Goodin=20 To: Loopers-Delight@loopers-delight.com=20 Sent: Sunday, March 01, 2009 11:52 AM Subject: Re: RPM CD - Jim Goodin - Vertical released Jeff and others I believe you have to create an account first on = GetDropBox. It's a great free within 2 gig usage service for file = transfer and synchronization between say their server (your account) and = your primary/secondary computers. Jeff thanks in advance for giving a = spin... On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke = wrote: Hey Jim, way to go, the link sends me to an offer to log in = though. I can hardly wait to hear Vertical. ----- Original Message -----=20 From: Jim Goodin=20 To: loopers-Delight@loopers-delight.com=20 Sent: Sunday, March 01, 2009 11:04 AM Subject: RPM CD - Jim Goodin - Vertical released Some you possibly joined me in participating in the annual = February RPM Challenge (www.rpmchallenge.com). For those not acquainted = with the world wide web event, it is you might say a personal/artistic = sort of directive or inspiration hosted by the Wire magazine and several = others, that challenges musicians to create and release a CD of their = music entirely done in the month of February. This is my 3rd year and = 4th CD (in addition to my solo CD, Daryl [Shawn] and I did our 2nd = Chinapainting CD Trick of Amethyst for the 2007 RPM event) to produce = through this event. My 2009 RPM CD is titled Vertical and I'm posting = it here for download.=20 For Vertical I used fretless guitar, oud, violin, voice and = I'm proud to say for this list's interest, looping technology (EHX = 2880). 6 of the 18 trax are heavily looped. The link which is a ZIP bundle includes the trax, cover, = insert, tray and label graphics. Jim Goodin - Vertical=20 I welcome your comments should you desire. Thanks for listening and again congratulations to all who = played this year. Jim PS next up the ReUse project, stay tuned... www.jimgoodinmusic.com=20 www.chinapaintingmusic.com www.vimeo.com/jimgoodindigital --=20 The Acoustic World Guitar of Jim Goodin - = http://www.jimgoodinmusic.com MySpace (solo) - http://www.myspace.com/jimgoodinmusic Chinapainting - http://www.chinapaintingmusic.com Chinapainting on My Space - http://www.myspace.com/chinapaintingmusic.com The Jim Goodin label and home for 7 other creative souls - = http://www.woodandwiremusic.com=20 Jim Goodin uses GHS Strings - http://www.ghsstrings.com and = Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published = by Mel Bay Publications, Inc. - http://www.melbay.com --=20 The Acoustic World Guitar of Jim Goodin - = http://www.jimgoodinmusic.com MySpace (solo) - http://www.myspace.com/jimgoodinmusic Chinapainting - http://www.chinapaintingmusic.com Chinapainting on My Space - http://www.myspace.com/chinapaintingmusic.com The Jim Goodin label and home for 7 other creative souls - = http://www.woodandwiremusic.com=20 Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull = Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel = Bay Publications, Inc. - http://www.melbay.com ------=_NextPart_000_038C_01C99A61.611633C0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Strange. I play a file and after a few = seconds it=20 mutes itself.  I'll try downloading instead.  I have been = using=20 box.net for a few years. It is a bit expensive, but I have 15gig of = space. Plus=20 it has a lot of other features, like collaboration, streaming your MP3s = from a=20 folder (no download required), sharing individual sharable or playable = files,=20 links to facebook, etc.

Kris
 
 
---- Original Message -----
From:=20 Jim=20 Goodin
To: Loopers-Delight@loope= rs-delight.com=20
Sent: Sunday, March 01, 2009 = 12:32=20 PM
Subject: Re: RPM CD - Jim = Goodin -=20 Vertical released

Jeff and anyone else who tries, I didn't realize it was that = painful as=20 I've used this before but it's a bit to go through so I just = discovered how=20 I can make them public better for non-DBer's so here you go. =  These=20 should work...

http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.m= p3 =20
http://dl.g= etdropbox.com/u/251618/02%20Fireflies.mp3
http://dl.get= dropbox.com/u/251618/03%20Balloon.mp3
http://dl.getdropbox.com/u/251618/04%20Swamp%= 20%28in%20memory%20of%20John%20Fahey%29.mp3
http://dl.getdropbox.com/u/251618/05%20Radio%= 20Telescope.mp3
http://dl.getdropbox.com/u/251618/06%20In%20t= he%20Middle%20East%20of%20Appalachia.mp3
http://dl.getdropbox.com/u/251618/07%20Vertic= al.mp3
http://dl.getdropbox.com/u/251618/08%20Nautil= us.mp3
http://dl.getdropbox.com/u/251618/09%20Transm= ission%2C%20Over....mp3
http://dl.getdropbox.com/u/251618/10%20Ru7ani= yya.mp3
http://dl.getdropbox.com/u/251618/11%20Within= %20Moments.mp3
http://dl.getdropbox.com/u/251618/12%20Ghost.= mp3
http://dl.getdropbox.com/u/251618/13%20Take%2= 0Heed%2C%20Take%20Flight.mp3
http://dl.getdropbox.com/u/251618/14%20True.m= p3
http://dl.getdropbox.com/u/251618/15%20Out%20= of%20the%20Mouth%20of%20Babes.mp3
http://dl.getdropbox.com/u/251618/16%20Until%= 20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3
http://dl.getdropbox.com/u/251618/17%20500%20= Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3
http://dl.getdropbox.com/u/251618/18%20Moscow= %201923.mp3
http://dl.getdropbox.com/u/251618/Vertical_Co= ver_Insert.jpg
http://dl.getdropbox.com/u/251618/Vertical_La= bel.jpg
http://dl.ge= tdropbox.com/u/251618/Vertical_tray.jpg
 
On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke = <jeff_d@embarqmail.com>=20 wrote:
I joined, installed, got a = dropbox and I=20 still can't get that link. Sorry for my lameness. Any = tips?
 
j
----- Original Message ----- =
From: Jim Goodin
To: Loopers-Delight@loopers-delight.com =
Sent: Sunday, March 01, = 2009 11:52=20 AM
Subject: Re: RPM CD - Jim = Goodin -=20 Vertical released

Jeff and others I believe you have to create an = account=20 first on GetDropBox.  It's a great free within 2 gig usage = service=20 for file transfer and synchronization between say their server = (your=20 account) and your primary/secondary computers.  Jeff thanks = in=20 advance for giving a spin...

On Sun, Mar 1, 2009 at 11:30 AM, Jeff = Duke <jeff_d@embarqmail.com> wrote:
Hey Jim, way to go, the link = sends me to=20 an offer to log in though. I can hardly wait to hear=20 Vertical.
----- Original Message ----- =
From: Jim = Goodin=20
To: loopers-Delight@loopers-delight.com =
Sent: Sunday, March = 01, 2009=20 11:04 AM
Subject: RPM CD - Jim = Goodin -=20 Vertical released

Some you possibly joined me in participating = in the=20 annual February RPM Challenge (www.rpmchallenge.com).  For those = not=20 acquainted with the world wide web event, it is you might = say a=20 personal/artistic sort of directive or inspiration hosted by = the Wire = magazine and=20 several others, that challenges musicians to create and = release a CD=20 of their music entirely done in the month of February. =  This is=20 my 3rd year and 4th CD (in addition to my solo CD, Daryl = [Shawn] and=20 I did our 2nd Chinapainting CD Trick of Amethyst for the 2007 RPM = event) to=20 produce through this event.  My 2009 RPM CD is titled = Vertical=20 and I'm posting it here for download.=20

For Vertical I used fretless guitar, oud, violin, voice = and I'm=20 proud to say for this list's interest, looping technology = (EHX=20 2880).  6 of the 18 trax are heavily looped.

The link which is a ZIP bundle includes the trax, = cover,=20 insert, tray and label graphics.

I welcome your comments should you desire.

Thanks for listening and again congratulations to all = who=20 played this year.

Jim

PS next up the ReUse project, stay tuned...

=




--
The Acoustic World Guitar of Jim Goodin =  - http://www.jimgoodinmusic.com
MySpace = (solo) - http://www.myspace.com/jimgoodinmusic
Chinapaintin= g=20 -
http://www.chinapaintingmusic.com
Chinapainting = on=20 My Space -
http://www.myspace.com/chinapaintingmusic.com
The = Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com
Jim = Goodin uses=20 GHS Strings - http://www.ghsstrings.com and Seagull = Guitars - http://www.seagullguitars.com, Jim Goodin is = published=20 by Mel Bay Publications, Inc. - http://www.melbay.com


--
The Acoustic World Guitar of Jim Goodin =  - http://www.jimgoodinmusic.com<= BR>MySpace=20 (solo) - http://www.myspace.com/jim= goodinmusic
Chinapainting=20 -
http://www.chinapaintingmusic.= com
Chinapainting=20 on My Space -
http://www.myspace= .com/chinapaintingmusic.com
The=20 Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com<= /A>=20
Jim Goodin uses GHS Strings - http://www.ghsstrings.com and = Seagull=20 Guitars - http://www.seagullguitars.com,= Jim=20 Goodin is published by Mel Bay Publications, Inc. - http://www.melbay.com
------=_NextPart_000_038C_01C99A61.611633C0-- From Loopers-Delight-request@loopers-delight.com Sun Mar 1 18:38:49 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 45FDE3BF97; Sun, 1 Mar 2009 18:38:49 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <002d01c99a9c$fef56300$cb04c150@yourc9d9764718> From: "Stephen Moyes" To: References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> <002c01c99a97$a8f3f7f0$0202a8c0@YOUR08D5303051> Subject: RPM CD - Steve Moyes - rock and roll Date: Sun, 1 Mar 2009 18:39:03 -0000 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.3138 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3350 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89191 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 18:38:49 +0000 (UTC) Greetings all, Below are links to all tracks and graphics from my first RPM Challenge cd "rock and roll". It's a not too serious attempt at various types of rock music, which is something I haven't played in over ten years. The track titles are a clue to what I was trying to acheive when I recorded them. Some are more successful than others. Electric guitar, sampled drums and Mellotron all played by me, quite badly at times. Also some bits of looping here nd there. I had fun doing this and hope you enjoy listening. Don't be afraid to laugh, I won't be offended! I hope the links work, I think leaving a space between them may help. Your comments would be most welcome. Steve http://dl.getdropbox.com/u/283313/rock%20and%20roll/1.%20%20punk.mp3 http://dl.getdropbox.com/u/283313/rock%20and%20roll/2.%20prog.mp3 http://dl.getdropbox.com/u/283313/rock%20and%20roll/3.%20heavy%20metal.mp3 http://dl.getdropbox.com/u/283313/rock%20and%20roll/4.%20possibly%20post.mp3 http://dl.getdropbox.com/u/283313/rock%20and%20roll/5.%20grunge.mp3 http://dl.getdropbox.com/u/283313/rock%20and%20roll/6.%20psychedelic.mp3 http://dl.getdropbox.com/u/283313/rock%20and%20roll/7.%20three%20minute%20pop%20song.mp3 http://dl.getdropbox.com/u/283313/rock%20and%20roll/8.%20remix.mp3 http://dl.getdropbox.com/u/283313/rock%20and%20roll/rock%20and%20roll%20back.jpg http://dl.getdropbox.com/u/283313/rock%20and%20roll/rock%20and%20roll%20front.jpg http://dl.getdropbox.com/u/283313/rock%20and%20roll/rock%20and%20roll%20label.jpg From Loopers-Delight-request@loopers-delight.com Sun Mar 1 18:41:57 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 281163BE92; Sun, 1 Mar 2009 18:41:56 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:MIME-Version:Content-Type:Message-ID; b=GbGu0majAK2LMosKCPhwPr/tvY1mMKs6ZwbLoUVIIdsFWQ6VSV0oFD0vkDZFVW9hFH5FH2Z91vn+4rlLaxjDmeKNLpJyvJEGbWcppsqoqAQjzC62GHCAgZgFAMZ/nSfeqTGXFfRdxTg1a0ADEMFOvtYHkZLeo1D1fGbmQiKHSPk=; X-YMail-OSG: NSusdGYVM1nxjh0wslTD7MJkChenOsFGw7dHQJUBHQRbI8kkgU1YB1wEZFnTUJklKguQSHRWmPK5gTpXZYX2Zvn_AZgWkbe7Oh1P0zRrutXpxdGRzdnhcq.Xou8oC5Sh4qZsQUvesb4o5e._vtC5GIvvxHUBMeV9maotuItGck6cOuNmN8682XVIQLcIG_U8Ywo- X-Mailer: YahooMailWebService/0.7.289.1 Date: Sun, 1 Mar 2009 10:41:56 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Boomerang 3 release To: Loopers Delight MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <119417.12416.qm@web38605.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89192 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 18:41:56 +0000 (UTC) looks like it will soon > Hi all you patient and not so patient looping enthusiasts, > > It has been taking a looooooooooooooong time to finish > this pedal, > but it will be a fantastic looper. In > fact it already is with the current feature set. Completing > the > software has been the hold up for some time > now. There are only 2 features left to add and our > programmer is > working hard. The prototypes have all > features but those two! Release will hopefully be this > spring. > > We have all the parts to make a few hundred units. The > circuit > boards have all parts soldered on. Front > panel graphic overlays have been received. Steel chassis > have been > received. Everything is in place. The hold > up is finishing the software which has proven to be quite > complex. > If we had the software today, I could ship about 400 > units within a month! > > Here's what we have so far: > * Serial Play Style - loops play one after the other like > the Rang(TM) Plus > * Serial Master Play Style - see description below > * 3 or 4 loops, your choice > * stacking with undo/redo - "stacking" is adding > parts to a loop > * erase one or all loops - a loop can be erased while > another plays > * copy loop - a loop can be copied whether it is playing or > not > * copy live - this enables "re-sampling" and is > very powerful; the > pedal's output is routed to a new loop > * octave - loop plays at half speed and an octave lower > * reverse - loop plays backwards > * once - loop plays one time through then stops or stops at > its end if > already playing > * fade - loops fade in or out with one button press; fades > can be > approx 2 to 42 seconds long > * reverse solo - this is an effect and enables you to > create reverse leads live > * 48KHz or 24KHz sample rate with 20 bit samples > * through signal is always 48KHz sample rate with 24 bit > samples > * Thru Mute function > * Playback master volume control with an expression pedal > * Dedicated loop playback volume knob > * Dedicated loop decay rate knob - the rate at which > earlier parts > fade when new ones are added > * stereo or mono recording and playback > * Smart jacks - the III senses which jacks are being used > and provides > different signal routing options > > Sync in Serial Play Style (Serial Master Play Style) > There are 2 types of sync. One is a "normal" > sync - all loops can > play at once, there is a master that is > recorded first, all loops are multiples of the master. This > is the > Sync Play Style. > But there is another cool type of sync in the Serial > Play Style > where one loop is played after the other, > the verse, chorus, bridge type of use. If loop 3 is > recorded first, it > will be the master, otherwise it's just > another loop and there is no master. If loop three is > master, then it > can play with the other loops. It's the > only loop that can play along with the other loops. > So at one time you can play 1 & 3, 2 & 3, 4 > & 3, but not 1 & 2. > Remember this is serial play style where > the loops play one at a time... with the exception of the > master. I > hope this isn't too confusing. > Here's the purpose. For serial style loopers > it's nice to have a > rhythmic background behind the melodic > loops. Mute the strings and record a short > "chika-chika" or beat on > the sides of your acoustic axe. > > What's left to do: > = Sync Play Style - all loops can play simultaneously and > are synced > so they stay together > = Free Play Style - all loops can play simultaneously and > are NOT > synced; this is great for ambient sounds > > The software still isn't complete, but we've > decided to sell > pre-production units to interested players. The features > listed above > are all working with only a few bugs yet to fix. > Essentially what > you'll get is a Boomerang(R) III looper less the Sync > and Free Play > Styles. > The purchaser will receive the final production > software and user > manual when complete, but there is no commitment on our > part to a > specific delivery date. It's done when it's done. > The software will be > delivered as a MIDI file attached to an email. Uploading is > accomplished by playing the file in a MIDI player on your > computer > with the output routed through a USB/MIDI interface and on > to the III > with a MIDI cable. > If the customer doesn't have the means to > accomplish this, then > the unit must be returned to have the software installed. > In that > case, the customer will pay for all shipping expenses, both > ways. This > will most likely run from $20 to $30 in the lower 48. > We will charge what we expect the "street" > price to be, $439. > Shipping will be additional and should be around $15. > Holler if this > interests you. > > ---------- > > Mike Nelson > Secretary/Treasurer, Boomerang Management, Inc. > General Partner of Boomerang Musical Products, Ltd. > > ---------- > > "Some products make you sound better; > the Boomerang(R) Phrase Sampler makes you play > better." > > ---------- > > 1-800-530-4699 * 1-817-251-8737, Outside USA * > 1-817-251-8509, Fax > > http://www.boomerangmusic.com > > Shipping Address for Repairs: > Boomerang > 1516 Victoria Drive > Denton, TX 76209 > > Billing Address: > Boomerang Musical Products, Ltd. > PO Box 3788 > Grapevine, TX 76099-3788 > http://www.myspace.com/luisangulocom > www.luis-angulo.com From Loopers-Delight-request@loopers-delight.com Sun Mar 1 18:43:18 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 576A93BE92; Sun, 1 Mar 2009 18:43:18 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha1; d=embarqmail.com; s=s012408; c=relaxed/simple; q=dns/txt; i=@embarqmail.com; t=1235932997; h=From:Subject:Date:To:MIME-Version:Content-Type; bh=0t6CyPO80/HO4ypEyEbr+RECeZ0=; b=jx1McehHBSb474Egp4RlVxulz+3sNuANzQ6KyCy+0LV3NJufBolfcN7CVGhD9954 Uoc7Ad7dFG9NRDz4B8LZyG5scwELTh2El2zemgr5GHwNU4dHWmxYASwp9e/eyd1u; X_CMAE_Category: 0,0 Undefined,Undefined X-CNFS-Analysis: v=1.0 c=1 a=BBN4iAGjS9sA:10 a=l9qCn0o8AAAA:8 a=FYYQydA7AAAA:8 a=wUJ9XRdNAAAA:8 a=mXmh1LwXAAAA:8 a=ZgFmqT6sAAAA:8 a=RuyKgJuBAAAA:8 a=DPgOdzIHAAAA:8 a=KCVmX8HyAAAA:8 a=s9ThSRKNAAAA:8 a=xAEii7aeAAAA:8 a=4GIuB1h1rR0VgGWtO38A:9 a=ZndhBMdC-5eqFRS4RegA:7 a=WxVnNNwhYmnOdknxWFdgMpQZ4-UA:4 a=Nl17zUePOAwA:10 a=br5QjLurtgQA:10 a=cvn8laQl214A:10 a=gi0PWCVxevcA:10 a=dEq9-TpMAPpdWb7-p9gA:9 a=-l3IdVpM9zffhmKH6Z4A:7 a=jtz-2oiTK7_vaMjtcujAwI5HRs8A:4 a=2c7NB83bEJEA:10 a=e-3C3WCX3FMA:10 a=gWFizGIvZVQA:10 a=BAJq6lBvVEoA:10 a=MSl-tDqOz04A:10 a=AfD3MYMu9mQA:10 X-CM-Score: 0 X-Scanned-by: Cloudmark Authority Engine Authentication-Results: smtp02.embarq.synacor.com smtp.user=jeff_d@embarqmail.com; auth=pass (LOGIN) Message-ID: <001d01c99a9d$a2daefd0$0202a8c0@YOUR08D5303051> From: "Jeff Duke" To: References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> <002c01c99a97$a8f3f7f0$0202a8c0@YOUR08D5303051> Subject: Re: RPM CD - Jim Goodin - Vertical released Date: Sun, 1 Mar 2009 13:43:38 -0500 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_001A_01C99A73.B98D94F0" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.3138 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3350 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89193 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 18:43:18 +0000 (UTC) This is a multi-part message in MIME format. ------=_NextPart_000_001A_01C99A73.B98D94F0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable I use the free box.net account and it won't let me upload a big zip but = it will allow me to upload all the files in it one at a time to a folder = which can then be downloaded complete or streamed/downloaded = individually. It works pretty well. I don't have near that much space = though. Jeff ----- Original Message -----=20 From: Krispen Hartung=20 To: Loopers-Delight@loopers-delight.com=20 Sent: Sunday, March 01, 2009 1:32 PM Subject: Re: RPM CD - Jim Goodin - Vertical released Strange. I play a file and after a few seconds it mutes itself. I'll = try downloading instead. I have been using box.net for a few years. It = is a bit expensive, but I have 15gig of space. Plus it has a lot of = other features, like collaboration, streaming your MP3s from a folder = (no download required), sharing individual sharable or playable files, = links to facebook, etc. Kris ---- Original Message -----=20 From: Jim Goodin=20 To: Loopers-Delight@loopers-delight.com=20 Sent: Sunday, March 01, 2009 12:32 PM Subject: Re: RPM CD - Jim Goodin - Vertical released Jeff and anyone else who tries, I didn't realize it was that = painful as I've used this before but it's a bit to go through so I just = discovered how I can make them public better for non-DBer's so here you = go. These should work... = http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3 =20 http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3 http://dl.getdropbox.com/u/251618/03%20Balloon.mp3 = http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John= %20Fahey%29.mp3 http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3 = http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Ap= palachia.mp3 http://dl.getdropbox.com/u/251618/07%20Vertical.mp3 http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3 = http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3 http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3 http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3 http://dl.getdropbox.com/u/251618/12%20Ghost.mp3 = http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3= http://dl.getdropbox.com/u/251618/14%20True.mp3 = http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babe= s.mp3 = http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and= %20the%20Shadows%20Flee.mp3 = http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%2= 0Ray%20Lincoln%29.mp3 http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3 http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg http://dl.getdropbox.com/u/251618/Vertical_Label.jpg http://dl.getdropbox.com/u/251618/Vertical_tray.jpg =20 On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke = wrote: I joined, installed, got a dropbox and I still can't get that = link. Sorry for my lameness. Any tips? j ----- Original Message -----=20 From: Jim Goodin=20 To: Loopers-Delight@loopers-delight.com=20 Sent: Sunday, March 01, 2009 11:52 AM Subject: Re: RPM CD - Jim Goodin - Vertical released Jeff and others I believe you have to create an account first = on GetDropBox. It's a great free within 2 gig usage service for file = transfer and synchronization between say their server (your account) and = your primary/secondary computers. Jeff thanks in advance for giving a = spin... On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke = wrote: Hey Jim, way to go, the link sends me to an offer to log in = though. I can hardly wait to hear Vertical. ----- Original Message -----=20 From: Jim Goodin=20 To: loopers-Delight@loopers-delight.com=20 Sent: Sunday, March 01, 2009 11:04 AM Subject: RPM CD - Jim Goodin - Vertical released Some you possibly joined me in participating in the annual = February RPM Challenge (www.rpmchallenge.com). For those not acquainted = with the world wide web event, it is you might say a personal/artistic = sort of directive or inspiration hosted by the Wire magazine and several = others, that challenges musicians to create and release a CD of their = music entirely done in the month of February. This is my 3rd year and = 4th CD (in addition to my solo CD, Daryl [Shawn] and I did our 2nd = Chinapainting CD Trick of Amethyst for the 2007 RPM event) to produce = through this event. My 2009 RPM CD is titled Vertical and I'm posting = it here for download.=20 For Vertical I used fretless guitar, oud, violin, voice = and I'm proud to say for this list's interest, looping technology (EHX = 2880). 6 of the 18 trax are heavily looped. The link which is a ZIP bundle includes the trax, cover, = insert, tray and label graphics. Jim Goodin - Vertical=20 I welcome your comments should you desire. Thanks for listening and again congratulations to all who = played this year. Jim PS next up the ReUse project, stay tuned... www.jimgoodinmusic.com=20 www.chinapaintingmusic.com www.vimeo.com/jimgoodindigital --=20 The Acoustic World Guitar of Jim Goodin - = http://www.jimgoodinmusic.com MySpace (solo) - http://www.myspace.com/jimgoodinmusic Chinapainting - http://www.chinapaintingmusic.com Chinapainting on My Space - http://www.myspace.com/chinapaintingmusic.com The Jim Goodin label and home for 7 other creative souls - = http://www.woodandwiremusic.com=20 Jim Goodin uses GHS Strings - http://www.ghsstrings.com and = Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published = by Mel Bay Publications, Inc. - http://www.melbay.com --=20 The Acoustic World Guitar of Jim Goodin - = http://www.jimgoodinmusic.com MySpace (solo) - http://www.myspace.com/jimgoodinmusic Chinapainting - http://www.chinapaintingmusic.com Chinapainting on My Space - http://www.myspace.com/chinapaintingmusic.com The Jim Goodin label and home for 7 other creative souls - = http://www.woodandwiremusic.com=20 Jim Goodin uses GHS Strings - http://www.ghsstrings.com and = Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published = by Mel Bay Publications, Inc. - http://www.melbay.com ------=_NextPart_000_001A_01C99A73.B98D94F0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
I use the free box.net account and it = won't let me=20 upload a big zip but it will allow me to upload all the files in it one = at a=20 time to a folder which can then be downloaded complete or = streamed/downloaded=20 individually. It works pretty well. I don't have near that much space=20 though.
 
Jeff
----- Original Message -----
From:=20 Krispen=20 Hartung
To: Loopers-Delight@loope= rs-delight.com=20
Sent: Sunday, March 01, 2009 = 1:32=20 PM
Subject: Re: RPM CD - Jim = Goodin -=20 Vertical released

Strange. I play a file and after a = few seconds it=20 mutes itself.  I'll try downloading instead.  I have been = using=20 box.net for a few years. It is a bit expensive, but I have 15gig of = space.=20 Plus it has a lot of other features, like collaboration, streaming = your MP3s=20 from a folder (no download required), sharing individual sharable or = playable=20 files, links to facebook, etc.

Kris
 
 
---- Original Message -----
From:=20 Jim Goodin
To: Loopers-Delight@loope= rs-delight.com=20
Sent: Sunday, March 01, = 2009 12:32=20 PM
Subject: Re: RPM CD - Jim = Goodin -=20 Vertical released

Jeff and anyone else who tries, I didn't realize it was that = painful=20 as I've used this before but it's a bit to go through so I just = discovered=20 how I can make them public better for non-DBer's so here you go.=20  These should work...

http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.m= p3 =20
http://dl.g= etdropbox.com/u/251618/02%20Fireflies.mp3
http://dl.get= dropbox.com/u/251618/03%20Balloon.mp3
http://dl.getdropbox.com/u/251618/04%20Swamp%= 20%28in%20memory%20of%20John%20Fahey%29.mp3
http://dl.getdropbox.com/u/251618/05%20Radio%= 20Telescope.mp3
http://dl.getdropbox.com/u/251618/06%20In%20t= he%20Middle%20East%20of%20Appalachia.mp3
http://dl.getdropbox.com/u/251618/07%20Vertic= al.mp3
http://dl.getdropbox.com/u/251618/08%20Nautil= us.mp3
http://dl.getdropbox.com/u/251618/09%20Transm= ission%2C%20Over....mp3
http://dl.getdropbox.com/u/251618/10%20Ru7ani= yya.mp3
http://dl.getdropbox.com/u/251618/11%20Within= %20Moments.mp3
http://dl.getdropbox.com/u/251618/12%20Ghost.= mp3
http://dl.getdropbox.com/u/251618/13%20Take%2= 0Heed%2C%20Take%20Flight.mp3
http://dl.getdropbox.com/u/251618/14%20True.m= p3
http://dl.getdropbox.com/u/251618/15%20Out%20= of%20the%20Mouth%20of%20Babes.mp3
http://dl.getdropbox.com/u/251618/16%20Until%= 20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3
http://dl.getdropbox.com/u/251618/17%20500%20= Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3
http://dl.getdropbox.com/u/251618/18%20Moscow= %201923.mp3
http://dl.getdropbox.com/u/251618/Vertical_Co= ver_Insert.jpg
http://dl.getdropbox.com/u/251618/Vertical_La= bel.jpg
http://dl.ge= tdropbox.com/u/251618/Vertical_tray.jpg
 
On Sun, Mar 1, 2009 at 12:18 PM, Jeff = Duke <jeff_d@embarqmail.com>=20 wrote:
I joined, installed, got a = dropbox and I=20 still can't get that link. Sorry for my lameness. Any = tips?
 
j
----- Original Message ----- =
From: Jim Goodin
To: Loopers-Delight@loopers-delight.com =
Sent: Sunday, March 01, = 2009=20 11:52 AM
Subject: Re: RPM CD - = Jim Goodin=20 - Vertical released

Jeff and others I believe you have to create an = account=20 first on GetDropBox.  It's a great free within 2 gig = usage=20 service for file transfer and synchronization between say = their server=20 (your account) and your primary/secondary computers. =  Jeff thanks=20 in advance for giving a spin...

On Sun, Mar 1, 2009 at 11:30 AM, Jeff = Duke=20 <jeff_d@embarqmail.com> = wrote:
Hey Jim, way to go, the = link sends me=20 to an offer to log in though. I can hardly wait to hear=20 Vertical.
----- Original Message = -----
From: Jim=20 Goodin
To: loopers-Delight@loopers-delight.com =
Sent: Sunday, March = 01, 2009=20 11:04 AM
Subject: RPM CD - = Jim Goodin=20 - Vertical released

Some you possibly joined me in = participating in the=20 annual February RPM Challenge (www.rpmchallenge.com).  For those = not=20 acquainted with the world wide web event, it is you might = say a=20 personal/artistic sort of directive or inspiration hosted = by the=20 Wire = magazine=20 and several others, that challenges musicians to create = and=20 release a CD of their music entirely done in the month of=20 February.  This is my 3rd year and 4th CD (in = addition to my=20 solo CD, Daryl [Shawn] and I did our 2nd Chinapainting CD = Trick of Amethyst for the 2007 = RPM event)=20 to produce through this event.  My 2009 RPM CD is = titled=20 Vertical and I'm posting it here for download.=20

For Vertical I used fretless guitar, oud, violin, = voice and=20 I'm proud to say for this list's interest, looping = technology (EHX=20 2880).  6 of the 18 trax are heavily looped.

The link which is a ZIP bundle includes the trax, = cover,=20 insert, tray and label graphics.

I welcome your comments should you desire.

Thanks for listening and again congratulations to all = who=20 played this year.

Jim

PS next up the ReUse project, stay tuned...

=




--
The Acoustic World Guitar of Jim Goodin =  -=20 http://www.jimgoodinmusic.com
MySpace = (solo) - http://www.myspace.com/jimgoodinmusic
Chinapaintin= g=20 -
http://www.chinapaintingmusic.com
Chinapainting=20 on My Space -
http://www.myspace.com/chinapaintingmusic.com
The = Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com
Jim = Goodin uses=20 GHS Strings - http://www.ghsstrings.com and Seagull = Guitars - http://www.seagullguitars.com, Jim Goodin = is=20 published by Mel Bay Publications, Inc. - http://www.melbay.com


--
The Acoustic World Guitar of Jim Goodin =  - http://www.jimgoodinmusic.com<= BR>MySpace=20 (solo) - http://www.myspace.com/jim= goodinmusic
Chinapainting=20 -
http://www.chinapaintingmusic.= com
Chinapainting=20 on My Space -
http://www.myspace= .com/chinapaintingmusic.com
The=20 Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com<= /A>=20
Jim Goodin uses GHS Strings - http://www.ghsstrings.com = and Seagull=20 Guitars - http://www.seagullguitars.com,= =20 Jim Goodin is published by Mel Bay Publications, Inc. - http://www.melbay.com
------=_NextPart_000_001A_01C99A73.B98D94F0-- From Loopers-Delight-request@loopers-delight.com Sun Mar 1 19:47:58 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 1ADE23BFA2; Sun, 1 Mar 2009 19:47:57 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:in-reply-to:references :date:message-id:subject:from:to:content-type :content-transfer-encoding; bh=BV3yIzhKUKblsy2HcxWqx6TB1jvIWQsRwMqqEG9CXs4=; b=Cji2hwVvvSvSyNaxPzNHEFeZO6XuUlG+FBkJHMOZYT39qNDCeJznWLLUHWoqsHUffO abG+ShdPGc7eKENwJdhVzmg64cmm1BZAJIadxcJxKokJ28kOiPzbEHvVnL+zzTrr0dR+ qvKzS/2TvXNkJ88RVQ5n7FWYZac7IoEQHvUjU= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type:content-transfer-encoding; b=PcXmD4UJPsxsYBCPNWpFbY7CvLncWDEgIwA1T6VZpzOCosjJ4vkqd6l+tVkObGiBNJ OYElI5b4yRfhEK6q6i4uoaR0ZyfZWREEhXgiRf1/lM0eHOOMvv+3RBRelt87+EtCowEB KGxCMkgYJiWoH26WHfRT4U/YQiQPCuC5ZQ45Y= MIME-Version: 1.0 In-Reply-To: <001d01c99a9d$a2daefd0$0202a8c0@YOUR08D5303051> References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> <002c01c99a97$a8f3f7f0$0202a8c0@YOUR08D5303051> <001d01c99a9d$a2daefd0$0202a8c0@YOUR08D5303051> Date: Sun, 1 Mar 2009 14:47:57 -0500 Message-ID: <9e0440a60903011147v1f4214d2h9df3442848c6bcd9@mail.gmail.com> Subject: Re: RPM CD - Jim Goodin - Vertical released From: Jim Goodin To: Loopers-Delight@loopers-delight.com Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89194 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 19:47:57 +0000 (UTC) I'm really sorry so far everyone has had some trouble from GetDropBox. Its strange as for other things done the last few months its done so well such as the hopefully soon to be rel'd ReUse record. The diff may be getting membership done and installed first but I relize that's a bit of a 'oh you mean I gotta do that too!' And it sounds like the non-mem links were equally painful so that's a drag. I do apprec everyone who has tried and Stephen I think you were successful but you were already a member (thx for the pos words and will chk yours out soon). I could have just put on my dot.com as was suggested but trying tov avoid tying space there andx have really liked gdb. That said let me reconsider reposting elswhere maybe box.net as kris/jeff have said and for anyone else. Again thx for trying. J On 3/1/09, Jeff Duke wrote: > I use the free box.net account and it won't let me upload a big zip but it > will allow me to upload all the files in it one at a time to a folder which > can then be downloaded complete or streamed/downloaded individually. It > works pretty well. I don't have near that much space though. > > Jeff > ----- Original Message ----- > From: Krispen Hartung > To: Loopers-Delight@loopers-delight.com > Sent: Sunday, March 01, 2009 1:32 PM > Subject: Re: RPM CD - Jim Goodin - Vertical released > > > Strange. I play a file and after a few seconds it mutes itself. I'll try > downloading instead. I have been using box.net for a few years. It is a bit > expensive, but I have 15gig of space. Plus it has a lot of other features, > like collaboration, streaming your MP3s from a folder (no download > required), sharing individual sharable or playable files, links to facebook, > etc. > > Kris > > > ---- Original Message ----- > From: Jim Goodin > To: Loopers-Delight@loopers-delight.com > Sent: Sunday, March 01, 2009 12:32 PM > Subject: Re: RPM CD - Jim Goodin - Vertical released > > > Jeff and anyone else who tries, I didn't realize it was that painful > as I've used this before but it's a bit to go through so I just discovered > how I can make them public better for non-DBer's so here you go. These > should work... > > > http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3 > http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3 > http://dl.getdropbox.com/u/251618/03%20Balloon.mp3 > > http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John%20Fahey%29.mp3 > http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3 > > http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Appalachia.mp3 > http://dl.getdropbox.com/u/251618/07%20Vertical.mp3 > http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3 > http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3 > http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3 > http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3 > http://dl.getdropbox.com/u/251618/12%20Ghost.mp3 > > http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3 > http://dl.getdropbox.com/u/251618/14%20True.mp3 > > http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babes.mp3 > > http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3 > > http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3 > http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3 > http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg > http://dl.getdropbox.com/u/251618/Vertical_Label.jpg > http://dl.getdropbox.com/u/251618/Vertical_tray.jpg > > > On Sun, Mar 1, 2009 at 12:18 PM, Jeff Duke > wrote: > > I joined, installed, got a dropbox and I still can't get that link. > Sorry for my lameness. Any tips? > > j > ----- Original Message ----- > From: Jim Goodin > To: Loopers-Delight@loopers-delight.com > Sent: Sunday, March 01, 2009 11:52 AM > Subject: Re: RPM CD - Jim Goodin - Vertical released > > > Jeff and others I believe you have to create an account first on > GetDropBox. It's a great free within 2 gig usage service for file transfer > and synchronization between say their server (your account) and your > primary/secondary computers. Jeff thanks in advance for giving a spin... > > > On Sun, Mar 1, 2009 at 11:30 AM, Jeff Duke > wrote: > > Hey Jim, way to go, the link sends me to an offer to log in > though. I can hardly wait to hear Vertical. > ----- Original Message ----- > From: Jim Goodin > To: loopers-Delight@loopers-delight.com > Sent: Sunday, March 01, 2009 11:04 AM > Subject: RPM CD - Jim Goodin - Vertical released > > > Some you possibly joined me in participating in the annual > February RPM Challenge (www.rpmchallenge.com). For those not acquainted > with the world wide web event, it is you might say a personal/artistic sort > of directive or inspiration hosted by the Wire magazine and several others, > that challenges musicians to create and release a CD of their music entirely > done in the month of February. This is my 3rd year and 4th CD (in addition > to my solo CD, Daryl [Shawn] and I did our 2nd Chinapainting CD Trick of > Amethyst for the 2007 RPM event) to produce through this event. My 2009 RPM > CD is titled Vertical and I'm posting it here for download. > > > For Vertical I used fretless guitar, oud, violin, voice and > I'm proud to say for this list's interest, looping technology (EHX 2880). 6 > of the 18 trax are heavily looped. > > > The link which is a ZIP bundle includes the trax, cover, > insert, tray and label graphics. > > > Jim Goodin - Vertical > > > I welcome your comments should you desire. > > > Thanks for listening and again congratulations to all who > played this year. > > > Jim > > > PS next up the ReUse project, stay tuned... > > > www.jimgoodinmusic.com > www.chinapaintingmusic.com > www.vimeo.com/jimgoodindigital > > > > > > -- > The Acoustic World Guitar of Jim Goodin - > http://www.jimgoodinmusic.com > MySpace (solo) - http://www.myspace.com/jimgoodinmusic > Chinapainting - > http://www.chinapaintingmusic.com > Chinapainting on My Space - > http://www.myspace.com/chinapaintingmusic.com > The Jim Goodin label and home for 7 other creative souls - > http://www.woodandwiremusic.com > Jim Goodin uses GHS Strings - http://www.ghsstrings.com and > Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published by > Mel Bay Publications, Inc. - http://www.melbay.com > > > > > -- > The Acoustic World Guitar of Jim Goodin - > http://www.jimgoodinmusic.com > MySpace (solo) - http://www.myspace.com/jimgoodinmusic > Chinapainting - > http://www.chinapaintingmusic.com > Chinapainting on My Space - > http://www.myspace.com/chinapaintingmusic.com > The Jim Goodin label and home for 7 other creative souls - > http://www.woodandwiremusic.com > Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull > Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay > Publications, Inc. - http://www.melbay.com > -- The Acoustic World Guitar of Jim Goodin - http://www.jimgoodinmusic.com MySpace (solo) - http://www.myspace.com/jimgoodinmusic Chinapainting - http://www.chinapaintingmusic.com Chinapainting on My Space - http://www.myspace.com/chinapaintingmusic.com The Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay Publications, Inc. - http://www.melbay.com From Loopers-Delight-request@loopers-delight.com Sun Mar 1 19:56:25 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id BB5ED3BFA6; Sun, 1 Mar 2009 19:56:25 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=wr8r7xiAOzoS0qAHtKUlpGgp8fghCe0g6gOeCUsjMkxJN35AjBU7O9FnQ+cdoT0cXo5R9Lj6HCiI0aC4JEojtI37A0oRX2O/6Cx03rAoumQ20pGyiF9pinZZOjOrqv9rCH7F2+a+/fB/Odc14O+hDNU6YNQbTPnZ59nxsvo/3KU=; X-YMail-OSG: wZCIkOwVM1nD3D31AqZAsypsxiFEF60uFc0ru2D9kDMxMdaSo9w_KOpH40OBHt9ajK.3JCWCnKjzwOSckKcAX6AhazH4_mlUW_GoxxQVAd7e2a0CYY0EoZO1embjej_Sbm5QeSxY2F56rpG1_QWwO_7I7fMfRV9QBaS39ksH7f.jptmDL653ZN34K8rPAtKKOQ-- X-Mailer: YahooMailWebService/0.7.289.1 Date: Sun, 1 Mar 2009 11:56:24 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: RPM CD - Steve Moyes - rock and roll To: Loopers-Delight@loopers-delight.com In-Reply-To: <002d01c99a9c$fef56300$cb04c150@yourc9d9764718> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <980682.65776.qm@web38605.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89195 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 19:56:25 +0000 (UTC) very nice stuff Stephen! i really like the mellotron sounds wha are u using plug in or real deal? i lso like the guitar sounds and the drums sound quite realistic at times as well! www.myspace.com/luisangulocom --- On Sun, 3/1/09, Stephen Moyes wrote: > From: Stephen Moyes > Subject: RPM CD - Steve Moyes - rock and roll > To: Loopers-Delight@loopers-delight.com > Date: Sunday, March 1, 2009, 10:39 AM > Greetings all, > > Below are links to all tracks and graphics from my first > RPM Challenge cd "rock and roll". It's a not > too serious attempt at various types of rock music, which is > something I haven't played in over ten years. The track > titles are a clue to what I was trying to acheive when I > recorded them. Some are more successful than others. > Electric guitar, sampled drums and Mellotron all played by > me, quite badly at times. Also some bits of looping here nd > there. > > I had fun doing this and hope you enjoy listening. > Don't be afraid to laugh, I won't be offended! I > hope the links work, I think leaving a space between them > may help. > > Your comments would be most welcome. > > Steve > > http://dl.getdropbox.com/u/283313/rock%20and%20roll/1.%20%20punk.mp3 > > http://dl.getdropbox.com/u/283313/rock%20and%20roll/2.%20prog.mp3 > > http://dl.getdropbox.com/u/283313/rock%20and%20roll/3.%20heavy%20metal.mp3 > > http://dl.getdropbox.com/u/283313/rock%20and%20roll/4.%20possibly%20post.mp3 > > http://dl.getdropbox.com/u/283313/rock%20and%20roll/5.%20grunge.mp3 > > http://dl.getdropbox.com/u/283313/rock%20and%20roll/6.%20psychedelic.mp3 > > http://dl.getdropbox.com/u/283313/rock%20and%20roll/7.%20three%20minute%20pop%20song.mp3 > > http://dl.getdropbox.com/u/283313/rock%20and%20roll/8.%20remix.mp3 > > http://dl.getdropbox.com/u/283313/rock%20and%20roll/rock%20and%20roll%20back.jpg > > http://dl.getdropbox.com/u/283313/rock%20and%20roll/rock%20and%20roll%20front.jpg > > http://dl.getdropbox.com/u/283313/rock%20and%20roll/rock%20and%20roll%20label.jpg From Loopers-Delight-request@loopers-delight.com Sun Mar 1 20:03:38 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 6F84D3BFB4; Sun, 1 Mar 2009 20:03:38 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <001401c99aa8$dbdc9760$cb04c150@yourc9d9764718> From: "Stephen Moyes" To: References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> <002c01c99a97$a8f3f7f0$0202a8c0@YOUR08D5303051> <001d01c99a9d$a2daefd0$0202a8c0@YOUR08D5303051> <9e0440a60903011147v1f4214d2h9df3442848c6bcd9@mail.gmail.com> Subject: Re: RPM CD - Jim Goodin - Vertical released Date: Sun, 1 Mar 2009 20:03:58 -0000 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.3138 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3350 Resent-Message-ID: <9Jj4NC.A.n_.aouqJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89196 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 20:03:38 +0000 (UTC) At first I could only get the first track to work, but I found that the others were ok if I copied and pasted the link into my browser. Then I tried forwarding your email to myself with space between the links and they seem to work properly that way. Try this . . . Jim's album: http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3 http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3 http://dl.getdropbox.com/u/251618/03%20Balloon.mp3 http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John%20Fahey%29.mp3 http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3 http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Appalachia.mp3 http://dl.getdropbox.com/u/251618/07%20Vertical.mp3 http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3 http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3 http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3 http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3 http://dl.getdropbox.com/u/251618/12%20Ghost.mp3 http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3 http://dl.getdropbox.com/u/251618/14%20True.mp3 http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babes.mp3 http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3 http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3 http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3 http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg http://dl.getdropbox.com/u/251618/Vertical_Label.jpg http://dl.getdropbox.com/u/251618/Vertical_tray.jpg From Loopers-Delight-request@loopers-delight.com Sun Mar 1 20:13:35 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 11DAD3BFBD; Sun, 1 Mar 2009 20:13:34 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:in-reply-to:references :date:message-id:subject:from:to:content-type :content-transfer-encoding; bh=U9695/HAT5z0Nbk7KDxc2fhsUQGZQARvB7VPXuJbRpc=; b=AwZFChgFi62hzMsXEA3KDkPXjQrfIhE3amYxbuw6Cw+qTkG8gi0OY8lM7z+2uZ9pxO KmJMzSBrRmyvUF91BSMeVwcezM2Ob9XIhE2VPN9Dps2w064Wrt4Wc7wTdicicEvs5Jl7 81FYZhdk6ft8XSXFe/zLMxZ5IwEo12O9uicPw= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type:content-transfer-encoding; b=h0oc6ozwxZ9M/SyzkyPIRKW5RcEGj17ODsq0MMjvbj+/LaaufGrUbL4u0X9cL3Zj0K 5HAfAb8wSX4XCksFIvTcMI5gCTzW3JI8PRX2ZXqLUghSXyysaTBLYyEhthVAAHmWth2r JxZO9lyT1QdpLTv74iEBQUGZdq3Ld332dVd0Q= MIME-Version: 1.0 In-Reply-To: <001401c99aa8$dbdc9760$cb04c150@yourc9d9764718> References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> <002c01c99a97$a8f3f7f0$0202a8c0@YOUR08D5303051> <001d01c99a9d$a2daefd0$0202a8c0@YOUR08D5303051> <9e0440a60903011147v1f4214d2h9df3442848c6bcd9@mail.gmail.com> <001401c99aa8$dbdc9760$cb04c150@yourc9d9764718> Date: Sun, 1 Mar 2009 15:13:34 -0500 Message-ID: <9e0440a60903011213o7c12fcfbg9176e2e673e1cfcc@mail.gmail.com> Subject: Re: RPM CD - Jim Goodin - Vertical released From: Jim Goodin To: Loopers-Delight@loopers-delight.com Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89197 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 20:13:34 +0000 (UTC) Gee stephen thanks an awful lot sir. Again sorry this was laboring to all, maybe stephens edit links will work well - I'll still look into setting an upload on box.net though the simpler solution is put on jimgoodinmusic so tell you what will do that, rewind the tape and pretend none of this ever happened. Stay tuned. J On 3/1/09, Stephen Moyes wrote: > At first I could only get the first track to work, but I found that the > others were ok if I copied and pasted the link into my browser. Then I tried > forwarding your email to myself with space between the links and they seem > to work properly that way. Try this . . . > > Jim's album: > > http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3 > > http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3 > > http://dl.getdropbox.com/u/251618/03%20Balloon.mp3 > > http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John%20Fahey%29.mp3 > > http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3 > > http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Appalachia.mp3 > > http://dl.getdropbox.com/u/251618/07%20Vertical.mp3 > > http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3 > > http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3 > > http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3 > > http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3 > > http://dl.getdropbox.com/u/251618/12%20Ghost.mp3 > > http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3 > > http://dl.getdropbox.com/u/251618/14%20True.mp3 > > http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babes.mp3 > > http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3 > > http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3 > > http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3 > > http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg > > http://dl.getdropbox.com/u/251618/Vertical_Label.jpg > > http://dl.getdropbox.com/u/251618/Vertical_tray.jpg > > > > > -- The Acoustic World Guitar of Jim Goodin - http://www.jimgoodinmusic.com MySpace (solo) - http://www.myspace.com/jimgoodinmusic Chinapainting - http://www.chinapaintingmusic.com Chinapainting on My Space - http://www.myspace.com/chinapaintingmusic.com The Jim Goodin label and home for 7 other creative souls - http://www.woodandwiremusic.com Jim Goodin uses GHS Strings - http://www.ghsstrings.com and Seagull Guitars - http://www.seagullguitars.com, Jim Goodin is published by Mel Bay Publications, Inc. - http://www.melbay.com From Loopers-Delight-request@loopers-delight.com Sun Mar 1 20:23:48 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id ED07D3BFBD; Sun, 1 Mar 2009 20:23:47 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <002c01c99aab$abeeaa40$cb04c150@yourc9d9764718> From: "Stephen Moyes" To: References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> <002c01c99a97$a8f3f7f0$0202a8c0@YOUR08D5303051> <001d01c99a9d$a2daefd0$0202a8c0@YOUR08D5303051> <9e0440a60903011147v1f4214d2h9df3442848c6bcd9@mail.gmail.com> <001401c99aa8$dbdc9760$cb04c150@yourc9d9764718> <9e0440a60903011213o7c12fcfbg9176e2e673e1cfcc@mail.gmail.com> Subject: Re: RPM CD - Steve Moyes - rock and roll Date: Sun, 1 Mar 2009 20:24:06 -0000 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.3138 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3350 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89198 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 20:23:47 +0000 (UTC) Thanks for listening, Luis. I'm glad you enjoed it. Sadly I don't have a real Mellotron. If I did I think I would make the effort to learn to play it a bit better than that! It's actually a Reason refill called Mello T made by Sonic Reality. It's the only thing I use Reason for. I hope you are also managing to listen to Jim's album. It really is absolutely wonderful. Cheers, Steve Steve Moyes www.stevemoyes.org.uk www.creativemusic.org.uk www.creativemusic.blip.tv ----- Original Message ----- From: "L.Angulo" To: Sent: Sunday, March 01, 2009 7:56 PM Subject: Re: RPM CD - Steve Moyes - rock and roll > very nice stuff Stephen! i really like the mellotron sounds wha are u > using plug in or real deal? i lso like the guitar sounds and the drums > sound quite realistic at times as well! > > > www.myspace.com/luisangulocom From Loopers-Delight-request@loopers-delight.com Sun Mar 1 20:24:07 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id B4E043BFA6; Sun, 1 Mar 2009 20:24:07 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:mime-version:in-reply-to :references:content-type:message-id:content-transfer-encoding:from :subject:date:to:x-mailer; bh=ITLuORRHf9qFBJLP+Vy6jFFYdUvNAWgH+yQa94STGBI=; b=tdOVxBNjd4giuf1Bey2su2ZPUjgnkZK9pvVgS4k5HjCZpt7BKdc3AmgfKtGlJAyDv9 0gMrjZU6EgIzGCdtBRpjHz367d3yH3b1+Dh7wvDevX9zTZ6xOLBJJQ7jzFQbiNAxyH2M A5TLB5skvpgcBkLXa/zwAZmFBXPqo8zsuhrKU= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:content-type:message-id :content-transfer-encoding:from:subject:date:to:x-mailer; b=DoJ1wPoi+vJp82JzsMfWAtFpb3ExyPlPAxAZaqYxUBQFv/8lT2ZcfeL3BliczyCcKZ f/cSsBfTqR0K0N05aGBg+x4Zz4CuQoyGaQEGxFb8TgBjKbykBGl8LwXubFdGcNm0TsD0 8eZJ5VTVPvNZnVg+Aqz+9tWvQcFeCNoKCMKjY= Mime-Version: 1.0 (Apple Message framework v753.1) In-Reply-To: <9e0440a60903011147v1f4214d2h9df3442848c6bcd9@mail.gmail.com> References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <9e0440a60903010932i51d85b9do5218488280fc583f@mail.gmail.com> <002c01c99a97$a8f3f7f0$0202a8c0@YOUR08D5303051> <001d01c99a9d$a2daefd0$0202a8c0@YOUR08D5303051> <9e0440a60903011147v1f4214d2h9df3442848c6bcd9@mail.gmail.com> Content-Type: text/plain; charset=US-ASCII; delsp=yes; format=flowed Message-Id: <2C87C733-48C3-4191-B205-9021AABA0B2C@gmail.com> Content-Transfer-Encoding: 7bit From: RP Collier Subject: Re: RPM CD - Jim Goodin - Vertical released Date: Sun, 1 Mar 2009 12:24:01 -0800 To: Loopers-Delight@loopers-delight.com X-Mailer: Apple Mail (2.753.1) Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89199 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 20:24:07 +0000 (UTC) On Mar 1, 2009, at 11:47 AM, Jim Goodin wrote: > That said let > me reconsider reposting elswhere maybe box.net as kris/jeff have said > and for anyone else. There is also: http://www.savefile.com/index.php They delete the files after a period of no downloads, 2 weeks I think, unless you pay for premium service. But it is good for getting stuff out there short term. BobC From Loopers-Delight-request@loopers-delight.com Sun Mar 1 20:45:03 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 1FBDB3BFBD; Sun, 1 Mar 2009 20:45:03 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding:Message-ID; b=kIGYbP3nOHA2QxIyP55G5kDqeFkONvyjGi/NBCa0QKK7BihgiS43A8rkLn+zJ+cKVnwOD5RD4x4DmbyxIzFIy41hRGxN9CCbAr1lmXwdx1Dhu9Sn8Xv4dYzB5OpiRDSdsxgUIQweINixQ3cO2AzqA261SvecdpXuZTWQZ6BqRNs=; X-YMail-OSG: XCKuaHgVM1lBT6EOMMhoLW.PrC_3OloGxJpDj2V7BWKQ58TpfGomFnE82q0oQREp2oduRCAXrA3kLfpk9GzZZPU0T8il1rV53fhWESAZ6aHlXgnwoZPNvPVe4D3Xz6Hq2lfqVNbitWyj3jDLYUAvnAI6mEQKDEFSIjUI0aG_0r0GC3OE01MQkrzyJUB.raKGvTc- X-Mailer: YahooMailWebService/0.7.289.1 Date: Sun, 1 Mar 2009 12:45:02 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: OT: Tuning guitar in fifths/ my rant defending alt. tunings :-) To: Loopers-Delight@loopers-delight.com In-Reply-To: <49A8A74A.5030501@mhorse.com> MIME-Version: 1.0 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: quoted-printable Message-ID: <237193.72290.qm@web38604.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89200 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 20:45:02 +0000 (UTC) sorry to keep bringing this guy,the great songwriter Jose Gonzales uses ope= n tunings on a nylon string also check out Fink beautiful nylon string open= tuning composition. But i think i know what u mean Daryl,as we say in spanish,"lo que importa e= s la pluma" composition is the key not the tuning.I also use a lot of open = tunings but i share some of your feelings...this modal open tuning steel st= ring trend has become very technical and gymnastic oriented,what starts as = an inocent experiment becomes either poorly imitated or too refined and tec= hnical which i personally loose interest in.I asked myself why when i hear = tunes with open tunings like David Crosbys Deja vu,Guinevere,or Jimmy Pages= Bron y aur,friends,4 and 20 by stephen stills etc. they still turns me on = more that some of that more technical youtube open tuning stuff,then i soon= realized that perhaps because...well now it just sounds like an open tunin= g:-) www.myspace.com/luisangulocom --- On Fri, 2/27/09, Daryl Shawn wrote: > From: Daryl Shawn > Subject: Re: OT: Tuning guitar in fifths/ my rant defending alt. tunings = :-) > To: agentlesoul2004@yahoo.com, Loopers-Delight@loopers-delight.com > Date: Friday, February 27, 2009, 6:54 PM > Whoa, I certainly wasn't claiming I'm more creative > or talented than anyone else - yikes!! Hell no! No offense > taken, but I wasn't putting myself above anyone who does > use different tunings. That's a nice list. (Not that > Keith Richards is exactly known for his solo work...). I > should have placed more effort in indicating that, for ME, > for what I'm interested in, I don't see a whole lot > of possibilities that can't be gotten at otherwise. BUT > I'm a nylon-string player. I might feel different if I > had a dreadnaught Taylor, or if I was inspired by the > English folk/American roots path that the soloists among the > people you mention generally spring from. (Mitchell's > Ellington fixation aside). I'm more inspired by jazz, > classical and flamenco players, where playing in alternate > tunings isn't part of a tradition, and moreover, would > be a real limitation in the case of improvising. >=20 > I invoked YouTube not to refer to these people, but the > current crop of folks who mainly take a few tricks from > Michael Hedges (another alt-tuner who I have tremendous > respect for) and go a-tapping and a-slapping all day long. I > don't wish to directly put down artists so I won't > name names, but if you search for Hedges videos, a few links > away you'll find the people I'm talking about. >=20 > cheers, >=20 > Daryl Shawn > www.swanwelder.com > www.chinapaintingmusic.com >=20 > > my friend, with all due respect to your post, why in > God's holy name would you use youtube as your evidence > of boring amateur alt. tuning solo guitarist's? I > assume you are NOT referring to John Fahey, Leo Kottke, Nick > Drake, Joni Mitchell, Neil Young, Richard Thompson, Jimmy > Page,John Renbourn, John Martyn, Chet Atkins, Sonic Youth, > Swervedriver, THE GREAT KEITH RICHARDS WHO WROTE MORE 3 > CHORD ROCK SONGS IN HISTORY IN OPEN G THAN ANYBODY HAS A > RIGHT TO--how in the world can THAT be limiting?? Pierre > Bensusan, Martin Carthy, Bruce Cockburn, Ry Cooder, David > Crosby? Hell even boring ass Eric Clapton and even more > boring Peter Frampton use alt. tunings!!! Are you more > creative than all these guitarist's both as a guitarist > and more importantly a composer in altered tunings? I > DON'T mean to be rude at all or disrespectful to you > sir, but I propose there are only limited minds, NOT limited > tunings!! :-) If you doubt my word on the above using > them they are all documented in Mark Hanson's excellent > book "The Complete Book of Alterate Tunings" =20 > peace my friend marc > >=20 > > /Marc Marshall/ > > // /"I am human, I am large, I contradict > myself"/ > > // /.....and then some / > >=20 > >=20 > > --- On *Fri, 2/27/09, Daryl Shawn > //* wrote: > >=20 > > From: Daryl Shawn > > Subject: Re: OT: Tuning guitar in fifths for wider > orchestration > > options > > To: Loopers-Delight@loopers-delight.com > > Date: Friday, February 27, 2009, 3:17 PM > >=20 > > With a heaping helpful of due respect to all those > whose alt-tuned playing I > > enjoy - and the distinct feeling that I'm a > lone fuddy-duddy here - I'm > > one of those resisters, though I did play in > nothing but altered tuning for a > > long time. For me, the advantage was the mental > breaking of ruts, but I found it > > was the wrong approach - treating the symptoms, > not the cause of the rut. > > I'd found myself always playing the same > things, but came to see that I was > > simply limited in the technique and knowledge I > had. Altered tuning threw away > > the experience I'd already gained, so I ended > up even quicker in a new rut - > > I was tuned DADGCF, so suddenly I started writing > everything in D minor. After > > five years, I switched back to standard, and > practice as often as I can in it, > > and haven't found myself in a rut (by my own > subjective analysis, of > > course...) since. The solution was increasing my > knowledge of the guitar, > > getting closer to the goal of making seamless the > division between self and > > instrument, able to play what I heard in mind, not > putting fingers down and > > finding new sounds by chance. > >=20 > > I dunno...if a sax player gets in a rut, do they > quickly switch to clarinet? Or > > do they practice different things, seek out new > music to listen to, find new > > playing opportunities to challenge the rut, which > is a mental construct anyway? > >=20 > > Honestly, I don't see a world of possibilities > in switching tunings. Sure, > > there's a big ringing resonance that one can > get with unisons or open > > octaves, but that already sounds played out to my > ears unless the composition is > > a good one. If you go on YouTube and watch the > scores of open-tuned solo guitar > > players, you'll see the easy temptations they > fall into - basing everything > > on a pedal note on the lowest open string, sliding > around the same chord > > position on the low strings with the high ones > ringing out, hitting the 12th and > > 5th fret harmonics compulsively in every damn tune > - because those tricks sound > > good, at an average and tired level of good. > >=20 > > Just my experience...YMMV (and probably already > has, I'm gathering!). > >=20 > > Daryl Shawn > > www.swanwelder.com > > www.chinapaintingmusic.com > >=20 > > > I know many guitarists that resist open > tunings and I honestly don=E2=80=99t > > know why. They really open up another world of > possibilities and are a great way > > to take a break from standard tuning, if for no > other reason than to provide > > fresh perspective and break out of playing ruts. > > > > Bill > > >=20 > >=20 > > =20 > >=0A=0A=0A From Loopers-Delight-request@loopers-delight.com Sun Mar 1 20:49:13 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 7BE7A3BFCE; Sun, 1 Mar 2009 20:49:13 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=ucmCWyyBSn1nYnYAgODaJP7R4zw0COjXnogB/RsFl4JVjVEFUGZH0bZUSWWU4lKU4LFQ8m8VpHv7+giekWjlZIXCCwSlxLgCRChDwdp2r9/k0brtAv6G1WTf03xWDKGaJpExVqmzhNLbqbGda60y2RAURFoiuI9MP+0uUPmnxeQ=; X-YMail-OSG: wxY_ACwVM1n2UWDuigH095DNfUvcgtkX7h4ZaYcAx1KhqCnAaFJyr_N9CjVbNp1PzZp91PfjGzzp__WGqd4ManU8_oRwcPEKMfC5_urMPdtkdbLZQ_kqnzRIVDOcFLr9pDeLRTOXagUBvIIwuuo0rSCgttvLfqNT8ICP8QHGwZzhct9.c4L1fKWJ_ieD9RBPrw-- X-Mailer: YahooMailWebService/0.7.289.1 Date: Sun, 1 Mar 2009 12:49:12 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: RPM CD - Jim Goodin - Vertical released To: Loopers-Delight@loopers-delight.com In-Reply-To: <001401c99aa8$dbdc9760$cb04c150@yourc9d9764718> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <702744.24860.qm@web38601.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89201 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 20:49:13 +0000 (UTC) Jim I love it very nice!! cheers Luis www.myspace.com/luisangulocom --- On Sun, 3/1/09, Stephen Moyes wrote: > From: Stephen Moyes > Subject: Re: RPM CD - Jim Goodin - Vertical released > To: Loopers-Delight@loopers-delight.com > Date: Sunday, March 1, 2009, 12:03 PM > At first I could only get the first track to work, but I > found that the others were ok if I copied and pasted the > link into my browser. Then I tried forwarding your email to > myself with space between the links and they seem to work > properly that way. Try this . . . > > Jim's album: > > http://dl.getdropbox.com/u/251618/01%20Something%20Crafty%20Afoot.mp3 > > http://dl.getdropbox.com/u/251618/02%20Fireflies.mp3 > > http://dl.getdropbox.com/u/251618/03%20Balloon.mp3 > > http://dl.getdropbox.com/u/251618/04%20Swamp%20%28in%20memory%20of%20John%20Fahey%29.mp3 > > http://dl.getdropbox.com/u/251618/05%20Radio%20Telescope.mp3 > > http://dl.getdropbox.com/u/251618/06%20In%20the%20Middle%20East%20of%20Appalachia.mp3 > > http://dl.getdropbox.com/u/251618/07%20Vertical.mp3 > > http://dl.getdropbox.com/u/251618/08%20Nautilus.mp3 > > http://dl.getdropbox.com/u/251618/09%20Transmission%2C%20Over....mp3 > > http://dl.getdropbox.com/u/251618/10%20Ru7aniyya.mp3 > > http://dl.getdropbox.com/u/251618/11%20Within%20Moments.mp3 > > http://dl.getdropbox.com/u/251618/12%20Ghost.mp3 > > http://dl.getdropbox.com/u/251618/13%20Take%20Heed%2C%20Take%20Flight.mp3 > > http://dl.getdropbox.com/u/251618/14%20True.mp3 > > http://dl.getdropbox.com/u/251618/15%20Out%20of%20the%20Mouth%20of%20Babes.mp3 > > http://dl.getdropbox.com/u/251618/16%20Until%20the%20Day%20Breathes%20and%20the%20Shadows%20Flee.mp3 > > http://dl.getdropbox.com/u/251618/17%20500%20Feet%20%28in%20memory%20of%20Ray%20Lincoln%29.mp3 > > http://dl.getdropbox.com/u/251618/18%20Moscow%201923.mp3 > > http://dl.getdropbox.com/u/251618/Vertical_Cover_Insert.jpg > > http://dl.getdropbox.com/u/251618/Vertical_Label.jpg > > http://dl.getdropbox.com/u/251618/Vertical_tray.jpg From Loopers-Delight-request@loopers-delight.com Sun Mar 1 21:05:35 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 08A713BFD5; Sun, 1 Mar 2009 21:05:34 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=GygeBus+nFHorvek9X0/AMCwUEmMctM3asHolfplN3c+/VoiJ7PSHAYCNOVMqZPiTgV2qVzwSnaHrlHfmEGMtTZmZoJFacZUevRBR8tDFXcSylrk9S3QLmWSRt371aVj8D/lur/LtAgjO/bN5btMy7Hxs5S4aJJQp2RpLXA1ubo=; X-YMail-OSG: p3rrDbIVM1lmpcHGmO_NQmXl3HiJK91o.19pg_nD7DbJi_9HTrBdbSCc_rldOKlt5xveDX66UcQGy3BX8r0zYc4zeDYGKlBYzWlqBBeOsq1I7cQ1TCp0OXLOXXktw30VP5TfzS57kcpim0vBl1W_qFuKNCWEHjI7QxcXMthmT.dOZLO6fb_vtYtqxzEokmCB53tZL0MHoJy083PHHn6Ox9Eayp7Kjx.T_nNg1wCQz.AX8w-- X-Mailer: YahooMailWebService/0.7.289.1 Date: Sun, 1 Mar 2009 13:05:34 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: OT: Tuning guitar in fifths for wider orchestration options To: Loopers-Delight@loopers-delight.com In-Reply-To: <66f9cc1e0902271546o80f9797l2681701f3a57b741@mail.gmail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <271934.28609.qm@web38606.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89202 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 21:05:34 +0000 (UTC) Hey Per, The Boss CS3 is a nifty little pedal,because if you put it in poly mode you can define which strings should be the bass by rotating the range button,i set it to about 11 o clock to have the E and A strings as bass and keep the rest of the strings unaffected. cheers Luis > > Another approach would be to have a bass pedal (octavider). > I've just > started rehearsing with one to explore it for looping. > I'm starting to > get bored with the looper scripts I use for bass - it tunes > up the > loop and overdubs, so that the overdub will be bass when > the loop is > brought back to normal speed. This technique is based on > short bass > punches and can not be used for longer notes, which is what > I'd like > to find solution for. My recent "bass pedal > patch" uses an expression > pedal: in toe down position it is just the normal octave > and in toe up > position it is one octave down. The pedal range crossfades > continuously between the octaves, so at the mid position > you have both > octaves. This makes it possible to make bass and higher > notes in one > (overdub) go, on any sort of instrument you might play. The > downside, > compared to piano and stick, is that you can't play > bass and higher > notes at the same time - you have to wait for the next loop > round. > > Greetings from Sweden > > Per Boysen > www.boysen.se > www.perboysen.com From Loopers-Delight-request@loopers-delight.com Sun Mar 1 21:08:08 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 8C0BA3BFC6; Sun, 1 Mar 2009 21:08:08 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-Id: <8E0FCCEA-6A2D-465D-80CE-2D2BDC51F77A@glasswing.com> From: richard sales To: Loopers-Delight@loopers-delight.com In-Reply-To: Content-Type: multipart/alternative; boundary=Apple-Mail-10--63552501 Mime-Version: 1.0 (Apple Message framework v930.3) Subject: Re: OT: Tuning guitar in fifths/ my rant defending alt. tunings :-) Date: Sun, 1 Mar 2009 13:08:05 -0800 References: <119655.6010.qm@web51506.mail.re2.yahoo.com> <49A8A74A.5030501@mhorse.com> <49AA92A3.5060503@tiscali.co.uk> X-Mailer: Apple Mail (2.930.3) Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89203 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 21:08:08 +0000 (UTC) --Apple-Mail-10--63552501 Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes Content-Transfer-Encoding: 7bit On Mar 1, 2009, at 9:23 AM, Dennis Moser wrote: > > > I wonder how much of the appeal from alt tuning is the change in > timbre, > rather than the shifting around of notes. No question. And the open ringing strings. And for those who've had tendonitis, the ability to continue to play! And because it's much harder to not sound like everyone else in standard - Kottke pointed that out years ago. R richard sales www.glasswing.com www.richardsales.com www.hayleysales.com --Apple-Mail-10--63552501 Content-Type: text/html; charset=US-ASCII Content-Transfer-Encoding: quoted-printable
On Mar 1, 2009, = at 9:23 AM, Dennis Moser wrote:


I wonder how much of the appeal = from alt tuning is the change in timbre,
rather than the shifting = around of notes.

No = question.  And the open ringing strings.  And for those who've = had tendonitis, the ability to continue to play!  And because it's = much harder to not sound like everyone else in standard - Kottke pointed = that out years = ago. 
 
R

richard = sales
<= font class=3D"Apple-style-span" color=3D"#908E38">www.richardsales.com
=
= --Apple-Mail-10--63552501-- From Loopers-Delight-request@loopers-delight.com Sun Mar 1 21:09:07 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id D72E33BFE9; Sun, 1 Mar 2009 21:09:07 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: <49AAF96D.8070700@cruzio.com> Date: Sun, 01 Mar 2009 13:09:01 -0800 From: Rick Walker User-Agent: Thunderbird 2.0.0.19 (Windows/20081209) MIME-Version: 1.0 To: "LOOPERS DELIGHT (posting)" Subject: PLEASE BE COURTEOUS ON THIS LIST Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89204 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 21:09:07 +0000 (UTC) Hey Guys, Loving all the activity at Loopers Delight lately. That being said, today I received: *Loopers Delight Daily Digest #206, Loopers Delight Daily Digest#207, Loopers Delight Daily Digest#208, Loopers Delight Daily Digest#209, Loopers Delight Daily Digest#210, Loopers Delight Daily Digest#211, Loopers Delight Daily Digest#212 All in 4 hours! *Please, please, please, be courteous and DO NOT COPY the digests when you reply to a subject. It takes so much longer to read the emails. Some of us subscribe to a daily digest because there isn't time to read all individual posts. I know that's hard for you guys with Gmail and other webbased browsers to remember, but please take mercy on us poor home based browser users. Thanks, Rick Walker From Loopers-Delight-request@loopers-delight.com Sun Mar 1 21:43:30 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 38C913BFA2; Sun, 1 Mar 2009 21:43:30 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Originating-IP: [75.174.127.248] X-Originating-Email: [khartung@q.com] Message-ID: From: "Krispen Hartung" To: References: <119417.12416.qm@web38605.mail.mud.yahoo.com> Subject: Re: Boomerang 3 release Date: Sun, 1 Mar 2009 14:43:32 -0700 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.5512 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.5579 X-OriginalArrivalTime: 01 Mar 2009 21:43:29.0602 (UTC) FILETIME=[C294B220:01C99AB6] Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89205 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 21:43:30 +0000 (UTC) Finally. So will this be the most feature packed floor looper on the market? Does the larger Boss unit have that many features? Now, if they would just add variable and random speed, I would be delighted. :) Kris ----- Original Message ----- > looks like it will soon > > >> Hi all you patient and not so patient looping enthusiasts, >> >> It has been taking a looooooooooooooong time to finish >> this pedal, >> but it will be a fantastic looper. In >> fact it already is with the current feature set. Completing >> the >> software has been the hold up for some time >> now. There are only 2 features left to add and our >> programmer is >> working hard. The prototypes have all >> features but those two! Release will hopefully be this >> spring. >> >> We have all the parts to make a few hundred units. The >> circuit >> boards have all parts soldered on. Front >> panel graphic overlays have been received. Steel chassis >> have been >> received. Everything is in place. The hold >> up is finishing the software which has proven to be quite >> complex. >> If we had the software today, I could ship about 400 >> units within a month! >> >> Here's what we have so far: >> * Serial Play Style - loops play one after the other like >> the Rang(TM) Plus >> * Serial Master Play Style - see description below >> * 3 or 4 loops, your choice >> * stacking with undo/redo - "stacking" is adding >> parts to a loop >> * erase one or all loops - a loop can be erased while >> another plays >> * copy loop - a loop can be copied whether it is playing or >> not >> * copy live - this enables "re-sampling" and is >> very powerful; the >> pedal's output is routed to a new loop >> * octave - loop plays at half speed and an octave lower >> * reverse - loop plays backwards >> * once - loop plays one time through then stops or stops at >> its end if >> already playing >> * fade - loops fade in or out with one button press; fades >> can be >> approx 2 to 42 seconds long >> * reverse solo - this is an effect and enables you to >> create reverse leads live >> * 48KHz or 24KHz sample rate with 20 bit samples >> * through signal is always 48KHz sample rate with 24 bit >> samples >> * Thru Mute function >> * Playback master volume control with an expression pedal >> * Dedicated loop playback volume knob >> * Dedicated loop decay rate knob - the rate at which >> earlier parts >> fade when new ones are added >> * stereo or mono recording and playback >> * Smart jacks - the III senses which jacks are being used >> and provides >> different signal routing options >> >> Sync in Serial Play Style (Serial Master Play Style) >> There are 2 types of sync. One is a "normal" >> sync - all loops can >> play at once, there is a master that is >> recorded first, all loops are multiples of the master. This >> is the >> Sync Play Style. >> But there is another cool type of sync in the Serial >> Play Style >> where one loop is played after the other, >> the verse, chorus, bridge type of use. If loop 3 is >> recorded first, it >> will be the master, otherwise it's just >> another loop and there is no master. If loop three is >> master, then it >> can play with the other loops. It's the >> only loop that can play along with the other loops. >> So at one time you can play 1 & 3, 2 & 3, 4 >> & 3, but not 1 & 2. >> Remember this is serial play style where >> the loops play one at a time... with the exception of the >> master. I >> hope this isn't too confusing. >> Here's the purpose. For serial style loopers >> it's nice to have a >> rhythmic background behind the melodic >> loops. Mute the strings and record a short >> "chika-chika" or beat on >> the sides of your acoustic axe. >> >> What's left to do: >> = Sync Play Style - all loops can play simultaneously and >> are synced >> so they stay together >> = Free Play Style - all loops can play simultaneously and >> are NOT >> synced; this is great for ambient sounds >> >> The software still isn't complete, but we've >> decided to sell >> pre-production units to interested players. The features >> listed above >> are all working with only a few bugs yet to fix. >> Essentially what >> you'll get is a Boomerang(R) III looper less the Sync >> and Free Play >> Styles. >> The purchaser will receive the final production >> software and user >> manual when complete, but there is no commitment on our >> part to a >> specific delivery date. It's done when it's done. >> The software will be >> delivered as a MIDI file attached to an email. Uploading is >> accomplished by playing the file in a MIDI player on your >> computer >> with the output routed through a USB/MIDI interface and on >> to the III >> with a MIDI cable. >> If the customer doesn't have the means to >> accomplish this, then >> the unit must be returned to have the software installed. >> In that >> case, the customer will pay for all shipping expenses, both >> ways. This >> will most likely run from $20 to $30 in the lower 48. >> We will charge what we expect the "street" >> price to be, $439. >> Shipping will be additional and should be around $15. >> Holler if this >> interests you. >> >> ---------- >> >> Mike Nelson >> Secretary/Treasurer, Boomerang Management, Inc. >> General Partner of Boomerang Musical Products, Ltd. >> >> ---------- >> >> "Some products make you sound better; >> the Boomerang(R) Phrase Sampler makes you play >> better." >> >> ---------- >> >> 1-800-530-4699 * 1-817-251-8737, Outside USA * >> 1-817-251-8509, Fax >> >> http://www.boomerangmusic.com >> >> Shipping Address for Repairs: >> Boomerang >> 1516 Victoria Drive >> Denton, TX 76209 >> >> Billing Address: >> Boomerang Musical Products, Ltd. >> PO Box 3788 >> Grapevine, TX 76099-3788 > > >> http://www.myspace.com/luisangulocom >> www.luis-angulo.com > > > > > From Loopers-Delight-request@loopers-delight.com Sun Mar 1 21:44:29 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 5F2973BFDF; Sun, 1 Mar 2009 21:44:29 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:in-reply-to:references :date:message-id:subject:from:to:content-type; bh=vpXc4Cqz8w1tmb9RBpghMx70YbPYQiCZ15TBPdZ7xP0=; b=ue6Bb6YFU4e1PW79X6ix260+dGLV2zoKjW+kiwFzub7A5uuVUl8N8XiWjhJfb/OtRf pH6SyEDE8NMxJ+bw1qcJhYd/EFuIjwXtDegmIWvbDiUGLlDLxi2mgIxF6+ro43gjUp5v e9uv2TN+d8DAAb1ZWQ8TvQbRygX6MNr7qVMFU= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; b=EKLejPO85T70VrMhqQTDqqlLMf/On3q0X8CvMpJmYHjYhTUlHszwGbilWL8ue3ctW+ 2hnE7qfF+zSVv93IAkbeuN2YCS34LJi1PcrMAmxXjC9UighHCgHvbuVCgBB9MJ9OtcDd OmsX2L4pk+7h5Rx6tk+iPPw+7dV0noLesBTIc= MIME-Version: 1.0 In-Reply-To: References: <119417.12416.qm@web38605.mail.mud.yahoo.com> Date: Mon, 2 Mar 2009 08:44:27 +1100 Message-ID: <96adde860903011344l3925786ej77414ae155412082@mail.gmail.com> Subject: Re: Boomerang 3 release From: Tom Sowonja To: Loopers-Delight@loopers-delight.com Content-Type: multipart/alternative; boundary=000e0cd2beb42c861f0464159be8 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89206 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Sun, 1 Mar 2009 21:44:29 +0000 (UTC) --000e0cd2beb42c861f0464159be8 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit this is fantatsic news - i've been waiting for this for a long long time. 2009/3/2 Krispen Hartung > Finally. So will this be the most feature packed floor looper on the > market? Does the larger Boss unit have that many features? Now, if they > would just add variable and random speed, I would be delighted. :) > > Kris > > > ----- Original Message ----- > >> looks like it will soon >> >> >> Hi all you patient and not so patient looping enthusiasts, >>> >>> It has been taking a looooooooooooooong time to finish >>> this pedal, >>> but it will be a fantastic looper. In >>> fact it already is with the current feature set. Completing >>> the >>> software has been the hold up for some time >>> now. There are only 2 features left to add and our >>> programmer is >>> working hard. The prototypes have all >>> features but those two! Release will hopefully be this >>> spring. >>> >>> We have all the parts to make a few hundred units. The >>> circuit >>> boards have all parts soldered on. Front >>> panel graphic overlays have been received. Steel chassis >>> have been >>> received. Everything is in place. The hold >>> up is finishing the software which has proven to be quite >>> complex. >>> If we had the software today, I could ship about 400 >>> units within a month! >>> >>> Here's what we have so far: >>> * Serial Play Style - loops play one after the other like >>> the Rang(TM) Plus >>> * Serial Master Play Style - see description below >>> * 3 or 4 loops, your choice >>> * stacking with undo/redo - "stacking" is adding >>> parts to a loop >>> * erase one or all loops - a loop can be erased while >>> another plays >>> * copy loop - a loop can be copied whether it is playing or >>> not >>> * copy live - this enables "re-sampling" and is >>> very powerful; the >>> pedal's output is routed to a new loop >>> * octave - loop plays at half speed and an octave lower >>> * reverse - loop plays backwards >>> * once - loop plays one time through then stops or stops at >>> its end if >>> already playing >>> * fade - loops fade in or out with one button press; fades >>> can be >>> approx 2 to 42 seconds long >>> * reverse solo - this is an effect and enables you to >>> create reverse leads live >>> * 48KHz or 24KHz sample rate with 20 bit samples >>> * through signal is always 48KHz sample rate with 24 bit >>> samples >>> * Thru Mute function >>> * Playback master volume control with an expression pedal >>> * Dedicated loop playback volume knob >>> * Dedicated loop decay rate knob - the rate at which >>> earlier parts >>> fade when new ones are added >>> * stereo or mono recording and playback >>> * Smart jacks - the III senses which jacks are being used >>> and provides >>> different signal routing options >>> >>> Sync in Serial Play Style (Serial Master Play Style) >>> There are 2 types of sync. One is a "normal" >>> sync - all loops can >>> play at once, there is a master that is >>> recorded first, all loops are multiples of the master. This >>> is the >>> Sync Play Style. >>> But there is another cool type of sync in the Serial >>> Play Style >>> where one loop is played after the other, >>> the verse, chorus, bridge type of use. If loop 3 is >>> recorded first, it >>> will be the master, otherwise it's just >>> another loop and there is no master. If loop three is >>> master, then it >>> can play with the other loops. It's the >>> only loop that can play along with the other loops. >>> So at one time you can play 1 & 3, 2 & 3, 4 >>> & 3, but not 1 & 2. >>> Remember this is serial play style where >>> the loops play one at a time... with the exception of the >>> master. I >>> hope this isn't too confusing. >>> Here's the purpose. For serial style loopers >>> it's nice to have a >>> rhythmic background behind the melodic >>> loops. Mute the strings and record a short >>> "chika-chika" or beat on >>> the sides of your acoustic axe. >>> >>> What's left to do: >>> = Sync Play Style - all loops can play simultaneously and >>> are synced >>> so they stay together >>> = Free Play Style - all loops can play simultaneously and >>> are NOT >>> synced; this is great for ambient sounds >>> >>> The software still isn't complete, but we've >>> decided to sell >>> pre-production units to interested players. The features >>> listed above >>> are all working with only a few bugs yet to fix. >>> Essentially what >>> you'll get is a Boomerang(R) III looper less the Sync >>> and Free Play >>> Styles. >>> The purchaser will receive the final production >>> software and user >>> manual when complete, but there is no commitment on our >>> part to a >>> specific delivery date. It's done when it's done. >>> The software will be >>> delivered as a MIDI file attached to an email. Uploading is >>> accomplished by playing the file in a MIDI player on your >>> computer >>> with the output routed through a USB/MIDI interface and on >>> to the III >>> with a MIDI cable. >>> If the customer doesn't have the means to >>> accomplish this, then >>> the unit must be returned to have the software installed. >>> In that >>> case, the customer will pay for all shipping expenses, both >>> ways. This >>> will most likely run from $20 to $30 in the lower 48. >>> We will charge what we expect the "street" >>> price to be, $439. >>> Shipping will be additional and should be around $15. >>> Holler if this >>> interests you. >>> >>> ---------- >>> >>> Mike Nelson >>> Secretary/Treasurer, Boomerang Management, Inc. >>> General Partner of Boomerang Musical Products, Ltd. >>> >>> ---------- >>> >>> "Some products make you sound better; >>> the Boomerang(R) Phrase Sampler makes you play >>> better." >>> >>> ---------- >>> >>> 1-800-530-4699 * 1-817-251-8737, Outside USA * >>> 1-817-251-8509, Fax >>> >>> http://www.boomerangmusic.com >>> >>> Shipping Address for Repairs: >>> Boomerang >>> 1516 Victoria Drive >>> Denton, TX 76209 >>> >>> Billing Address: >>> Boomerang Musical Products, Ltd. >>> PO Box 3788 >>> Grapevine, TX 76099-3788 >>> >> >> >> http://www.myspace.com/luisangulocom >>> www.luis-angulo.com >>> >> >> >> >> >> >> > --000e0cd2beb42c861f0464159be8 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable this is fantatsic news - i've been waiting for this for a long long tim= e.

2009/3/2 Krispen Hartung <info@krispenhartung.com= >
Finally. So will = this be the most feature packed floor looper on the market? Does the larger= Boss unit have that many features? Now, if they would just add variable an= d random speed, I would be delighted. :)

Kris


----- Original Message -----
looks like it will soon


Hi all you patient and not so patient looping enthusiasts,

=A0 =A0It has been taking a looooooooooooooong time to finish
this pedal,
but it will be a fantastic looper. In
fact it already is with the current feature set. Completing
the
software has been the hold up for some time
now. There are only 2 features left to add and our
programmer is
working hard. The prototypes have all
features but those two! Release will hopefully be this
spring.

=A0 =A0We have all the parts to make a few hundred units. The
circuit
boards have all parts soldered on. Front
panel graphic overlays have been received. Steel chassis
have been
received. Everything is in place. The hold
up is finishing the software which has proven to be quite
complex.
=A0 =A0If we had the software today, I could ship about 400
units within a month!

=A0 =A0Here's what we have so far:
* Serial Play Style - loops play one after the other like
the Rang(TM) Plus
* Serial Master Play Style - see description below
* 3 or 4 loops, your choice
* stacking with undo/redo - "stacking" is adding
parts to a loop
* erase one or all loops - a loop can be erased while
another plays
* copy loop - a loop can be copied whether it is playing or
not
* copy live - this enables "re-sampling" and is
very powerful; the
pedal's output is routed to a new loop
* octave - loop plays at half speed and an octave lower
* reverse - loop plays backwards
* once - loop plays one time through then stops or stops at
its end if
already playing
* fade - loops fade in or out with one button press; fades
can be
approx 2 to 42 seconds long
* reverse solo - this is an effect and enables you to
create reverse leads live
* 48KHz or 24KHz sample rate with 20 bit samples
* through signal is always 48KHz sample rate with 24 bit
samples
* Thru Mute function
* Playback master volume control with an expression pedal
* Dedicated loop playback volume knob
* Dedicated loop decay rate knob - the rate at which
earlier parts
fade when new ones are added
* stereo or mono recording and playback
* Smart jacks - the III senses which jacks are being used
and provides
different signal routing options

Sync in Serial Play Style (Serial Master Play Style)
=A0 =A0There are 2 types of sync. One is a "normal"
sync - all loops can
play at once, there is a master that is
recorded first, all loops are multiples of the master. This
is the
Sync Play Style.
=A0 =A0But there is another cool type of sync in the Serial
Play Style
where one loop is played after the other,
the verse, chorus, bridge type of use. If loop 3 is
recorded first, it
will be the master, otherwise it's just
another loop and there is no master. If loop three is
master, then it
can play with the other loops. It's the
only loop that can play along with the other loops.
=A0 =A0So at one time you can play 1 & 3, 2 & 3, 4
& 3, but not 1 & 2.
Remember this is serial play style where
the loops play one at a time... with the exception of the
master. I
hope this isn't too confusing.
=A0 =A0Here's the purpose. For serial style loopers
it's nice to have a
rhythmic background behind the melodic
loops. Mute the strings and record a short
"chika-chika" or beat on
the sides of your acoustic axe.

=A0 =A0What's left to do:
=3D Sync Play Style - all loops can play simultaneously and
are synced
so they stay together
=3D Free Play Style - all loops can play simultaneously and
are NOT
synced; this is great for ambient sounds

=A0 =A0The software still isn't complete, but we've
decided to sell
pre-production units to interested players. The features
listed above
are all working with only a few bugs yet to fix.
Essentially what
you'll get is a Boomerang(R) III looper less the Sync
and Free Play
Styles.
=A0 =A0The purchaser will receive the final production
software and user
manual when complete, but there is no commitment on our
part to a
specific delivery date. It's done when it's done.
The software will be
delivered as a MIDI file attached to an email. Uploading is
accomplished by playing the file in a MIDI player on your
computer
with the output routed through a USB/MIDI interface and on
to the III
with a MIDI cable.
=A0 =A0If the customer doesn't have the means to
accomplish this, then
the unit must be returned to have the software installed.
In that
case, the customer will pay for all shipping expenses, both
ways. This
will most likely run from $20 to $30 in the lower 48.
=A0 =A0We will charge what we expect the "street"
price to be, $439.
Shipping will be additional and should be around $15.
Holler if this
interests you.

----------

Mike Nelson
Secretary/Treasurer, Boomerang Management, Inc.
General Partner of Boomerang Musical Products, Ltd.

----------

"Some products make you sound better;
=A0the Boomerang(R) Phrase Sampler makes you play
better."

----------

1-800-530-4699 * 1-817-251-8737, Outside USA *
1-817-251-8509, Fax

http://www.boom= erangmusic.com

Shipping Address for Repairs:
Boomerang
1516 Victoria Drive
Denton, TX =A076209

Billing Address:
Boomerang Musical Products, Ltd.
PO Box 3788
Grapevine, TX =A076099-3788


http://w= ww.myspace.com/luisangulocom
www.luis-angulo.co= m







--000e0cd2beb42c861f0464159be8-- From Loopers-Delight-request@loopers-delight.com Mon Mar 2 03:12:38 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 73BDC3BF10; Mon, 2 Mar 2009 03:12:38 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com MIME-version: 1.0 Content-type: text/plain; charset=ISO-8859-1; format=flowed; delsp=yes Message-id: <652DDAC9-CA31-4CCE-9D04-50D007247D9E@me.com> From: Reyn Ouwehand To: Loopers-Delight@loopers-delight.com In-reply-to: <26413.72.22.1235512030.squirrel@www.andredonawa.com> Content-transfer-encoding: quoted-printable Subject: Re: Robin Koerts - Buckshot X-Priority: 3 (Normal) Date: Mon, 02 Mar 2009 04:12:33 +0100 References: <26413.72.22.1235512030.squirrel@www.andredonawa.com> X-Mailer: Apple Mail (2.930.3) Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89207 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 03:12:38 +0000 (UTC) Ah funny! I studied with this guy and we've been playing together for =20= years! He's such a talented guy! Incredible... Small world... Cheers, Reyn www.reyn.net On Feb 24, 2009, at 10:47 PM, Andr=E9 Donawa wrote: > Came across this last week. > I love it. > Itching to get a setup like this. > > A great combination of looping/sequencing/ and free form. > I'm still trying to figure out how he's doing it. > A lot of interesting things going on. > Hoping some of you guru's would know. > > http://www.youtube.com/watch?v=3DtWKp0VwoIps > > > Andre Donawa > Barbados Guitar School > Woodside Gardens > Bay St. > St. Michael > Barbados > 11157 > Tel: 246-228-2480 (Office) > 246 436 8294 (School) > > http://www.barbadosguitar.com > http://www.andredonawa.com > http://cdbaby.com/all/andredonawa > http://www.myspace.com/andredonawa > From Loopers-Delight-request@loopers-delight.com Mon Mar 2 03:31:14 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 66A773BF12; Mon, 2 Mar 2009 03:31:14 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:in-reply-to:references :date:message-id:subject:from:to:content-type :content-transfer-encoding; bh=crFgIraqhWcpGaSTpF9corvG/JvQoV5/70IrwAf/7WE=; b=QrSpnMmMIqeYr4zK+G1Cphc6joKS/jIu0mqrmN1hH+9SmCOAl84ap5IdE5fB1juCNn mShDhPOFFII6J9gU/FwjDVCqakuZeYi9L9tonYvK1Dt/Dffe+5kSM5IoxCOVryNIEOMZ ZiRGTJ1xxAimVuLB4RnljRguQJO/BTs9BQHpA= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type:content-transfer-encoding; b=Oo4Uia31cvCGYvS8m7Pns9uHYrX2zhud7X3++RQSpRehA/wjWJYrXayZk9M5fiwSMh zIII5yqU7vJiopYEznzEw/vJHYBmhkOnGI1dVYNiVHL9JtbrVRqcLaeq9+Oqc3Dpld/i 7n25oXSJATEkhiWeatVrBu5z/pVC4kSDEykA8= MIME-Version: 1.0 In-Reply-To: <49AAC726.8000701@mhorse.com> References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <49AAC726.8000701@mhorse.com> Date: Mon, 2 Mar 2009 04:31:13 +0100 Message-ID: Subject: Re: RPM CD - Jim Goodin - Vertical released From: Raul Bonell To: Loopers-Delight@loopers-delight.com Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89208 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 03:31:14 +0000 (UTC) www.box.net 2009/3/1, Daryl Shawn : > You know, I believe with Dropbox that the folder needs to be specifically > shared with the recipients, so it won't really work to share en masse, I'm > realizing. There was a more open online storage system I can't recall now, I > think Krispen sometimes put his files there. There's also Jamendo. > > Daryl Shawn > www.swanwelder.com > www.chinapaintingmusic.com > > > > > I joined, installed, got a dropbox and I still can't get that link. Sorry > for my lameness. Any tips? > > j > > > > -- The Playing Orchestra: http://www.telefonica.net/web2/tpo Chain Tape Collective: http://www.ct-collective.com TPO at myspace: http://www.myspace.com/theplayingorchestra TPO at Jamendo: http://www.jamendo.com From Loopers-Delight-request@loopers-delight.com Mon Mar 2 04:40:10 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 29F403BF10; Mon, 2 Mar 2009 04:40:10 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha1; d=embarqmail.com; s=s012408; c=relaxed/simple; q=dns/txt; i=@embarqmail.com; t=1235968809; h=From:Subject:Date:To:MIME-Version:Content-Type; bh=/XWrgDAw/vEZl+nZScx1trjRljw=; b=Jm1wUe+m6UNoPiqISQnMJqxKUEx28rxk5v1QG9Sqy8EnxOm7rj7qSxmKY8GTOyqT Ly5TbHK9L3NSkm9X/lIrhQRmFD9448TAVyTqqiHaCE61JZHPfId8egX9PnSv0DwJ; X_CMAE_Category: 0,0 Undefined,Undefined X-CNFS-Analysis: v=1.0 c=1 a=BBN4iAGjS9sA:10 a=9Ps154EHAAAA:8 a=jsjmMl50AAAA:8 a=mXmh1LwXAAAA:8 a=WYd5oxahAAAA:8 a=nEJoZ4RnAAAA:8 a=RuyKgJuBAAAA:8 a=fkieF908AAAA:8 a=qjVfsmHHFNONxjQlesMA:9 a=-PHySool1UkHQnzAiNUA:7 a=bKOp9tDcePuJUAD5McNrx-foZs0A:4 a=Zq1MA1451ewA:10 a=Nl17zUePOAwA:10 a=MSl-tDqOz04A:10 a=br5QjLurtgQA:10 a=BpqUGxorProA:10 a=nrUGvYwLnKIA:10 X-CM-Score: 0 X-Scanned-by: Cloudmark Authority Engine Authentication-Results: smtp04.embarq.synacor.com smtp.user=jeff_d@embarqmail.com; auth=pass (LOGIN) Message-ID: <000801c99af0$f48f2460$0202a8c0@YOUR08D5303051> From: "Jeff Duke" To: References: <9e0440a60903010804uc864d74h7a5e4b3a25f534f2@mail.gmail.com> <001101c99a8b$18871f50$0202a8c0@YOUR08D5303051> <9e0440a60903010852s53319f01w722872fd69a8dd2b@mail.gmail.com> <000a01c99a91$bdd247e0$0202a8c0@YOUR08D5303051> <49AAC726.8000701@mhorse.com> Subject: Re: RPM CD - Jim Goodin - Vertical released Date: Sun, 1 Mar 2009 23:40:03 -0500 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.3138 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3350 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89209 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 04:40:10 +0000 (UTC) Dropbox does indeed work if you place the zip in your "public" folder, then click on the little blue arrow after the zip for the menu, then click "copy public link". I have used it for several things now with no problem. Between Box.net and Dropbox I now have boku space for quick file placement. I am glad I downloaded it. Just a little learning curve. Jeff ----- Original Message ----- From: "Raul Bonell" To: Sent: Sunday, March 01, 2009 10:31 PM Subject: Re: RPM CD - Jim Goodin - Vertical released > www.box.net > > 2009/3/1, Daryl Shawn : >> You know, I believe with Dropbox that the folder needs to be specifically >> shared with the recipients, so it won't really work to share en masse, >> I'm >> realizing. There was a more open online storage system I can't recall >> now, I >> think Krispen sometimes put his files there. There's also Jamendo. >> >> Daryl Shawn >> www.swanwelder.com >> www.chinapaintingmusic.com >> >> >> >> > I joined, installed, got a dropbox and I still can't get that link. >> > Sorry >> for my lameness. Any tips? >> > j >> > >> >> > > > -- > The Playing Orchestra: http://www.telefonica.net/web2/tpo > Chain Tape Collective: http://www.ct-collective.com > TPO at myspace: http://www.myspace.com/theplayingorchestra > TPO at Jamendo: http://www.jamendo.com > > From Loopers-Delight-request@loopers-delight.com Mon Mar 2 08:14:27 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 6F5213BF0D; Mon, 2 Mar 2009 08:14:27 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:Cc:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=dTdb+2CP3zxnz3EB5tvdpuxiVeYjntEU/B8iif3w+m/nR4wK4TeYmSi4A1GNSW+l2TyrLEV5MJISbOCBv2ggtpKPi4E7yKuq7ahStrvP0ikOSx8zJJcNl0fWxUt2AQZ2tiU8hK9NyUQuwhjTziJDG1HsB1wzEqrnKEFoHPrgreo=; X-YMail-OSG: 9RotxX8VM1mpsnuC46a9onBipK9c.peYD7K_SYzRSwF9xD2q0HhXjomru2X1Id84yckTjt7OK1gm75mMT3Mlt9q9QmTDkjPZpKA6AmzlZ7Ryhcpq8jChFJ.K9MJzSWa5f81.SI8fDbLpMRD5zn_kVDllRXxyVxq5IJZiH2RRIUa0Xx49CnNn4kmDbGqIM7WSAKjAPHrGFfD9kzVY6w-- X-Mailer: YahooMailWebService/0.7.289.1 Date: Mon, 2 Mar 2009 00:14:26 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: OT: Tuning guitar in fifths for wider orchestration options To: Per Boysen Cc: Loopers Delight In-Reply-To: <66f9cc1e0903011410y4a2237a9m5088569d4584ecff@mail.gmail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <586697.83611.qm@web38603.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89210 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 08:14:27 +0000 (UTC) off course how can it sounds convincing when i give you the wrong model description;-) here you can read about it (forget the video) better yet go try it out! http://www.bossus.com/gear/productdetails.php?ProductId=608 www.myspace.com/luisangulocom --- On Sun, 3/1/09, Per Boysen wrote: > From: Per Boysen > Subject: Re: OT: Tuning guitar in fifths for wider orchestration options > To: labaloops@yahoo.com > Date: Sunday, March 1, 2009, 2:10 PM > That doesn't sound totally convincing... how does a the > box know if I > play a note on the A string or the E string? > > Greetings from Sweden > > Per Boysen > www.boysen.se > www.perboysen.com > > > > On Sun, Mar 1, 2009 at 10:05 PM, L.Angulo > wrote: > > Hey Per, > > The Boss CS3 is a nifty little pedal,because if you > put it in poly mode you can define which strings should be > the bass by rotating the range button,i set it to about 11 o > clock to have the E and A strings as bass and keep the rest > of the strings unaffected. > > cheers > > Luis From Loopers-Delight-request@loopers-delight.com Mon Mar 2 09:17:08 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 9382E3BF0B; Mon, 2 Mar 2009 09:17:08 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com From: "Michael Peters" To: References: <20090301173245.185823BFA2@arsenic.violacea.com> Subject: RE: basic Bidule question Date: Mon, 2 Mar 2009 10:17:05 +0100 Message-ID: <003801c99b17$a8210860$fe78a8c0@mpeserver> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Mailer: Microsoft Office Outlook 11 In-Reply-To: <20090301173245.185823BFA2@arsenic.violacea.com> X-mimeole: Produced By Microsoft MimeOLE V6.00.2900.3350 Thread-Index: AcmalAjJNjUINhceSHOszTA58+bXhQAg3q0A X-AntiVirus: checked (outgoing) by AntiVir MailGuard (Version: 8.0.0.45; AVE: 8.2.0.98; VDF: 7.1.2.96) Resent-Message-ID: <_Dh6PC.A.ptH.UQ6qJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89211 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 09:17:08 +0000 (UTC) er, has anyone sent me an offlist msg with "bidule" and "cc" in its subject? It landed in my spam folder and was deleted before I could say stop. -Michael From Loopers-Delight-request@loopers-delight.com Mon Mar 2 10:11:02 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 86E353BF0A; Mon, 2 Mar 2009 10:11:02 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:in-reply-to:references :date:message-id:subject:from:to:content-type :content-transfer-encoding; bh=zSSe0gOrEEqqHdeZz63LZEBnWG2q782Jcf4LVLQBaA8=; b=aoRHEQW8wd+YkpISRCGH/uSlZkytkI2h9C5qLAk/GeMNCuO9fyuODE5Kw46hzzcUg8 pAiIz12zcLT1YbKFHkNWYxCftm5X6OnpVqOn0FyoGvnPm6fmjBIWY7fpjxlY9AovAqD8 Y1+797rbFDGlkd6xL2HMlc0sjxfY+UJOt16gk= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type:content-transfer-encoding; b=bCy+621EYYItkSA9lxwTsT5loEwBLRMjHFKlpW4kNsthfiPZHbr8g8VqVPBnci/BGb 8HBDWZiPO/N3E8gE0uFLgmrWcWDz9cKGNfxv+tLdb29+brC07fD9E6MVDK5EUsGcAYVF vyMsw+0YHKsAy07wfRUgC81gdUSs2Nk3ryY24= MIME-Version: 1.0 In-Reply-To: <003801c99b17$a8210860$fe78a8c0@mpeserver> References: <20090301173245.185823BFA2@arsenic.violacea.com> <003801c99b17$a8210860$fe78a8c0@mpeserver> Date: Mon, 2 Mar 2009 11:11:01 +0100 Message-ID: <66f9cc1e0903020211pc6078f8h6fb39e00b4d59312@mail.gmail.com> Subject: Re: basic Bidule question From: Per Boysen To: Loopers-Delight@loopers-delight.com Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89212 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 10:11:02 +0000 (UTC) Not me. Greetings from Sweden Per Boysen www.boysen.se www.perboysen.com On Mon, Mar 2, 2009 at 10:17 AM, Michael Peters wrote: > er, has anyone sent me an offlist msg with "bidule" and "cc" in its subject? > It landed in my spam folder and was deleted before I could say stop. > -Michael > > From Loopers-Delight-request@loopers-delight.com Mon Mar 2 12:49:24 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 50AA53BEF6; Mon, 2 Mar 2009 12:49:24 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:date:message-id:subject :from:to:content-type; bh=co3rVNlp/Se1PIuw0wlrkkXpFUavgnaU3/bk2FgQ64Y=; b=vmw0tKTVCe1LDNMsYB6dRb1Rwf54wYaw70ap9yRvVrU5VlI+ljX/Grm57vy/D3+WLa DDUB/5L/idDuqFleTf92a2IC2Gip8xdIK2DKDSD5bCdI9QqHGaZ6eKITvSagesC+mdlZ 16MtD8DJ/z+WkGtgPh3JYb4Ti1APGYEC4G23w= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:date:message-id:subject:from:to:content-type; b=cJare3BkPZ7vk++G0Mv4ZvAXSO1qAoHmjLBVrBYKuss0q5t2FPgdFnrNE0xRJb9cg1 RCxwIrcxawgAoRIE6fVVyZsb7irGnUUSMTu9R9K9kdDx3aTtACYbZpuGVtAvlxLPP9yR QJzX0F9eaYacUIYcFNbgUfarzczgNWa08w/xs= MIME-Version: 1.0 Date: Mon, 2 Mar 2009 04:49:23 -0800 Message-ID: <333287c30903020449s4bf5738bvaadde7dbacbcc768@mail.gmail.com> Subject: looper vs storyteller. if there even is From: Nevyn Nowhere To: Loopers Delight Content-Type: multipart/alternative; boundary=001636e0a88473c59b0464223fda Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89213 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 12:49:24 +0000 (UTC) --001636e0a88473c59b0464223fda Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit a difference. I was having a chat with my lady the other evening about music. Wow, how intriguing, I know. ;) But more specifically... music as a story. She posed an interesting question, do I view my songs as more stories, or sound manipulation with all that entails? Certainly, we who make it, know that the lines are not that cut and dry. But I will say... I do live looping stuff a bit, and never record it. To me, live. It's now. It's what is happening. It is more sonic manipulation than storytelling. Although certainly, it has elements of both. Recorded, might capture those moments, but "recorded songs" are more about telling the story. WITH the sonics, of course. But more structure, more sequenced mixed with live looping/ability to turn sequence on/off and loop fully in those moments (and partially when it is sequenced).... ... sequencing gives more prethought, to me. Which is both a plus and a negative. It both makes your "story" more specific, and also constricits you to telling the story you made when you wrote "that". Which invariably has changed since you wrote it, if you are on this list, or so I'd think. So, the question: A)Is your music more story or sonic manipulation? B)Do you more often loop or sequence? mix? what measure of the two and do they ever intermix? C)How do you feel looping vs sequencing affects "story" D)How do you feel music can be a story, if you feel such? E)What's the latest "story" you're stoked on? and why? -nn happyhumans.org --001636e0a88473c59b0464223fda Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable a difference.

I was having a chat with my lady the other evening abo= ut music.=A0 Wow, how intriguing, I know. ;)

But more specifically..= . music as a story.

She posed an interesting question, do I view my = songs as more stories, or sound manipulation with all that entails?

Certainly, we who make it, know that the lines are not that cut and dry= .

But I will say... I do live looping stuff a bit, and never record = it.=A0 To me,=A0 live.=A0 It's now. It's what is happening.=A0 It i= s more sonic manipulation than storytelling.=A0 Although certainly, it has = elements of both.

Recorded, might capture those moments, but "recorded songs" a= re more about telling the story.=A0 WITH the sonics, of course.=A0 But more= structure, more sequenced mixed with live looping/ability to turn sequence= on/off and loop fully in those moments (and partially when it is sequenced= )....

... sequencing gives more prethought, to me.

Which is both a plu= s and a negative.=A0 It both makes your "story" more specific, an= d also constricits you to telling the story you made when you wrote "t= hat".=A0 Which invariably has changed since you wrote it, if you are o= n this list, or so I'd think.


So, the question:

A)Is your music more story or sonic manipu= lation?

B)Do you more often loop or sequence? mix?=A0 what measure o= f the two and do they ever intermix?

C)How do you feel looping vs se= quencing affects "story"

D)How do you feel music can be a story, if you feel such?

E)What= 's the latest "story" you're stoked on?=A0 and why?
-nn
happyhumans.org
--001636e0a88473c59b0464223fda-- From Loopers-Delight-request@loopers-delight.com Mon Mar 2 13:01:14 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 8C2833BEFB; Mon, 2 Mar 2009 13:01:14 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Greylist: delayed 310 seconds by postgrey-1.31 at arsenic; Mon, 02 Mar 2009 13:01:14 UTC Message-Id: From: Steve Lawson To: Loop List Content-Type: multipart/alternative; boundary=Apple-Mail-4--6674845 Mime-Version: 1.0 (Apple Message framework v930.3) Subject: Re: please be courteous to the list Date: Mon, 2 Mar 2009 12:56:02 +0000 X-Mailer: Apple Mail (2.930.3) Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89214 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 13:01:14 +0000 (UTC) --Apple-Mail-4--6674845 Content-Type: text/plain; charset=US-ASCII; format=flowed Content-Transfer-Encoding: 7bit .while we're talking netiquette, it's still considered shouting by most web-users to write things all in capitals on email lists and forums... ...just sayin' ;) Steve Where to find me on the web - _______________________ ********************************* *** www.stevelawson.net - shiny new site *** www.stevelawson.net/blog - blog *** www.myspace.com/solobassstevelawson *** www.reverbnation.com/stevelawson *** www.twitter.com/solobasssteve *** http://www.youtube.com/user/StevieSteve46 - loads of new video here! --Apple-Mail-4--6674845 Content-Type: text/html; charset=US-ASCII Content-Transfer-Encoding: quoted-printable .while we're talking = netiquette, it's still considered shouting by  
most web-users = to write things all in capitals on email lists and =  
forums...

...just sayin' ;)

Steve

Where = to find me on the web = -
 _______________________
************************************ www.stevelawson.net - = shiny new site
*** www.stevelawson.net/blog = ;- blog
*** www.myspace.com/soloba= ssstevelawson
*** www.reverbnation.com/stev= elawson
*** www.twitter.com/solobassstev= e
*** http://www.youtube.com/= user/StevieSteve46 - loads of new video here!

= --Apple-Mail-4--6674845-- From bounces@mail2.eventbrite.com Mon Mar 2 13:01:31 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: from mail2.eventbrite.com (mail2.eventbrite.com [67.192.22.101]) by arsenic.violacea.com (Postfix) with ESMTP id 200DA3BF00 for ; Mon, 2 Mar 2009 13:01:28 +0000 (UTC) Received: from 189218-db2.eventbrite.com ([192.168.1.155]) by mail2.eventbrite.com (StrongMail Enterprise 4.1.0(4.1.0-41174)); Mon, 02 Mar 2009 04:10:19 -0800 X-VirtualServer: bulk, mail2.eventbrite.com, 192.168.1.201 X-MailingID: 00000::00000::00000::00000::invite:117175::131610 X-SMHeaderMap: mid="X-MailingID" X-Mailer: StrongMail Enterprise 4.1.0(4.1.0-41174) X-Destination-ID: looparc@loopers-delight.com X-SMFBL: bG9vcGFyY0Bsb29wZXJzLWRlbGlnaHQuY29t Message-ID: <1235995819.131611@eventbrite.com> Date: Mon, 02 Mar 2009 04:10:19 -0800 X-VirtualServerGroup: bulk X-Eventbrite: invite:117175 List-Unsubscribe: From: "CFX Network" Reply-To: captec@comcast.net To: looparc@loopers-delight.com Subject: ECONOMIC BOOT CAMP FOR ARTISTS SERIES - The Lenny Campello Webinars (Mar 10, 2009) MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="=======___Eventbrite___=======" --=======___Eventbrite___======= Content-Type: text/plain; charset=ISO-8859-1 ------------------------------ Event Summary: ------------------------------ Event: ECONOMIC BOOT CAMP FOR ARTISTS SERIES - The Lenny Campello Webinars Date: Tuesday, March 10, 2009 from 7:00 PM - 9:00 PM (ET) Location: Webinar ------------------------------ Event Details: ------------------------------     ARTS SEMINARS Economic Boot Camp for Artists INDUSTRY PROFESSIONALS ARTISTS, MUSEUM PROFESSIONALS, ARTS FACULTY, AND GALLERISTS ********* LIVE WEBINARS  7PM EST     * 30 min. Free Introductory Class 3/10/09 12 noon    * Build Your Resume  On-Demand Recorded    * Present Your Work   3/10/09 7:00pm     * Reduce your Framing Costs    * Get publicity for your art show     * Establish a digital presence         * The insider's view on art galleries         * Contracts     * Approach a gallery  Unlimted Downloads!                Instructor F. Lennox Campello Gallerist, Art Dealer and Former Charter Member Sothebys.com Associate Dealer *** Normal 0 false false false MicrosoftInternetExplorer4 F. Lennox Campello is an international award-winning artist, curator and a widely published art critic and writer in Washington, DC and Philadelphia, PA.  Mr. Campello also manages one of the Internet's seminal and leading arts blogs, Daily Campello Art News, read by nearly 750,000 readers last year.   As an established artist, while living in Spain in the early 1980s, Mr. Campello worked on a series of landscapes of Andalusia, which now hang in over fifty private collections in Spain, Portugal, and the United States.  He also exhibited in various venues in Spain. Subsequently Mr. Campello was awarded First Prize in the William Whipple National Art Competition for Printmaking, the silver medal at the Ligoa Duncan Art Competition in Paris and the French "Prix de Peinture de Raymond Duncan."   While residing in Scotland, in a 307-year-old farmhouse at the foothills of the Highlands near the ancient Pictish village of Brechin, Mr. Campello produced over three hundred watercolors of Scotland.  This work earned him First Prize in watercolors at the 42nd Annual International North Wynd River Art Competition in the United States.   As the former co-owner of the Fraser Gallery in Washington, DC, and a former Charter Associate Dealer for Sothebys.com, Mr. Campello serves as chief consultant and curator to numerous national and international galleries. Additionally his work have been exhibited at the McManus Museum in Scotland, the Brusque Museum in Brazil, the San Bernardino County Art Museum in California, the Musee des Duncan in France, the Frick Museum in Ohio, the Meadows Museum of Art in Shreveport, Louisiana, the Hunter Museum in Tennessee, the Sacramento Fine Arts Center in California, The Art League in Alexandria and the Rock Springs Art Center in Wyoming. He has also curated many shows in the Mid Atlantic area.   Furthermore, Mr. Campello seminar’s, "Success as an Artist," (also known as "Boot camp for Artists") has trained over 3,000 artists, museum professionals, arts faculty, and new gallerists.   Since 2005, the artist has been the host for a series of TV appearances in various local programs dealing with the visual arts.  Mr. Campello also reports on Mid Atlantic area art news for the MHz TV program ArtsMedia News and has been a contributor to many newspapers and art magazines.  He is also often heard on National Public Radio and the Voice of America discussing visual art issues.  Mr. Campello also appears on the radio as a regular guest discussing Washington, DC area art issues.    Mr. Campello studied art at the University of Washington School of Art in Seattle, under Professors Norman Lundin, Alden Mason, Jacob Lawrence, and Everet DuPen.    
 =3B

So=2C the question:

A)Is your music more story or sonic manipula= tion?
It is a story but not in words=2C it's abstract. A story of my improvisatio= n=2C the intentional moves and the mistakes.
 =3B
B)Do you more often loop or sequence? mix? =3B what measure of the two = and do they ever intermix?
I only loop.. so far :-)

C)How do you feel looping vs sequencing affects "story"
For my looping IS the story..

D)How do you feel music can be a story= =2C if you feel such?
Free improvisation tend to be like a journey in it self...

E)What's = the latest "story" you're stoked on? =3B and why?
My latest "story" = is a reaction to the alt tunings discussion here. It's called BIG C and can= be heard here:
http://www.soundclick.= com/AndersBergdahl
(the Tuning is CGDGBE) just guitar=2C amp and some echo besides the EDP. Pi= ngPong echo added in mix.

= --_a0c50c2b-c3a2-44a1-92ad-f1a2cd68145d_-- From Loopers-Delight-request@loopers-delight.com Mon Mar 2 16:20:31 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id CB4553BECF; Mon, 2 Mar 2009 16:20:31 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: Content-Type: multipart/alternative; boundary="_33d6c2af-4806-4329-b305-70acbe464d36_" X-Originating-IP: [81.226.150.143] From: Anders Bergdahl To: Loopers Delight Subject: RE: OT: Tuning guitar in fifths for wider orchestration options Date: Mon, 2 Mar 2009 16:20:30 +0000 Importance: Normal In-Reply-To: <66f9cc1e0903010227g641e5d7v6a2ab17e4b08ae34@mail.gmail.com> References: <49A9D67D.5090906@post.cybercity.dk> <518740.71044.qm@web32708.mail.mud.yahoo.com> <66f9cc1e0903010223gcdd2ba2n3b1ea47aa18de36@mail.gmail.com> <66f9cc1e0903010227g641e5d7v6a2ab17e4b08ae34@mail.gmail.com> MIME-Version: 1.0 X-OriginalArrivalTime: 02 Mar 2009 16:20:31.0312 (UTC) FILETIME=[CEA20D00:01C99B52] Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89218 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 16:20:31 +0000 (UTC) --_33d6c2af-4806-4329-b305-70acbe464d36_ Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable I tried a fith/regular tuning in one of my Swans (27" scale length intended= for standard tuning) with a ordinary 010 set and it work just FINE. The tu= ning is CGD (5ths) and the standard guitar tuning GBE (actually the four th= inner strings are in standard tuning)=20 Made a LONG clip with it=2C 17 minutes of improvisation called BIG C: www.Soundclick.com/AndersBergdahl The Soloway Swans are great for lower tunings and sound great in regular tu= ning as well=2C without string change.. www.jimsoloway.com Good looping instruments :-)=2C Jim designed the guitars for solo jazz play= ing and the grand piano style tone these guitars have is great for all sort= s of solo/looping styles as well as great all around guitars. Try one!! You= can get a loaner from Jim or visit me in Stockholm. . >=20 > Well=2C for me buying a new instrument is not an option. But buying some > thicker strings is something I can afford. So=2C many thanks to Ariel > that posted suggestions for a suitable gauge in this tuning! And > thanks to everyone else that answered the question. The thread really > took off into a lot other interesting paths! Love this list :-) >=20 > Greetings from Sweden >=20 > Per Boysen > www.boysen.se > www.perboysen.com >=20 --_33d6c2af-4806-4329-b305-70acbe464d36_ Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
I tried =3Ba fith/regular tuning in one of my Swans (27" scale leng= th intended for standard tuning) with a =3Bordinary 010 set and it work= just FINE. The tuning is CGD (5ths) and the standard guitar tuning =3B= GBE (actually the four thinner strings are in standard tuning)
Made a =3BLONG clip with it=2C 17 minutes of improvisation called BIG C= :
www.Soundclick.com/And= ersBergdahl
The Soloway =3BSwans are great for lower tunings and sound great in reg= ular tuning as well=2C without string change..
www.jimsoloway.com
Good looping instruments :-)=2C Jim designed the guitars for solo jazz play= ing and the grand piano style tone these guitars have is great for all sort= s of solo/looping styles as well as great all around guitars. Try one!! You= can get a loaner from Jim or visit me in Stockholm.
.
>=3B
>= =3B Well=2C for me buying a new instrument is not an option. But buying som= e
>=3B thicker strings is something I can afford. So=2C many thanks to= Ariel
>=3B that posted suggestions for a suitable gauge in this tunin= g! And
>=3B thanks to everyone else that answered the question. The th= read really
>=3B took off into a lot other interesting paths! Love thi= s list :-)
>=3B
>=3B Greetings from Sweden
>=3B
>=3B = Per Boysen
>=3B www.boysen.se
>=3B www.perboysen.com
>=3B = --_33d6c2af-4806-4329-b305-70acbe464d36_-- From Loopers-Delight-request@loopers-delight.com Mon Mar 2 19:52:49 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 0EB103BEDB; Mon, 2 Mar 2009 19:52:48 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:in-reply-to:references :date:message-id:subject:from:to:content-type :content-transfer-encoding; bh=qyC9XWBX74pfrW3Nth2fs1/g892h3xF5C0AGRgXu0/g=; b=ZzNJA3+mo3ak9x9S47foYliXOqHfKrzbTzOBKzaFtZCq1CjGWWccSTD2EsG59GreA3 jBTG9FC6r1ykZh04Df15helAbgEzhl28N8Hzg+9sj7gqj7xli/wYA+G1NAHFiiC/gPwl sonb4y4gX4WemFXyjti+/FLBlFHPx1pJYI2r8= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type:content-transfer-encoding; b=sKCGI7N1GIQY6yo0uavj4uZjiYteOz4ZEo7Rc7E0a6lLTvJWXC1mu2V6RhNyYpp7x/ FUHlBs4EHHGu5TVN7Y/K8Ka9CcuF+9vfoqFimL4a4H4n78CSLgXJJIrz9WVxKnv2ka6E +mxVdhzgzsT1D9j7emGTHnocU6lUMeSRZHYEA= MIME-Version: 1.0 In-Reply-To: References: <49A9D67D.5090906@post.cybercity.dk> <518740.71044.qm@web32708.mail.mud.yahoo.com> <66f9cc1e0903010223gcdd2ba2n3b1ea47aa18de36@mail.gmail.com> <66f9cc1e0903010227g641e5d7v6a2ab17e4b08ae34@mail.gmail.com> Date: Mon, 2 Mar 2009 20:52:48 +0100 Message-ID: <66f9cc1e0903021152i30390482l64716169efe608cf@mail.gmail.com> Subject: Re: OT: Tuning guitar in fifths for wider orchestration options From: Per Boysen To: Loopers-Delight@loopers-delight.com Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89219 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 19:52:48 +0000 (UTC) To me your BIC C is one of the most interesting guitar looping pieces I've heard. Keep up that great work, Anders! Per On Mon, Mar 2, 2009 at 5:20 PM, Anders Bergdahl wrote: > > I tried=A0a fith/regular tuning in one of my Swans (27" scale length inte= nded > for standard tuning) with a=A0ordinary 010 set and it work just FINE. The > tuning is CGD (5ths) and the standard guitar tuning=A0GBE (actually the f= our > thinner strings are in standard tuning) > Made a=A0LONG clip with it, 17 minutes of improvisation called BIG C: > www.Soundclick.com/AndersBergdahl > The Soloway=A0Swans are great for lower tunings and sound great in regula= r > tuning as well, without string change.. > www.jimsoloway.com > Good looping instruments :-), Jim designed the guitars for solo jazz play= ing > and the grand piano style tone these guitars have is great for all sorts = of > solo/looping styles as well as great all around guitars. Try one!! You ca= n > get a loaner from Jim or visit me in Stockholm. > . >> >> Well, for me buying a new instrument is not an option. But buying some >> thicker strings is something I can afford. So, many thanks to Ariel >> that posted suggestions for a suitable gauge in this tuning! And >> thanks to everyone else that answered the question. The thread really >> took off into a lot other interesting paths! Love this list :-) >> >> Greetings from Sweden >> >> Per Boysen >> www.boysen.se >> www.perboysen.com >> > From Loopers-Delight-request@loopers-delight.com Mon Mar 2 20:28:31 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 22CD33BEDF; Mon, 2 Mar 2009 20:28:31 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-id: <49AC4057.3090201@soundscapes.us> Date: Mon, 02 Mar 2009 15:23:51 -0500 From: Bill Fox User-Agent: Thunderbird 2.0.0.19 (Windows/20081209) MIME-version: 1.0 To: undisclosed-recipients:; Subject: Galactic Travels Top 20 Report for February, 2009. Content-type: text/plain; charset=ISO-8859-1; format=flowed Content-transfer-encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89220 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 20:28:31 +0000 (UTC) WDIY 88.1 FM "Galactic Travels" Top 20 for February, 2009. Shows #618 to #621; 5-February-2009 to 26-February-2009 Reported in non-ranked, alphanumeric order. Compiled by Bill Fox The Special Focus for February was Stephen Parsick. http://wdiy.org/programs/gt/playlists/2009/focus.html#feb ARTIST - ALBUM TITLE - LABEL =========================================================== Conrad Schnitzler - Rektification - Ricochet Dream Dutch Space Mission - Cosmic Grunn - none Dutch Space Mission - E-Live 2008 - none Jeffrey Koepper - Radiate - Ricochet Dream Meesha - Pentorama - none Meesha - Waves - none Megatone - Pure Land - none Mystified - Pulse Ringer Pieces - Droehnhaus Phrozenlight - Autumn - none Robert Carty - Starlight Volume 1 - Deep Sky Sensitive Chaos - Emerging Transparency - Subsequent Shalmaneser - Ticker - Doubtful Palace Stephen Parsick - Fuzzstars - doombient Stephen Parsick - Planetary Music - doombient Stephen Parsick - Schwartzschild - doombient Stephen Parsick - Sediments - doombient Syndromeda - The Twilight Conjunction - Ricochet Dream synth.nl - AtmoSphere - Groove Various Artists - Awakenings 2008 Volume 1 - AmbientLive Various Artists - Awakenings 2008 Volume 1.5 - AmbientLive Bill ======================================================================= Host of Galactic Travels, an electronic, ambient, and space music show, Thursdays at 11:04 pm EST (GMT-5:00) on WDIY 88.1 FM in Allentown and Bethlehem, 93.9 FM in Easton and Phillipsburg, and on 93.7 FM in Trexlertown and Fogelsville. WDIY also broadcasts in HD Digital Radio on 88.1 FM. Galactic Travels web site: http://galactictravels.info RSS News Feed: http://wdiy.org/programs/gt/rss/enews.xml MySpace: http://myspace.com/galactictravels Listen on-line to WDIY at http://war.str3am.com:7880/listen.pls Playlists are also published at http://billfox.blogspot.com From Loopers-Delight-request@loopers-delight.com Mon Mar 2 20:59:55 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id C77783BEDB; Mon, 2 Mar 2009 20:59:55 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:Cc:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=JXhslwaeiK/URRSjHDELoJm795f9v9BzVr1e5IR8NoHIk4JZI5H9irE+IqhRn2Nj+eCxYFkifl8AJOPDA35KzdgYOCUVyv4xnhOzbpXjARkyiPjrsQX4bdp/C9Io+sgXkl4VBcf11SqMDZhXF4KQIKR+/3LCFCbjhrv/20csYKk=; X-YMail-OSG: LUD62psVM1n04ApZl3FfPfxhezjq_sWd.qHFCUHpPmABbo_lFVWKaAjGEXdIgBvXv0LwUcg66vDBvyWvNHCsAKrXSKlb1RqLCn0Ljg8aFF21uQJRYAueDIRz7gyCF1LyxbjadguNsiALQeGGGj9aJqSJB_eZkvtoCwxt.bxmW_rj7.GLSPjC3ALQl4Hxp4hPk77EIqDeEBG3.qIvtw-- X-Mailer: YahooMailWebService/0.7.289.1 Date: Mon, 2 Mar 2009 12:59:54 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: OT: Tuning guitar in fifths for wider orchestration options To: andy butler Cc: Loopers Delight In-Reply-To: <49ABC4DE.4030103@tiscali.co.uk> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <782806.2814.qm@web38606.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89221 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 20:59:55 +0000 (UTC) the poly mode is the only thing i like about it,what i love doing with the OC3 is mixing the poly mode on the 2 lower strings with the swell effect of the DL4,it gives you a nice strings synth effect.Yes The Pog tracking is way better. But i agree otherwise the OC3 is too wabbly and awful sounding specially on acoustic guitar! www.myspace.com/luisangulocom --- On Mon, 3/2/09, andy butler wrote: > From: andy butler > Subject: Re: OT: Tuning guitar in fifths for wider orchestration options > To: labaloops@yahoo.com > Date: Monday, March 2, 2009, 3:37 AM > L.Angulo wrote: > > off course how can it sounds convincing when i give > you the wrong model description;-) > > > > here you can read about it > > > > >(forget the video) > > I'm trying :-) > > > better yet go try it out! > > hope it's better than the OC2. > (it does track ok though) > 1) Bypass tone weak, so it's only suitable for use in > an fx loop > 2) and the sound of the dry signal to mix with the octaves > is really awful > Of course, for years the OC2 was the only option with > decent tracking. > > > > Personally, I wouldn't waste time (again) with Boss > stuff, they really try too > hard to save costs. If they can save a couple of pennies by > using a > lower quality op amp they always will. > ...and the fact they spend the money they save on horrible > videos doesn't help :-) > > > The Electro Harmonix Micro Pog might be worth considering, > perfect tracking without latency on the low octave. > ( the oct up sucks tho' imo) > > andy > > > > > > > > http://www.bossus.com/gear/productdetails.php?ProductId=608 > > > > www.myspace.com/luisangulocom > > > > > > --- On Sun, 3/1/09, Per Boysen > wrote: > > > >> From: Per Boysen > >> Subject: Re: OT: Tuning guitar in fifths for wider > orchestration options > >> To: labaloops@yahoo.com > >> Date: Sunday, March 1, 2009, 2:10 PM > >> That doesn't sound totally convincing... how > does a the > >> box know if I > >> play a note on the A string or the E string? > >> > >> Greetings from Sweden > >> > >> Per Boysen > >> www.boysen.se > >> www.perboysen.com > >> > >> > >> > >> On Sun, Mar 1, 2009 at 10:05 PM, L.Angulo > >> wrote: > >>> Hey Per, > >>> The Boss CS3 is a nifty little pedal,because > if you > >> put it in poly mode you can define which strings > should be > >> the bass by rotating the range button,i set it to > about 11 o > >> clock to have the E and A strings as bass and keep > the rest > >> of the strings unaffected. > >>> cheers > >>> Luis > > > > > > > > > > From Loopers-Delight-request@loopers-delight.com Mon Mar 2 21:12:23 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 158A73BEC9; Mon, 2 Mar 2009 21:12:23 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=4pH7VE4tGOSyXYiQngFKNzq+3LtaAx/cB6OyBOCFybkTkMqJoHPv0XMUw0IaVBog7iA0c6oPKA+8yH98hYhADhtFmT1fqQk9lvKKE3TlJZ7hGiUHkCpJpdh4pvrK+LRsrNQY3xFGxuuhY3sHLXgmr97IQWiX94YP3vbOdFMw/V0=; X-YMail-OSG: 8VDEhTgVM1nohD6orPOdkb4AHcFmrfA3ptsn.i3B8YSbzKS1EJnZXWkIM7OqrjzUCZnkD_dTXn.rFa0LVQblZlDnA3a5y_Rxa3bvqXzvnAocVg6D52d.Dh3Z8pyCxKDfksKkKqJoSVgY4Brwr9NYFiU03A-- X-Mailer: YahooMailWebService/0.7.289.1 Date: Mon, 2 Mar 2009 13:12:20 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: Tuning guitar in fifths for wider orchestration options OT To: Loopers-Delight@loopers-delight.com In-Reply-To: <49A7AA2D.1070107@tiscali.co.uk> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <74184.13437.qm@web38606.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89222 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 21:12:23 +0000 (UTC) or you get a Roland synth or a VG99 and mix the bass strings and dont have to detune the guitar;-) or would that be cheating? > > Reading this thread, a may have another go with CGDGBE. > I've knocked around with it before, but now it occurs > that the extra low notes would be very handy for adding > basslines into the loop. > From Loopers-Delight-request@loopers-delight.com Mon Mar 2 21:18:40 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 04D6C3BEDB; Mon, 2 Mar 2009 21:18:39 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:from:to :in-reply-to:content-type:mime-version:subject:date:references :x-mailer; bh=NT1j16aA+keATalN77GxfVV9tBLgJWb99sobUor6Gtk=; b=PnwlGa/2QKMtzrw3ZWCtz5EUtKAOo7SJGXdbuhp/TloA5SUHPkZhotHCX2xXNa/PfR XglorDcqHrLiZiBNvm70Sl4DNkL/abpsvwQPxtjI5KcuX5w3sHN1Rzw57kutC1pkY3o+ XSoSAm1BqgDayYeBHBp5slcFP+MY0gBshh3zM= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:from:to:in-reply-to:content-type:mime-version:subject :date:references:x-mailer; b=UIjEg7srJ/ZatCZvhhP47f4qi9Hx2BGKow+8mAGjOl/NWOCqZvhxoRUWt0cVsl05Gm IW9xlLvIO0OeS/bcLZHQOCpEXA89MWPgl/MHYpDV7zciFQwd3pSBlokolWqNwcpmat39 CCfRxk2wc6HWzLwfc/CY478rHTkbX3u3KJyxw= Message-Id: <3F687665-9949-4F9A-925E-AC5AC562D898@gmail.com> From: David Hayes To: Loopers-Delight@loopers-delight.com In-Reply-To: <66f9cc1e0901210528p36053dcfk91dae6c1f2110b2b@mail.gmail.com> Content-Type: multipart/alternative; boundary=Apple-Mail-22-23479562 Mime-Version: 1.0 (Apple Message framework v930.3) Subject: Echoplex for sell. What's a fair price? Date: Mon, 2 Mar 2009 13:18:37 -0800 References: <189041.60284.qm@web50312.mail.re2.yahoo.com> <20090121130208.306010@gmx.net> <66f9cc1e0901210528p36053dcfk91dae6c1f2110b2b@mail.gmail.com> X-Mailer: Apple Mail (2.930.3) Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89223 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 21:18:39 +0000 (UTC) --Apple-Mail-22-23479562 Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes Content-Transfer-Encoding: 7bit I'm going to put my EDP for sale. What do you think I should ask for it? This is the Oberhiem one which works perfecltly but it does have one line of one of the digital displays out (so the top of one 0 or 8 doesn't display, for example.) Also it has the loop 3 version software rather then the newer loop 4, but there's not that many differences really. I figure I'll just throw in the footswitch because it needs new buttons (only like $2-5 per button, if memory serves, but takes time to find 'em and solder them and pay someone to do it.) New EDP's (and from my brief web search just now they seem they to be very hard to come by) I think are $1000 (http://www.musiciansnews.com/guitars/34/gibson_tge05_echoplex_digital_pro_plus.shtml ) plus $150 for the footswitch (that was the range I remember when I bought mine, not even sure you can get the footswitch new. So, given all that do you think that $600 is too steep to put it on line for? Much thanks! --Apple-Mail-22-23479562 Content-Type: text/html; charset=US-ASCII Content-Transfer-Encoding: quoted-printable
I'm = going to put my EDP for sale. What do you think I should ask for it? = This is the Oberhiem one which works perfecltly but it does have one = line of one of the digital displays out (so the top of one 0 or = 8 doesn't display, for example.) Also it has the loop 3 version = software rather then the newer loop 4, but there's not that many = differences really. 
I figure I'll just throw in the = footswitch because it needs new buttons (only like $2-5 per =  button, if memory serves, but takes time to find 'em and solder = them and pay someone to do it.)
New EDP's (and from my brief web = search just now they seem they to be very hard to come by) I think are = $1000 (http://www.musiciansnews.com/guitars/34/gibson_tge05_= echoplex_digital_pro_plus.shtml)  plus $150 for the = footswitch (that was the range I remember when I bought mine, not even = sure you can get the footswitch new. 
So, given all that do you think = that $600 is too steep to put it on line for?

Much = thanks!
= --Apple-Mail-22-23479562-- From servizi-online@POSTE.IT Mon Mar 2 21:19:21 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com X-Greylist: delayed 723 seconds by postgrey-1.31 at arsenic; Mon, 02 Mar 2009 21:19:20 UTC Received: from hera.ody.com.tw (61-30-45-70.static.tfn.net.tw [61.30.45.70]) by arsenic.violacea.com (Postfix) with ESMTP id EACFF3BE98; Mon, 2 Mar 2009 21:19:20 +0000 (UTC) Received: from User ([70.103.236.50] RDNS failed) by hera.ody.com.tw with Microsoft SMTPSVC(6.0.3790.3959); Tue, 3 Mar 2009 05:07:31 +0800 From: "POSTE IT" Subject: Gentile cliente POSTE IT Date: Mon, 2 Mar 2009 14:22:02 -0700 MIME-Version: 1.0 Content-Type: text/html; charset="Windows-1251" Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2600.0000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 Message-ID: X-OriginalArrivalTime: 02 Mar 2009 21:07:31.0750 (UTC) FILETIME=[E6D05C60:01C99B7A] To: undisclosed-recipients:;

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From Loopers-Delight-request@loopers-delight.com Mon Mar 2 21:33:59 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 0D0C93BEDE; Mon, 2 Mar 2009 21:33:58 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:in-reply-to:references :date:message-id:subject:from:to:content-type :content-transfer-encoding; bh=u45+CUrzqe/0bS3phR3b1x9g1Z1qu/MIlQyQdBiEi1I=; b=fPz0i8pAsAqsIxKcECHEwYgtefw+Ra6bXS+atGlYqB6krGiGu3ypNUdJnSdMAedlYO JRxR035pxMNu2jw6WhMOiai+rRBFg+g+Dn1jq0EVMeGI0FhLTHbFFQ8RxQwYfr/uHRHW w/AslZ1LMLbhUqt9+qkYS6cEgCLydH4BSvoBU= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type:content-transfer-encoding; b=j2vqnBWwWvhVMPqNWohtV4eRVzRJE2C+6PZ9jDeEYp7rM1KRFmRFcHyF7Ck2tDRpMr sRVCih9tOI6ODcsIL6nGWrDLUH11wALqz6PDTFsWDN1JJ2dZtT91JcLS/JZB9O3zpVuV vNc6RVqWSI/1ly2f8koz3i508Hh8S5kxiEvnY= MIME-Version: 1.0 In-Reply-To: <3F687665-9949-4F9A-925E-AC5AC562D898@gmail.com> References: <189041.60284.qm@web50312.mail.re2.yahoo.com> <20090121130208.306010@gmx.net> <66f9cc1e0901210528p36053dcfk91dae6c1f2110b2b@mail.gmail.com> <3F687665-9949-4F9A-925E-AC5AC562D898@gmail.com> Date: Mon, 2 Mar 2009 22:33:58 +0100 Message-ID: <66f9cc1e0903021333g6df94a3dla57a15c189b187f@mail.gmail.com> Subject: Fwd: Echoplex for sell. What's a fair price? From: Per Boysen To: loopers-delight Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Resent-Message-ID: <6uiZtC.A.JoH.GDFrJB@arsenic> Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89224 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 21:33:58 +0000 (UTC) On Mon, Mar 2, 2009 at 10:18 PM, David Hayes wrote: > I'm going to put my EDP for sale. What do you think I should ask for it? Well, I gave mine to someone. Guess that wasn't a fair price... Greetings from Sweden Per Boysen www.boysen.se www.perboysen.com From Loopers-Delight-request@loopers-delight.com Mon Mar 2 21:48:47 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 8D84A3BEDB; Mon, 2 Mar 2009 21:48:47 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=btinternet.com; h=Received:X-YMail-OSG:X-Yahoo-Newman-Property:Message-ID:From:To:References:Subject:Date:MIME-Version:Content-Type:Content-Transfer-Encoding:X-Priority:X-MSMail-Priority:X-Mailer:X-MimeOLE; b=THJITgxG72B3uabdQq7YzM0Ll6Bg8QwKqGALZ7BHuB3WixmSNTzXWPKgXbEisNILO6kZDGvd/Azci+B8LGIsZSGclwQiaCRSo9esy0Z+NXA7dfrBOMcNat3UOAxU4xOxAV82B4zLRFskjWL4hxh0bivjeDpFiC0yHFa1nZIRMIY= ; X-YMail-OSG: 49QgUv4VM1njfDOLEPJZTmBMAHZdRmW58LdlROtmLjp_ekz.qZsgESoNm.07Z1gEA8BzhGxLNCoO4nIl1iy0Wfl7hBoP4SaAR5DwDgchdfnXaD2U2RM6JBg6thOzAglpNm7VvmjVQWfbSWVTlhmiQQJUz1CO1VUE1_YAaReNNX.oD51qT762dG8iThe97_Bj6YCRHmKXr0eLTRsuQp_ih.rPqUS02Hmc X-Yahoo-Newman-Property: ymail-3 Message-ID: <55DB863F553140F08B38CE20B4134693@a> From: "Ricky Graham" To: References: <189041.60284.qm@web50312.mail.re2.yahoo.com> <20090121130208.306010@gmx.net> <66f9cc1e0901210528p36053dcfk91dae6c1f2110b2b@mail.gmail.com> <3F687665-9949-4F9A-925E-AC5AC562D898@gmail.com> <66f9cc1e0903021333g6df94a3dla57a15c189b187f@mail.gmail.com> Subject: Christopher Willits looks at Looper in Live 8 Date: Mon, 2 Mar 2009 21:50:49 -0000 MIME-Version: 1.0 Content-Type: text/plain; format=flowed; charset="iso-8859-1"; reply-type=original Content-Transfer-Encoding: 7bit X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 6.00.2900.5512 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.5579 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89225 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 21:48:47 +0000 (UTC) Check it. http://www.youtube.com/watch?v=QnvntSKpYAs Ricky From Loopers-Delight-request@loopers-delight.com Mon Mar 2 21:49:37 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 547BA3BEDD; Mon, 2 Mar 2009 21:49:37 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=DHkZ25Yqh8/gwn+imIO34ZP6OW6W2dVGRNhDDwffuHWT/tpxG6CsAlcLGvCHNGcI4qJdih+dH8addYendr0r6w9nKdegkt85AQc0dkP7wloK0HQqPt+La/O/c4MWTWBHqwEHfKKKyYRxCbw7rNlGLrdUctiCMq8sjjam2zlS4UI=; X-YMail-OSG: CJN1XUEVM1kOC8rSHU4tozDxqeJTb1Cp53vOqsj7ENGCzt4WtvRE7Aa._vmJ.iT5v.dIxe9izjbLyF3iMUW9AwxCrpYXSWsuAvE8JcuoiIZyzrULv6..8sR9yUxQcdJl4b0Q1LTpqBLpu0WUhLcEXFvRgPoiTSwAVrI4RVA6w6Nonqid1iEaWz1LZJqwjoi7Y4vCT8zlQwTXKhfJlI6xqGHms4.3RcEq9yhv7fI- X-Mailer: YahooMailWebService/0.7.289.1 Date: Mon, 2 Mar 2009 13:49:36 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: Fwd: Echoplex for sell. What's a fair price? To: Loopers-Delight@loopers-delight.com In-Reply-To: <66f9cc1e0903021333g6df94a3dla57a15c189b187f@mail.gmail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <176495.7868.qm@web38604.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89226 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 21:49:37 +0000 (UTC) i agree, it would have been fair if u had given it ot me though www.myspace.com/luisangulocom --- On Mon, 3/2/09, Per Boysen wrote: > From: Per Boysen > Subject: Fwd: Echoplex for sell. What's a fair price? > To: "loopers-delight" > Date: Monday, March 2, 2009, 1:33 PM > On Mon, Mar 2, 2009 at 10:18 PM, David Hayes > wrote: > > I'm going to put my EDP for sale. What do you > think I should ask for it? > > Well, I gave mine to someone. Guess that wasn't a fair > price... > > Greetings from Sweden > > Per Boysen > www.boysen.se > www.perboysen.com From Loopers-Delight-request@loopers-delight.com Mon Mar 2 21:59:07 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id CDE0C3BEDC; Mon, 2 Mar 2009 21:59:06 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=ZnyeruzJGjY5MxJmlYw414IstjVbT4iCOYII6G8NqU96sAa0buwd+LZMrl+esQFWQ8pERuppcDAYAl8VXpab2iH4omLZFh2AISDCy3McNE+QA7GEf9RJMq1LFgTPoLBbCk8hkRkfk/lx8dlgzTFGwoQqGpooId/cvsFydqMNp4w=; X-YMail-OSG: iNLGOY8VM1kSkyDh0yeP5Otd4wb56WSNI_N3AzOGqdNGggS3thMjQixxsAvEdua8yJrl8b8he9uCrvovtdqngpkMHXk_wi77dEqS9cu3OB0OMHjCLBQRabg8lWus_vSkKy913spbAFanzK71jpx4uXgTaJJ5iyJU9oznjviHJQN1INMEg1oPAs581EhhyD_5VXU- X-Mailer: YahooMailWebService/0.7.289.1 Date: Mon, 2 Mar 2009 13:59:04 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: Echoplex for sell. What's a fair price? To: Loopers-Delight@loopers-delight.com In-Reply-To: <3F687665-9949-4F9A-925E-AC5AC562D898@gmail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <925338.6675.qm@web38603.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89227 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 21:59:06 +0000 (UTC) I see every once in a while the oberheims in ebay U.S. going for about 400.00 dlss in good condition. www.myspace.com/luisangulocom --- On Mon, 3/2/09, David Hayes wrote: > From: David Hayes > Subject: Echoplex for sell. What's a fair price? > To: Loopers-Delight@loopers-delight.com > Date: Monday, March 2, 2009, 1:18 PM > I'm going to put my EDP for sale. What do you think I > should ask for it? This is the Oberhiem one which works > perfecltly but it does have one line of one of the digital > displays out (so the top of one 0 or 8 doesn't display, > for example.) Also it has the loop 3 version software rather > then the newer loop 4, but there's not that many > differences really. > > I figure I'll just throw in the footswitch because it > needs new buttons (only like $2-5 per button, if memory > serves, but takes time to find 'em and solder them and > pay someone to do it.) > > New EDP's (and from my brief web search just now they > seem they to be very hard to come by) I think are $1000 > (http://www.musiciansnews.com/guitars/34/gibson_tge05_echoplex_digital_pro_plus.shtml) > plus $150 for the footswitch (that was the range I remember > when I bought mine, not even sure you can get the footswitch > new. > > So, given all that do you think that $600 is too steep to > put it on line for? > > Much thanks! From Loopers-Delight-request@loopers-delight.com Mon Mar 2 22:00:29 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 3BE9B3BEDE; Mon, 2 Mar 2009 22:00:29 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:Cc:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=HXBDiutkYMvpSXf1yhGhT0/2xAASIOIKUUEUa/PjQt0jD6mwYIjyv6WzMmMPG6Mj9d7Sa3kSzSuihyppPlVDGJxM3wZ+wJ0ltKf/IPKGFuNeCiBawPR8fNjoRI0dPI4jiKUDvUA5wi6FDPxx7h8QVhUZ1TqbhdKCUksQtUNmKxg=; X-YMail-OSG: S1Xny.AVM1nqVJkz0OYt2hTnT6218qGWDnSbRjOqKU3CCzPMxC33KBB5sjwyMh_Xa00Mt3cAaGZIs5OS6d1HaUu14Fwt9C1VwSBLHXuXFCFFIGFxgPpKXfrpHPX2mzbzP86Ue_MvMqXTb4ElEFFdEeyUPs2c8zq4G_W7z.lV8ymH9loZgJwp6CVtwcl8_8UL5AOJegTEU6GJeD31w4vIonC8 X-Mailer: YahooMailWebService/0.7.289.1 Date: Mon, 2 Mar 2009 14:00:27 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: Fwd: Echoplex for sell. What's a fair price? To: Per Boysen Cc: Loopers Delight In-Reply-To: <66f9cc1e0903021356l236ebcfre1f7c574e31cfb36@mail.gmail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <783251.97478.qm@web38604.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89228 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 22:00:29 +0000 (UTC) never give a beautiful woman all your precious love and money brother;-) www.myspace.com/luisangulocom --- On Mon, 3/2/09, Per Boysen wrote: > From: Per Boysen > Subject: Re: Fwd: Echoplex for sell. What's a fair price? > To: labaloops@yahoo.com > Date: Monday, March 2, 2009, 1:56 PM > MEGA LOL!!!! > I gave it to a beautiful woman with a great voice and > interesting > musical ideas. Then she never called back... > > p ;-) > > > > On Mon, Mar 2, 2009 at 10:49 PM, L.Angulo > wrote: > > i agree, it would have been fair if u had given it ot > me though > > > > www.myspace.com/luisangulocom > > > > > > --- On Mon, 3/2/09, Per Boysen > wrote: > > > >> From: Per Boysen > >> Subject: Fwd: Echoplex for sell. What's a fair > price? > >> To: "loopers-delight" > > >> Date: Monday, March 2, 2009, 1:33 PM > >> On Mon, Mar 2, 2009 at 10:18 PM, David Hayes > >> wrote: > >> > I'm going to put my EDP for sale. What do > you > >> think I should ask for it? > >> > >> Well, I gave mine to someone. Guess that > wasn't a fair > >> price... > >> > >> Greetings from Sweden > >> > >> Per Boysen > >> www.boysen.se > >> www.perboysen.com > > > > > > > > > > From Loopers-Delight-request@loopers-delight.com Mon Mar 2 22:06:41 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 9F5C53BEE6; Mon, 2 Mar 2009 22:06:41 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com X-Greylist: delayed 399 seconds by postgrey-1.31 at arsenic; Mon, 02 Mar 2009 22:06:40 UTC X-UOL-TAGLINE: true X-UNTD-OriginStamp: 9EhR0pLz6z6d5YFoVQ4jW/t291dz/RgMN4SZ1jaJFWI= X-Originating-IP: [74.162.175.132] Mime-Version: 1.0 From: "qrd@juno.com" Date: Mon, 2 Mar 2009 21:58:03 GMT To: Loopers-Delight@loopers-delight.com Subject: Remora/Andrew Weathers tour X-Mailer: Webmail Version 4.0 Message-Id: <20090302.165803.194.0@webmail15.vgs.untd.com> Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Content-Type: text/plain; charset=ISO-8859-1 X-ContentStamp: 12:6:85090086 X-MAIL-INFO:04b9313d3105bc315c7c05f5d1cc49a5f9f58d81f949652d29d82939e1f83d3c993d313cdda17c81757c28816ce885786125ac09ac6cccacb1ec6ce519119168f1e58815f191d9984865488969011cc9c1894d15f1f1e8c56ce95db10dac8c191d5c8c19ec6de98d X-UNTD-Peer-Info: 10.181.12.155|webmail15.vgs.untd.com|outbound-bu1.vgs.untd.com|qrd@juno.com Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89229 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 22:06:41 +0000 (UTC) Hey, I thought you might want to know about the upcoming Remora & Andrew Weathers tour. Remora is doing a predomina= ntly feedback sculpture & post apocalyptic pop oriented set & Andrew Wea= thers will be doing improvisational minimalist aggressive ambient guitar= sculptures. Both of course involve loops, Remora using the Line 6 whil= e Andrew Weathers uses a PC for his effects & loop sampling. The dates = are below, please help spread the word. hrt Brian John Mitchell March 6 at Nightlight Chapel Hill, North Carolina Remora as a full five piece band! One night only! with Beautiful Bells & Caledonia March 7 at The Water Heater Roanoke, VA with Ages, Silence in Central Park, & Beautiful Bells March 8 at The Blue Nile Harrisonburg, Virginia with PetShopTimeBomb, & Space Program March 9 at a House Show Pittsburgh, Pennsylvania with Sundogpeacehouse, & Hunted Creatures contact mrryanemmett@yahoo.com for directions March 10 at SpeakerTree Records Lynchburg, Virginia with The Late Virginia Summers March 11 at Electric Possible at DCAC Washington, DC with Duc D'Angelos Quartet March 12 at Labyrinth Press Company Jamestown, New York with Audibel March 13 at Bela Dubby Lakewood, Ohio with Ear Control/Black Wolf, Prince Rama of Ayodhya, & The Grievants March 14 at Doucette 119 Edinboro, Pennsylvania with Hunted Creature, & Nature ____________________________________________________________ Get educated. Click here for Adult Education programs. http://thirdpartyoffers.juno.com/TGL2131/fc/BLSrjnsIn6K6CdxvhR2ypPA6uMiC= 7NZf9k6ltx1czuXiFoCQAn7KxCSY5Pa/ From Loopers-Delight-request@loopers-delight.com Mon Mar 2 22:09:23 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id E869D3BEE6; Mon, 2 Mar 2009 22:09:22 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Subject:To:Cc:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding:Message-ID; b=bEQnu7mznERXnEQ4qxBaaqQI3WnBLYG70n6ztrIA0DbMXgm5LKl9i3ueBAvgIch070z4UbuFOj84TtZny0g7m96t3JSUtq6E2k6yLeixTnfaykqh0uptCQo/uokS73PPJhMGGRZGzNHT9mXgBbg08V1krUBlaUgA14YzZsPOovQ=; X-YMail-OSG: DokHJhgVM1lW67VeH.y0VRD0r6CeTPzb52ztHLqSSkEwQq1tn26dj8ftbNIM9qRGFViDiqMtRgS5wPqV7xOgLFfAfA555tatzRd4MTaaybbEpn40._15zQBvvjvLLQr8q4cvxjTIsnIrdfazB4fgR1pWH5DGRrD5K9ld5OfJ4VQhQswiClHMMIPMrkb6VYy2Syg- X-Mailer: YahooMailWebService/0.7.289.1 Date: Mon, 2 Mar 2009 14:09:21 -0800 (PST) From: "L.Angulo" Subject: RE: Tuning guitar in fifths for wider orchestration options To: agentlesoul2004@yahoo.com Cc: Loopers Delight In-Reply-To: <884448.49959.qm@web51502.mail.re2.yahoo.com> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable Message-ID: <63415.76082.qm@web38601.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89230 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 22:09:22 +0000 (UTC) Actually i believe there has been a lot of pop tunes backed with this tunin= g in the background while playing another track in standard,is almost as po= pular as the nashville tuning.There is also a variation used often CGDGBD,a= tune that comes to mind is the Eagles "best of my Love",it gives the track= a nice deeper sound. Cheers Luis Thats why i like the CGDGBE tuning,=A0D to light e are just as usual so it'= s easy to solo. You don't have to relearn that much.=A0it also=A0almost ope= n G which is great for some stones stuff and a C chord with low C, G=A0E(4t= h string secondfret)G,=A0C (B string first fret) and E sound HUGE :-). I=A0= tried this one of my 27"=A0scale Swans and it sound GREAT with a ordinary d= 'addario 010 set.=A0VERY Cool tuning that i have not seen that often. Is there anybody else fooling around with this tuning?? Does it have=A0name= ? =A0 Anders www.soundclick.com/AndersBergdahl=20 =A0 Date: Thu, 26 Feb 2009 11:44:38 +0100 Subject: Re: Tuning guitar in fifths for wider orchestration options From: mark@markfrancombe.com To: Loopers-Delight@loopers-delight.com I've been watching this tread with grrat interest, I think its amazing how = so many of you have experimented with tunings, and have of course tried som= e things myself on spare guitars, for effects. (Like for example the tuning= s that Rick mentioned, about tuning the whole guitar to one note for groovy= droning noise stuff etc). What really amazes me however is... do you guys reall RE-learn all your sca= les and chords for all these different tunings?=A0 I mean, if you tune to t= his 5ths approach... how do you play a chord!!! Its taken me 33 years (sinc= e I first got a guitar) to learn a few girl guide chords, and a couple of b= ar chords.... one (ok two) scales, that I can slide up and down... but the = thing that has stopped me REALLY getting into tuning is this... Do I really= have to forget what I ever knew... and dedicate my life to a new tuning???= ? I myself have been using baritone guitar for 10 years, with a A based tunin= g, this gives me the LOWS I need for bass parts, and I use a lot of pitch s= hifting, and can go high enough... but this is still standard tuning basica= lly, just tined down a bit... Have to try out this 5ths thing m On Thu, Feb 26, 2009 at 1:14 AM, Charles Zwicky wr= ote: Per Boysen wrote: Anyone here on the list having tried tuning a guitar in fifths for wider orchestration options? Or even wider intervals? Would make sense when looping to get lower bass and higher highs. I guess you have to pick a custom string set for this. Greetings from Sweden Per Boysen www.boysen.se www.perboysen.com I have been tuning in straight fifths for =A0the past 15 years or so.... http://jpsongs.com/troubadortech/zwickrig.htm --=20 ... http://www.zmix.net --=20 www.markfrancombe.com http://vimeo.com/user825094 http://uk.youtube.com/user/markfrancombe http://www.myspace.com/markfrancombe www.looop.no =0A=0A=0A From Loopers-Delight-request@loopers-delight.com Mon Mar 2 22:16:03 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 47ADF3BEEE; Mon, 2 Mar 2009 22:16:03 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Content-Type: text/plain; charset="iso-8859-1" Date: Mon, 02 Mar 2009 23:16:01 +0100 From: "Buzap Buzap" In-Reply-To: <66f9cc1e0903020652s799aa8fdi3a3beb7234fbb800@mail.gmail.com> Message-ID: <20090302221601.227280@gmx.net> MIME-Version: 1.0 References: <333287c30903020449s4bf5738bvaadde7dbacbcc768@mail.gmail.com> <66f9cc1e0903020652s799aa8fdi3a3beb7234fbb800@mail.gmail.com> Subject: Re: looper vs storyteller. if there even is To: Loopers-Delight@loopers-delight.com X-Authenticated: #33233833 X-Flags: 0001 X-Mailer: WWW-Mail 6100 (Global Message Exchange) X-Priority: 3 X-Provags-ID: V01U2FsdGVkX18L0Vc4tHcLETwzKlxLyG2hJ1Du2OD48gvzmq0gO3 X7Gi3f1mvDOwWYiopa+WHE5ntErAXrfNYbWg== Content-Transfer-Encoding: 8bit X-GMX-UID: xz7EBPM5bHIhI9sjwjU0mHYiJihyatCJ X-FuHaFi: 0.8100000000000001 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89231 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 22:16:03 +0000 (UTC) > that music actually is about telling a story. I fully agree with Per! So, on this forum, I find the following question more interesting: Do you use your looper as the _means_ to storytelling or as the _content_ of your story? Buzap -- Computer Bild Tarifsieger! GMX FreeDSL - Telefonanschluss + DSL für nur 17,95 ¿/mtl.!* http://dsl.gmx.de/?ac=OM.AD.PD003K11308T4569a From Loopers-Delight-request@loopers-delight.com Mon Mar 2 22:19:57 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id E92AE3BEF0; Mon, 2 Mar 2009 22:19:56 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:sender:received:in-reply-to :references:date:x-google-sender-auth:message-id:subject:from:to :content-type; bh=2COmLtpc/DPJwmIX2ET69GZoJYUwEPzwugOCGipZpdo=; b=RySdQqoD/hQp1Oe2QPCIzAFVKK08OE8TJ8yI2lo0o4D/t0N935iqGg5aIDuTw6FSJ7 QbiPTpYFrASbLQjwcbit103D3Fvvex/PDzMZhpL60mLqzduj9qEnly3ZSGKvyMJwGbNl 3gHzowcffxqFxb6N607v5yWogU3uhNq4aE6zY= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:sender:in-reply-to:references:date :x-google-sender-auth:message-id:subject:from:to:content-type; b=xK+DKQnH/ms9wvJJPYu9HK3UyTAxYu7JnCjNK93+j9t5dqhkDTQLeQvczVs+Z0/e31 c9YEyVkLEvoqy8irLfTIH5uHZMvqRAkdVlr9P5G5Wf8xtxboX5xx+Mv32i2fSFgXIZ1p U3V5KCz/CH58JwL5nt1Vrpr7imjMHxNZghrBw= MIME-Version: 1.0 Sender: markfrancombe@gmail.com In-Reply-To: <925338.6675.qm@web38603.mail.mud.yahoo.com> References: <3F687665-9949-4F9A-925E-AC5AC562D898@gmail.com> <925338.6675.qm@web38603.mail.mud.yahoo.com> Date: Mon, 2 Mar 2009 23:19:55 +0100 X-Google-Sender-Auth: b1742cf326fea73c Message-ID: <9ab0c76f0903021419y2fb5654fv2fae270ce32dd9f9@mail.gmail.com> Subject: Re: Echoplex for sell. What's a fair price? From: mark francombe To: loopers-delight Content-Type: multipart/alternative; boundary=001636c5baafdc4eb704642a372b Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89232 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 22:19:56 +0000 (UTC) --001636c5baafdc4eb704642a372b Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Yes, sorry to burst your bubble David, but BRAND NEW EDP=B4s can be bought = for 650 Euros and 70 euros for the footpedals... thats NEW ONES, with Loop 4... I think you need to look a t mre like the price luis suggests... On Mon, Mar 2, 2009 at 10:59 PM, L.Angulo wrote: > I see every once in a while the oberheims in ebay U.S. going for about > 400.00 dlss in good condition. > > www.myspace.com/luisangulocom > > --001636c5baafdc4eb704642a372b Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Yes, sorry to burst your bubble David, but BRAND NEW EDP=B4s can be bought = for 650 Euros and 70 euros for the footpedals... thats NEW ONES, with Loop = 4...

I think you need to look a t mre like the price luis suggests..= .



On Mon, Mar 2, 2009 at 10:59 PM, L.A= ngulo <labaloop= s@yahoo.com> wrote:
I see every once in a while the oberheims in ebay U.S. going for about 400.= 00 dlss in good condition.

www.mysp= ace.com/luisangulocom


--001636c5baafdc4eb704642a372b-- From Loopers-Delight-request@loopers-delight.com Mon Mar 2 22:34:30 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 6C3843BEF3; Mon, 2 Mar 2009 22:34:30 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=dk20050327; d=earthlink.net; b=bvi9sUijxKp8V77euUuHrytbokTVjw2jptRYpAfe1z18fBNz9X8CjNMgM25eFMRn; h=Received:Mime-Version:Message-Id:In-Reply-To:References:Date:To:From:Subject:Content-Type:X-ELNK-Trace:X-Originating-IP; Mime-Version: 1.0 Message-Id: In-Reply-To: References: Date: Mon, 2 Mar 2009 17:33:52 -0500 To: Loopers-Delight@loopers-delight.com From: Charles Zwicky Subject: Re: New Book... "State of the Axe" Content-Type: multipart/alternative; boundary="============_-976089263==_ma============" X-ELNK-Trace: 9ba5b8dfa8c1229f1aa676d7e74259b7b3291a7d08dfec79c3eef71811e997166a2de7686dcd9767350badd9bab72f9c350badd9bab72f9c350badd9bab72f9c X-Originating-IP: 69.86.244.138 Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89233 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 22:34:30 +0000 (UTC) --============_-976089263==_ma============ Content-Type: text/plain; charset="us-ascii" ; format="flowed" Has anyone seen this post? I wonder if I'm even on this list anymore... :-/ I'd like to bring this lovely book to everybody's attention.. It features several great loopers (Trey Gun, Andre LaFosse, Mary Halvorson, David Torn...etc) it's the "who's who" of the cutting edge in guitar: http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300142112 State of the Axe Guitar Masters in Photographs and Words Ralph Gibson; Foreword by Anne Wilkes Tucker; Preface by Les Paul In this appealing book, acclaimed photographer Ralph Gibson offers more than sixty intimate black-and-white portraits of guitar masters playing their instruments. Focusing his expert lens on musicians who have lent their unmistakable voices to virtually every musical genre-jazz, funk, rock, acoustic, blues, fusion, classical, and experimental-Gibson reveals in each photograph the intense relationship of the player with his beloved "axe." The musicians in turn offer individual meditations on the guitar and insights into the passion they share for it. State of the Axe features guitarists across several generations, from early jazz greats to hip modern rockers, as they play their widely varied guitars, including traditional six-strings, double necks, ten-strings, and fretless models. Gibson's images capture the enduring appeal of the instrument and the intense, often rapturous expressions of those who pick, strum, amp, bottleneck, and bow the axe. Fusing his own passions for photography and music, Gibson generates a rhythm of words and images that creates a compelling view of the "state of the axe" today. Among the featured artists: Adrian Belew Nels Cline Jim Hall Mary Halvorson Allan Holdsworth Bill Frisell John McGlaughlin Lou Reed John Scofield Mike Stern Andy Summers James Blood Ulmer Ralph Gibson is an award-winning photographer whose works are in the collections of major museums worldwide. His previous books include Light Strings: Impressions of the Guitar (2004). He divides his time between New York City and Paris, France. Anne Wilkes Tucker is Gus and Lyndall Wortham Curator of Photography at The Museum of Fine Arts, Houston. Les Paul is a revered guitarist. State of the Axe: Guitar Masters in Photographs and Words http://www.amazon.com/State-Axe-Guitar-Masters-Photographs/dp/0300142110 In the UK: http://www.yalebooks.co.uk/yale/display.asp?K=9780300142112&sf1=author&st1=Ralph%20Gibson&m=1&dc=1 -- ... http://www.zmix.net -- ... http://www.zmix.net --============_-976089263==_ma============ Content-Type: text/html; charset="us-ascii" Re: New Book... "State of the Axe"
Has anyone seen this post? I wonder if I'm even on this list anymore... :-/


I'd like to bring this lovely book to everybody's attention.. It features several great loopers (Trey Gun, Andre LaFosse, Mary Halvorson, David Torn...etc) it's the "who's who" of the cutting edge in guitar:

http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300142112


State of the Axe
Guitar Masters in Photographs and Words
Ralph Gibson; Foreword by Anne Wilkes Tucker; Preface by Les Paul


In this appealing book, acclaimed photographer Ralph Gibson offers more than sixty intimate black-and-white portraits of guitar masters playing their instruments. Focusing his expert lens on musicians who have lent their unmistakable voices to virtually every musical genre-jazz, funk, rock, acoustic, blues, fusion, classical, and experimental-Gibson reveals in each photograph the intense relationship of the player with his beloved "axe."  The musicians in turn offer individual meditations on the guitar and insights into the passion they share for it.
 
State of the Axe features guitarists across several generations, from early jazz greats to hip modern rockers, as they play their widely varied guitars, including traditional six-strings, double necks, ten-strings, and fretless models. Gibson's images capture the enduring appeal of the instrument and the intense, often rapturous expressions of those who pick, strum, amp, bottleneck, and bow the axe. Fusing his own passions for photography and music, Gibson generates a rhythm of words and images that creates a compelling view of the "state of the axe" today.
 
Among the featured artists:
 
Adrian Belew
Nels Cline
Jim Hall
Mary Halvorson
Allan Holdsworth
Bill Frisell
John McGlaughlin
Lou Reed
John Scofield
Mike Stern
Andy Summers
James Blood Ulmer


Ralph Gibson is an award-winning photographer whose works are in the collections of major museums worldwide. His previous books include Light Strings: Impressions of the Guitar (2004). He divides his time between New York City and Paris, France. Anne Wilkes Tucker is Gus and Lyndall Wortham Curator of Photography at The Museum of Fine Arts, Houston. Les Paul is a revered guitarist.

State of the Axe: Guitar Masters in Photographs and Words

http://www.amazon.com/State-Axe-Guitar-Masters-Photographs/dp/0300142110


In the UK:

http://www.yalebooks.co.uk/yale/display.asp?K=9780300142112&sf1=author&st1=Ralph%20Gibson&m=1&dc=1


--
...
http://www.zmix.net


--
...
http://www.zmix.net
--============_-976089263==_ma============-- From Loopers-Delight-request@loopers-delight.com Mon Mar 2 22:45:48 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id D15993BEE1; Mon, 2 Mar 2009 22:45:48 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=3sMqyLhwFi52IXIJdKH2O8UF5VkruagQwHxHya+1QD7mR0/oCqws9HHuHrf+iswAG/23R+7OJUYB1mSgZ8GPzmo1lfz6JuZtib3bKPaspIt1eQSPrbPYVd/T2DrmtrcnFEMmmsysAmxqi3P6ghdMAoAyojbO9aQZQGllsKYIeF8=; X-YMail-OSG: vEtiSQEVM1mnHDd7PKR1H8hvCOn3DDtkyuDrEu5D1kkhS44npflIW4F7fQ0C5JrYadwRW7iQT5pRqBcP3bKMfmp3Djz6WtR3eQtv1.GDtrrpfrPEqFlELhBxLv3vfeDcsaSEhFwHa_lv5iNQmf0df.4nkrHlZN5PjmBv5l2SMIgEdtjyUEeEoX48FDovpFH15Unx.omndJFdeMRnHIWxCejzF7WTJSzn49y27Cw- X-Mailer: YahooMailWebService/0.7.289.1 Date: Mon, 2 Mar 2009 14:45:47 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: Christopher Willits looks at Looper in Live 8 To: Loopers-Delight@loopers-delight.com In-Reply-To: <55DB863F553140F08B38CE20B4134693@a> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <946328.44937.qm@web38603.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89234 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 22:45:48 +0000 (UTC) wow that is great! i wish there were more educational looping videos like this. So he has a roland GK pickup is he using the synth sounds from ableton using a midi interface? one thing that seems anoying though is having that click track... i couldnt really recognize everything he has on the floor,looks like a pod,fcb1010 but what is the red box on top of the fbc1010? i wonder if this config will be more flexible than using Mobius syncing exernal hardware,exciting!! www.myspace.com/luisangulocom --- On Mon, 3/2/09, Ricky Graham wrote: > From: Ricky Graham > Subject: Christopher Willits looks at Looper in Live 8 > To: Loopers-Delight@loopers-delight.com > Date: Monday, March 2, 2009, 1:50 PM > Check it. > > http://www.youtube.com/watch?v=QnvntSKpYAs > > Ricky From Loopers-Delight-request@loopers-delight.com Mon Mar 2 22:53:08 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 311673BEE1; Mon, 2 Mar 2009 22:53:08 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:in-reply-to:references :date:message-id:subject:from:to:content-type :content-transfer-encoding; bh=zAy719VA31Q3Y340RN6J2kMvU++slk4nMjUtIUC6l5s=; b=O9+g5rn/GzUV+GdZCdQLSA0PxJf7vdGldqapZAMbCTLvS0H4VevO2q3Lh8RN0eBp+t 3Wm28xR66nAoZ7GNhZ2Tfj3ZTUBIHizywNVyzQjtsgjqDotsdNSO6Xi1RbfMX1zoBvXd orZuEF1RIRqpwMQFKz2HyFRGT8lACI4aey+Qw= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type:content-transfer-encoding; b=X65E1W8WkWlm8tzKMK8OKa3umuPjEjDFRh0VyYDq9TgES/TF4hX8Dg1ai4ZTc4z3M/ 8U6f33rJb/lAvFAJPl5dAlucDGKx3ZNjqLerMHnX1I9M2QYB8ZBzEkDx/BbFqf+ZyIZq 1thyQ2QqyQy+IWALZeZ7x18ohfDuNlE+z+jt0= MIME-Version: 1.0 In-Reply-To: <55DB863F553140F08B38CE20B4134693@a> References: <189041.60284.qm@web50312.mail.re2.yahoo.com> <20090121130208.306010@gmx.net> <66f9cc1e0901210528p36053dcfk91dae6c1f2110b2b@mail.gmail.com> <3F687665-9949-4F9A-925E-AC5AC562D898@gmail.com> <66f9cc1e0903021333g6df94a3dla57a15c189b187f@mail.gmail.com> <55DB863F553140F08B38CE20B4134693@a> Date: Mon, 2 Mar 2009 14:53:07 -0800 Message-ID: <588ce11d0903021453s14f47f37v1655c6e30c3eaf63@mail.gmail.com> Subject: Re: Christopher Willits looks at Looper in Live 8 From: Art Simon To: Loopers-Delight@loopers-delight.com Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89235 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 22:53:08 +0000 (UTC) I took a class on Ableton with Willits at the Bay Area Video Coalition, and I thought it was excellent. Apparently, he also teaches Max classes. -- Art Simon simart@gmail.com myspace [dot] com/artsimon From Loopers-Delight-request@loopers-delight.com Mon Mar 2 22:57:25 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 8A3893BEEC; Mon, 2 Mar 2009 22:57:25 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=d8IBmS4UZ8vuVlXVlBE48nwxb1EAdDcNNlwKeHKSo/3YzK/U/WCq2G5qzHfKrenYUbhtL6U4YaFxD7QNttxX5rD5LAJrZT4C+73Kso4V3eJtgZSFZN60gcPVsDI3IaoyySzrxmuB02mf6gnTMUU+J0NvuX40iDqGv19ehPkb4pI=; X-YMail-OSG: qgxlHgIVM1kSaizbwXxQvK8EYYdoJxl8LQ8rDgsRGLGwf7eTxHKKvxKk_eLHoGGBTQIQhSUEWv5qU8NxrxntrPDRRghVh9Trx4QetHWVgFeyMMex8WOq.KIGAVprWe1iz7wGMFQYGwUbfV3GYdTSApfiLEohOVBuWqR15oYE.NFpVE6yKN4PgAmiSNO31g-- X-Mailer: YahooMailWebService/0.7.289.1 Date: Mon, 2 Mar 2009 14:57:24 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: Tuning guitar in fifths for wider orchestration options To: Loopers-Delight@loopers-delight.com In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <737574.56740.qm@web38604.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89236 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 22:57:25 +0000 (UTC) IMHO there is no sense in really doing that really,i just try to know the root and from there i construct my own version of chords,treat it like a diferent instument,it might sound more interesting.There are people using open tunings out there that have translated everything from the standard tuning and for me it doesnt really sound that exciting anymore.I usually dont play any scales or translate chords,i play really simple one or 2 string melodies with open tunings,but sometimes i do like to play the same scale i use in standard tuning and hearing something completely coming out,thats the fun of it! Luis > > > > What really amazes me however is... do you guys reall > RE-learn all your > > scales and chords for all these different tunings? > > From Loopers-Delight-request@loopers-delight.com Mon Mar 2 23:08:14 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id D14303BEE4; Mon, 2 Mar 2009 23:08:14 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=ICxXpT8b0TV5yyM1F5LtrGs01F/UJX7UILzFIU2IxoBuNykO1OpsQaQ0SHnP6HQrpQClL6AmXsSesuHtiePhq7pJIyhWb63RvOSoXuw0KcEVtHWYobSpTeZbuSHM+sn9tN5bIZWAmygGPeeiy+h0C/53pLDJqo17Cr+2X3IEnNg=; X-YMail-OSG: YzxmSX0VM1kiATuB362kFEL.2dBieE6hod_wtkSbCftWn9Tz_CscgMRDQ7YX1bgskS47_J6NKu3CEbGDwRdq_dksja8bI0wpnLLc5wkNnnOOIWWQ0wm0jePJvOL6gSZLV0FYa.coC7gzH1HwrdVrT2rCfOV82We1KjPkfwj_jX7gG0iOzsOz_2cicHmNVuLpMdnna2ssGGqS8l50ZQd5niCZmN1Fjx7Xnv8TNKk- X-Mailer: YahooMailWebService/0.7.289.1 Date: Mon, 2 Mar 2009 15:08:14 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: cool vibes on ice To: Loopers-Delight@loopers-delight.com In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <101325.56952.qm@web38603.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89237 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 23:08:14 +0000 (UTC) wow brrrrrrrrrr! www.myspace.com/luisangulocom --- On Wed, 2/25/09, samba - wrote: > From: samba - > Subject: cool vibes on ice > To: > Date: Wednesday, February 25, 2009, 4:53 PM > http://www.sciam.com/video.cfm?id=14089954001 > > ------------------------------------Thank you, very > much.Patrick DonEgan > electricvehicles@mac.com > http://www.flyingdiscproductions.com > Data is not information, Information is not knowledge, > Knowledge is not understanding, Understanding is not wisdom. > > Clifford Stoll From Loopers-Delight-request@loopers-delight.com Mon Mar 2 23:41:14 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 91B9A3BEE4; Mon, 2 Mar 2009 23:41:14 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: Content-Type: multipart/alternative; boundary="_62c6ace5-1088-4a69-8589-cb95608a45fc_" X-Originating-IP: [81.226.150.143] From: Anders Bergdahl To: Loopers Delight Subject: RE: Tuning guitar in fifths for wider orchestration options Date: Mon, 2 Mar 2009 23:41:13 +0000 Importance: Normal In-Reply-To: <737574.56740.qm@web38604.mail.mud.yahoo.com> References: <737574.56740.qm@web38604.mail.mud.yahoo.com> MIME-Version: 1.0 X-OriginalArrivalTime: 02 Mar 2009 23:41:13.0795 (UTC) FILETIME=[5F94C130:01C99B90] Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89238 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 23:41:14 +0000 (UTC) --_62c6ace5-1088-4a69-8589-cb95608a45fc_ Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable I agree=2C alternate tunings is a great way to do something different. BUT= in the context of instrumental music I see a risk that what i find as "dif= ferent" and "interesting" sounds in an alternate tuning is just me being am= azed over the sound that comes out. It is really hard=2C for me at least=2C= to do any real improvising in alternate tuning. It's more like what Luis d= escribes=2C i see it almost as accidents that HOPEFULLY sounds cool. But I'= m nit sure i would call it improvising... I really admire horn player=2C Mi= les=2C Trane that could always find new music to play with their instrument= s. I would love to have the control over phrasing and note choice that horn= great players have.=20 On the other hand a reason I love looping is all the mistakes I make that f= orces me to find a creative way out. (BTW i have just posted a new "mistake= " piece in alternate tuning on soundclick) =20 Greetings=2C =20 Anders=20 www.soundclick.com/AndersBergdahl =20 >=20 > IMHO there is no sense in really doing that really=2Ci just try to know t= he root and from there i construct my own version of chords=2Ctreat it like= a diferent instument=2Cit might sound more interesting.There are people us= ing open tunings out there that have translated everything from the standar= d tuning and for me it doesnt really sound that exciting anymore.I usually = dont play any scales or translate chords=2Ci play really simple one or 2 st= ring melodies with open tunings=2Cbut sometimes i do like to play the same = scale i use in standard tuning and hearing something completely coming out= =2Cthats the fun of it! > Luis --_62c6ace5-1088-4a69-8589-cb95608a45fc_ Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 =3BI agree=2C alternate tunings is a great way to =3Bdo someth= ing different. BUT in the context of instrumental music I see a risk that w= hat i find as "different" and "interesting" sounds in an alternate tuning i= s just me being amazed over the sound =3Bthat comes out. It is really h= ard=2C for me at least=2C to do any real =3Bimprovising in alternate tu= ning. It's more like what Luis describes=2C i see it almost as accidents th= at HOPEFULLY sounds cool. But I'm nit sure i would call it improvising... I= really admire horn player=2C Miles=2C Trane that could always find new mus= ic to play with their instruments. I would love to have the control over ph= rasing and note choice that horn great players have.
On the other hand = a reason =3BI love looping is all the mistakes I make that forces me to= find a creative way out. (BTW i have just posted a new =3B"mistake" pi= ece in alternate tuning on soundclick)
 =3B
Greetings=2C
 = =3B
Anders
www.= soundclick.com/AndersBergdahl

 =3B

>=3B
>=3B = IMHO there is no sense in really doing that really=2Ci just try to know the= root and from there i construct my own version of chords=2Ctreat it like a= diferent instument=2Cit might sound more interesting.There are people usin= g open tunings out there that have translated everything from the standard = tuning and for me it doesnt really sound that exciting anymore.I usually do= nt play any scales or translate chords=2Ci play really simple one or 2 stri= ng melodies with open tunings=2Cbut sometimes i do like to play the same sc= ale i use in standard tuning and hearing something completely coming out=2C= thats the fun of it!
>=3B Luis



= --_62c6ace5-1088-4a69-8589-cb95608a45fc_-- From Loopers-Delight-request@loopers-delight.com Mon Mar 2 23:43:30 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 997AE3BEE6; Mon, 2 Mar 2009 23:43:30 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:in-reply-to:references :date:message-id:subject:from:to:content-type; bh=Q3R1TokOc89vs1d7KtXEp34ZskIjuwnOEw7Zpa1i6Cg=; b=jnNmZnB1SEDorFCGimSpaOnWlF4x8NvAXvVr+o4KS/gxUZM8M1kRXt+bz2g962jlBU fm9tSB0P9jIJcyCLAIVoNe/jsaGMSvZLmekK7JPu3QnZpRkBz4qv0ypDTArNG8KZ+bSm OB4fboAP8qZQ+VsjykBV8grvikdyZAUMkmDVg= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; b=Ze99nNLutnaDlPkf+iIdz9/94M0vGa6zwuTD05b38kIOr6SGnBlzl20cRUsofcQera /6Ttbsy8tXi9tEdTrIvnC0wgLG37x7U93EfLj2VRHPShtbOe9u9z0AvYesb2dpQEsk6M p+LAzrMnSy56Yibt1zzTW+BtlmVtTkfY09tms= MIME-Version: 1.0 In-Reply-To: <66f9cc1e0903020652s799aa8fdi3a3beb7234fbb800@mail.gmail.com> References: <333287c30903020449s4bf5738bvaadde7dbacbcc768@mail.gmail.com> <66f9cc1e0903020652s799aa8fdi3a3beb7234fbb800@mail.gmail.com> Date: Mon, 2 Mar 2009 15:43:29 -0800 Message-ID: <333287c30903021543m4b9b1fc6t3234dfad724dda7d@mail.gmail.com> Subject: Re: looper vs storyteller. if there even is From: Nevyn Nowhere To: Loopers-Delight@loopers-delight.com Content-Type: multipart/alternative; boundary=000e0cd32d06b9075504642b624a Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89239 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 23:43:30 +0000 (UTC) --000e0cd32d06b9075504642b624a Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit I suppose by story and not story I more meant pre thought story vs found in the moment story, if going by the meanings I see you utilizing. For yes, music is inherently about story telling in it's nature. So... how many folks pre think their story, and how many find it finding them, perhaps is a better question? Or since many of us probably do both, tell how each comes up in your music making (question for all)? -nn happyhumans.org On Mon, Mar 2, 2009 at 6:52 AM, Per Boysen wrote: > But I think your questions are missing > the point that music actually is about telling a story. Myself I do > both composing, mixing and live looping gigs of > composed music arranged for looping as well as freely improvised live > looping music. And I think the storytelling aspect is just the same > and as important in all these outlets. > > Greetings from Sweden > > Per Boysen > www.boysen.se > www.perboysen.com > > --000e0cd32d06b9075504642b624a Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable I suppose by story and not story I more meant pre thought story vs found in= the moment story, if going by the meanings I see you utilizing.=A0 For yes= , music is inherently about story telling in it's nature.=A0 So... how = many folks pre think their story, and how many find it finding them, perhap= s is a better question?=A0 Or since many of us probably do both, tell how e= ach comes up in your music making (question for all)?

-nn
happyhumans.org

On Mon, Mar 2, 2009 at 6:52 AM, Per Boysen <perboysen@gmail.com> wrote:
But I think your = questions are missing
the point that music actually is about telling a story. Myself I do
both composing, mixing and live looping gigs of
composed music arranged for looping as well as freely improvised live
looping music. And I think the storytelling aspect is just the same
and as important in all these outlets.

Greetings from Sweden

Per Boysen
www.boysen.se
www.perboysen.com


--000e0cd32d06b9075504642b624a-- From Loopers-Delight-request@loopers-delight.com Mon Mar 2 23:45:44 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id CC97E3BEE4; Mon, 2 Mar 2009 23:45:44 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: Content-Type: multipart/alternative; boundary="_9c72ce2e-f3b3-4e07-b3f4-0ae7b1bcbaa8_" X-Originating-IP: [81.226.150.143] From: Anders Bergdahl To: Loopers Delight Subject: RE: OT: Tuning guitar in fifths for wider orchestration options Date: Mon, 2 Mar 2009 23:45:43 +0000 Importance: Normal In-Reply-To: <66f9cc1e0903021152i30390482l64716169efe608cf@mail.gmail.com> References: <49A9D67D.5090906@post.cybercity.dk> <518740.71044.qm@web32708.mail.mud.yahoo.com> <66f9cc1e0903010223gcdd2ba2n3b1ea47aa18de36@mail.gmail.com> <66f9cc1e0903010227g641e5d7v6a2ab17e4b08ae34@mail.gmail.com> <66f9cc1e0903021152i30390482l64716169efe608cf@mail.gmail.com> MIME-Version: 1.0 X-OriginalArrivalTime: 02 Mar 2009 23:45:44.0135 (UTC) FILETIME=[00B75D70:01C99B91] Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89240 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 23:45:44 +0000 (UTC) --_9c72ce2e-f3b3-4e07-b3f4-0ae7b1bcbaa8_ Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable TACKAR OCH BOCKAR=2C =20 My I ask why you like it=2C i hesitated posting it since it sounded sort of= out..... One of the most intresting you heard=2C can't be that bad then=20 I really appreciate you're comments=2C and others comments=2C I'm here to l= earn. =20 Anders www.soundclick.com/AndersBergdahl > From: perboysen@gmail.com >=20 > To me your BIC C is one of the most interesting guitar looping pieces > I've heard. Keep up that great work=2C Anders! >=20 > Per >=20 >=20 >=20 > On Mon=2C Mar 2=2C 2009 at 5:20 PM=2C Anders Bergdahl > wrote: > > > > I tried a fith/regular tuning in one of my Swans (27" scale length inte= nded > > for standard tuning) with a ordinary 010 set and it work just FINE. The > > tuning is CGD (5ths) and the standard guitar tuning GBE (actually the f= our > > thinner strings are in standard tuning) > > Made a LONG clip with it=2C 17 minutes of improvisation called BIG C: > > www.Soundclick.com/AndersBergdahl > > The Soloway Swans are great for lower tunings and sound great in regula= r > > tuning as well=2C without string change.. > > www.jimsoloway.com > > Good looping instruments :-)=2C Jim designed the guitars for solo jazz = playing > > and the grand piano style tone these guitars have is great for all sort= s of > > solo/looping styles as well as great all around guitars. Try one!! You = can > > get a loaner from Jim or visit me in Stockholm. --_9c72ce2e-f3b3-4e07-b3f4-0ae7b1bcbaa8_ Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable TACKAR OCH BOCKAR=2C
 =3B
My =3BI ask why you like it=2C i hesitated posting it since it sounded = sort of out..... One of the most intresting you heard=2C can't be that bad = then 3D""
I really appreciate you're comments=2C and others comments=2C I'm here to l= earn.
 =3B
Anders
www.soundclick.com/And= ersBergdahl

>=3B From: = perboysen@gmail.com
>=3B
>=3B To me your BIC C is one of the= most interesting guitar looping pieces
>=3B I've heard. Keep up that = great work=2C Anders!
>=3B
>=3B Per
>=3B
>=3B
>= =3B
>=3B On Mon=2C Mar 2=2C 2009 at 5:20 PM=2C Anders Bergdahl
>= =3B <=3Banders_e_bergdahl@hotmail.com>=3B wrote:
>=3B >=3B
&g= t=3B >=3B I tried =3Ba fith/regular tuning in one of my Swans (27" sc= ale length intended
>=3B >=3B for standard tuning) with a =3Bord= inary 010 set and it work just FINE. The
>=3B >=3B tuning is CGD (5t= hs) and the standard guitar tuning =3BGBE (actually the four
>=3B = >=3B thinner strings are in standard tuning)
>=3B >=3B Made a = =3BLONG clip with it=2C 17 minutes of improvisation called BIG C:
>=3B= >=3B www.Soundclick.com/AndersBergdahl
>=3B >=3B The Soloway = =3BSwans are great for lower tunings and sound great in regular
>=3B &= gt=3B tuning as well=2C without string change..
>=3B >=3B www.jimsol= oway.com
>=3B >=3B Good looping instruments :-)=2C Jim designed the = guitars for solo jazz playing
>=3B >=3B and the grand piano style to= ne these guitars have is great for all sorts of
>=3B >=3B solo/loopi= ng styles as well as great all around guitars. Try one!! You can
>=3B = >=3B get a loaner from Jim or visit me in Stockholm.
= --_9c72ce2e-f3b3-4e07-b3f4-0ae7b1bcbaa8_-- From Loopers-Delight-request@loopers-delight.com Mon Mar 2 23:48:46 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 1D8033BEE1; Mon, 2 Mar 2009 23:48:46 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=n2fPYkjYxhb4VbjriLRw9BageNIpVHAxH+w/nMs/2rfAUHoQ76krmIZM3A+5j8awIkQMAUGS+9myqqnb873HdrpUVLgHMLn+gkhgyCr0i7wqgi8q9XQ8XzbEQ8/klyw5MYrX1KukmyjXhXrrsJ1LJXPaotMK5x8WxQn9ihlS6k0=; X-YMail-OSG: lqLUN.MVM1mDj6UbJw_AKW06hyzcD3_I1D3N72mvUJn0V49AgIfb6wNTx.fo4wPargy_KcYJiQhhjpwrGSDwRcTE.qMGHeDjpn98pDEGlQ.w.IvNuaUSmWKzwDWdhRkYQPLtTYi7CX_hGo7GEPI7ILhqZqKqPpUXurDegTk80FYmU4WlKP584zwKD53Wi0__A_u5Di3Bm51ZThE_QNkIeMI5jyytGbwNEXcQd4U- X-Mailer: YahooMailWebService/0.7.289.1 Date: Mon, 2 Mar 2009 15:48:44 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: RE: Tuning guitar in fifths for wider orchestration options To: Loopers-Delight@loopers-delight.com In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Message-ID: <817628.61710.qm@web38608.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89241 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 23:48:46 +0000 (UTC) very nice Anders! www.myspace.com/luisangulocom --- On Mon, 3/2/09, Anders Bergdahl wrote: > From: Anders Bergdahl > Subject: RE: Tuning guitar in fifths for wider orchestration options > To: "Loopers Delight" > Date: Monday, March 2, 2009, 3:41 PM > I agree, alternate tunings is a great way to do something > different. BUT in the context of instrumental music I see a > risk that what i find as "different" and > "interesting" sounds in an alternate tuning is > just me being amazed over the sound that comes out. It is > really hard, for me at least, to do any real improvising in > alternate tuning. It's more like what Luis describes, i > see it almost as accidents that HOPEFULLY sounds cool. But > I'm nit sure i would call it improvising... I really > admire horn player, Miles, Trane that could always find new > music to play with their instruments. I would love to have > the control over phrasing and note choice that horn great > players have. > On the other hand a reason I love looping is all the > mistakes I make that forces me to find a creative way out. > (BTW i have just posted a new "mistake" piece in > alternate tuning on soundclick) > > Greetings, > > Anders > www.soundclick.com/AndersBergdahl > > > > > > > IMHO there is no sense in really doing that really,i > just try to know the root and from there i construct my own > version of chords,treat it like a diferent instument,it > might sound more interesting.There are people using open > tunings out there that have translated everything from the > standard tuning and for me it doesnt really sound that > exciting anymore.I usually dont play any scales or translate > chords,i play really simple one or 2 string melodies with > open tunings,but sometimes i do like to play the same scale > i use in standard tuning and hearing something completely > coming out,thats the fun of it! > > Luis From Loopers-Delight-request@loopers-delight.com Mon Mar 2 23:54:21 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 3469F3BEF1; Mon, 2 Mar 2009 23:54:21 +0000 (UTC) Old-Return-Path: X-Original-To: loopers-delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com Message-ID: Content-Type: multipart/alternative; boundary="_5a5fe099-92ce-47bb-914e-80b8d32a1548_" X-Originating-IP: [81.226.150.143] From: Anders Bergdahl To: Loopers Delight Subject: RE: looper vs storyteller. if there even is Date: Mon, 2 Mar 2009 23:54:19 +0000 Importance: Normal In-Reply-To: <333287c30903021543m4b9b1fc6t3234dfad724dda7d@mail.gmail.com> References: <333287c30903020449s4bf5738bvaadde7dbacbcc768@mail.gmail.com> <66f9cc1e0903020652s799aa8fdi3a3beb7234fbb800@mail.gmail.com> <333287c30903021543m4b9b1fc6t3234dfad724dda7d@mail.gmail.com> MIME-Version: 1.0 X-OriginalArrivalTime: 02 Mar 2009 23:54:20.0273 (UTC) FILETIME=[345BC610:01C99B92] Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com Reply-To: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89242 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Mon, 2 Mar 2009 23:54:21 +0000 (UTC) --_5a5fe099-92ce-47bb-914e-80b8d32a1548_ Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable But what do we mean when we say that an abstract instrumental peice of musi= c tells a STORY!! It can't really=2C can it? Can there be meaning in an imp= rovisation?? Is there meaning in a composition? What is the meaning with "g= reen onions" or Bethovens 5th or Kind of blue. A story needs meaning=2C doe= sn't it?? I would say that my attempts at looping tells a story but soloing over back= ings does not. And there where not that much storytelling in playing "Sweet= home alabama" in a cover band :-) =20 But WHY do we feel that some music tells a STORY=2C there are no narrative = elements=2C we clearly mean something else than a story in a book=2C don't = we? SORRY I do like to read philosophy=2C Wittgenstein and that type of stuff. = I feel that we use story in a very loose an undefined we=2C are we playing = the same game? =20 Good night=2C Anders www.soundclick.com/AndersBergdahl =20 Date: Mon=2C 2 Mar 2009 15:43:29 -0800 Subject: Re: looper vs storyteller. if there even is From: nevynnowhere@gmail.com To: Loopers-Delight@loopers-delight.com I suppose by story and not story I more meant pre thought story vs found in= the moment story=2C if going by the meanings I see you utilizing. For yes= =2C music is inherently about story telling in it's nature. So... how many= folks pre think their story=2C and how many find it finding them=2C perhap= s is a better question? Or since many of us probably do both=2C tell how e= ach comes up in your music making (question for all)? -nn happyhumans.org On Mon=2C Mar 2=2C 2009 at 6:52 AM=2C Per Boysen wrot= e: But I think your questions are missing the point that music actually is about telling a story. Myself I do both composing=2C mixing and live looping gigs of composed music arranged for looping as well as freely improvised live looping music. And I think the storytelling aspect is just the same and as important in all these outlets. Greetings from Sweden Per Boysen www.boysen.se www.perboysen.com --_5a5fe099-92ce-47bb-914e-80b8d32a1548_ Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable But what do we mean when we say that an abstract instrumental peice of musi= c tells a STORY!! It can't really=2C can it? Can there be meaning in an imp= rovisation?? Is =3Bthere meaning in a composition? What is the meaning = with "green onions" or Bethovens 5th or Kind of blue. A story needs meaning= =2C doesn't =3Bit??
I would say that my attempts at looping tells a story but soloing over back= ings does not. And there where not that much storytelling in playing "Sweet= home alabama" in a cover band :-)
 =3B
But WHY do we feel that some music tells a STORY=2C there are no narrative = elements=2C we clearly mean something else than a story in a book=2C don't = we?
SORRY I do like to read philosophy=2C Wittgenstein and that type of stuff. = I feel that we use story in a very loose an undefined we=2C are we playing = the same game?
 =3B
Good night=2C

Anders
www.soundclick.com/And= ersBergdahl
 =3B
Date: Mon=2C 2 Mar 2009 15:43:29 -0800
Subject: Re: looper vs storytelle= r. if there even is
From: nevynnowhere@gmail.com
To: Loopers-Delight@= loopers-delight.com

I suppose by story and not story I more meant pr= e thought story vs found in the moment story=2C if going by the meanings I = see you utilizing. =3B For yes=2C music is inherently about story telli= ng in it's nature. =3B So... how many folks pre think their story=2C an= d how many find it finding them=2C perhaps is a better question? =3B Or= since many of us probably do both=2C tell how each comes up in your music = making (question for all)?

-nn
happyhumans.org

On Mon=2C Mar 2=2C 2009 at 6:52 AM=2C Per Boyse= n <=3Bperboysen@gm= ail.com>=3B wrote:
But I think = your questions are missing
the point that music actually is about tellin= g a story. Myself I do
both composing=2C mixing and live looping gigs of=
composed music arranged for looping as well as freely improvised livelooping music. And I think the storytelling aspect is just the same
an= d as important in all these outlets.

Greetings from Sweden

Per Boysen
www.boy= sen.se
www.perboysen.com


= --_5a5fe099-92ce-47bb-914e-80b8d32a1548_-- From Loopers-Delight-request@loopers-delight.com Tue Mar 3 00:03:10 2009 Return-Path: X-Original-To: looparc@loopers-delight.com Delivered-To: looper+looparc@arsenic.violacea.com Received: by arsenic.violacea.com (Postfix, from userid 1004) id 0B1C73BEEC; Tue, 3 Mar 2009 00:03:09 +0000 (UTC) Old-Return-Path: X-Original-To: Loopers-Delight@loopers-delight.com Delivered-To: looper+loopers-delight@arsenic.violacea.com DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Reply-To:Subject:To:Cc:In-Reply-To:MIME-Version:Content-Type:Content-Transfer-Encoding:Message-ID; b=Wrk+n23AraxxFq6J2I/Glv5rZKrbKUK6GPqm4qnmHVpx8CKdlRy9xckZ0u56qO7/nN17yMa5hQTvgcDvBeI0Fuh8/bbOy8acQSXnCG/U5ZTN58L9V4nWOxQzUlPYE+fHuy86NW99HkEhi9YpJdEIB5jHj62TszJCTRWv0NVbZIo=; X-YMail-OSG: 1FABB9YVM1nWEvpBln9UNPa0LMFTVJdjPEXAu.fYrAvFjY0DoKxJUiOnjgiAei0CanDBd..Noygu8by74ez8vEsfHOq0VTOZx9EMITGvcK.HJ_XHWiCegH11XUmLzZvlBw4FLhD7aTZXmWYciFLIDrJ8h0xos2DOr28KD7sWov0zWyMCHtoxelfKlw-- X-Mailer: YahooMailWebService/0.7.289.1 Date: Mon, 2 Mar 2009 16:03:08 -0800 (PST) From: "L.Angulo" Reply-To: labaloops@yahoo.com Subject: Re: Tremol-No To: Loopers-Delight@loopers-delight.com Cc: billwalker@baymoon.com In-Reply-To: <66f9cc1e0902250304p1aad6d13w46b1d3da8b6fcd7a@mail.gmail.com> MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable Message-ID: <226779.26301.qm@web38605.mail.mud.yahoo.com> Resent-Message-ID: Resent-From: Loopers-Delight@loopers-delight.com X-Mailing-List: archive/latest/89243 X-Loop: Loopers-Delight@loopers-delight.com Precedence: list Resent-Sender: Loopers-Delight-request@loopers-delight.com Resent-Date: Tue, 3 Mar 2009 00:03:09 +0000 (UTC) hey Bill, I was not aware of this thank you!it certainly looks like a great tremolo i= ssue problem solution! questions: Does it also take care of the out of tune problems when using the tremolo h= eavily floating or flat? Did you install it yourself or do you recomend somebody else doing it? How would it differ with something like the hipshot tremsetter? I have a fernandes sustainer native pro guitar and the tremolo on it just s= ucks i cant hardly use it as it goes out of tune so bad,on the other hand i= hate the floyd rose system so i am trying to find a good solution. Ive installed the planet waves locking tuner though they havent cure the pr= oblem that much cheers Luis www.myspace.com/luisangulocom --- On Wed, 2/25/09, Per Boysen wrote: > From: Per Boysen > Subject: Re: Tremol-No > To: Loopers-Delight@loopers-delight.com > Date: Wednesday, February 25, 2009, 3:04 AM > Googled it and found http://www.tremol-no.com and watched > the demo > videos. This is a great thing for a studio guitarist! One > example is > playing country licks on a floating bar strat. You > typically pull up > one string while holding one or two others not pulled. The > tension > from the pulled-up string interacts with the mechanics to > lower the > pitch of all strings, including the ones you play > non-pulled. The way > I have been forced to do this - on a floating