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>Here's one we seem to have forgotten: > >Bill Frisell. Bill has used short spontaneous loops as >ambiance in a live setting for years. I believe he uses >a custom device with 16 seconds of infinite delay. During >a piece he samples a bit of something, speeds it up, slows >it down, and mangles it. Then, he'll fade in the loop at >some opportune time in the performance. There is plenty >of this on his album _Power Tools_. He shares that drunken, >warped sound with Torn but in a different way. Bill F. >doesnt use a whammy bar, all his warping is done by bending >the neck as he plays. He's got killer jazz chops too. My friend, fellow former g-wizzer, and tomorrow's jam partner, Matt Wright, is also a frisell fanatic. He actually claims to own all of his recordings.... Anyway, he suggests the following Frisell tracks: >Well I can make one contribution. A use of the electro-harmonix 16 second >delay: Bill Frisell. You can hear it on the Frisell/Driscoll/Baron Live >CD, especially the intro to "No Moe". kim ______________________________________________________________________ Kim Flint | Looper's Delight kflint@annihilist.com | http://www.annihilist.com/loop/loop.html http://www.annihilist.com/ | Loopers-Delight-request@annihilist.com