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At 10:22 AM 9/30/96 -0700, you wrote: >> On another loopers' tool, I've been having mixed results with my new >> ebow. It sometimes takes quite a while for the string to start to >> ring, especially when I'm trying to bring out a harmonic that isn't >> the octave. Any tips? > >Try pressing the bow closer to the string -- in other words, if there's a >"default" spot where the bow is resting along the two guide grooves, then >pressing down further so that the bow is in greater proximity to the >string will help sound the string faster. Also be very aware of where >you're placing the bow in relation to whatever pickup you're using; the >closer the bow is to the currently selected pickup, the more signal >you're going to produce. Additionally, lightly fretting the note in >question with the left hand will help start the sound (not much help when >talking about natural string harmonics, I know). > >Also be sure and listen to the tape that comes with the bow. I put off >listening to it myself for almost six months after I got it, and when I >finally got around to it I was stunned at some of the sounds that can >come out of the thing. Like the slogan says, "Infinite sustain is >only the beginning." (Now where's my endorsement deal?) > >Good luck, > >--Andre > > Since EBOW has been my specialty fo about 15 years... I might add to all this: try using the EBOW backwards. (FACING THE TREBLE PICKUP). Once I saw Bill Nelson doing this I adopted it and never looked back (about 10 years ago???). I very RARELY direct it towards the bass pickup anymore....the treble is great, much better attack, much brighter...but the best trick of all: turn the tone control for the treble pickup to OFF (full bass) and then EBOW against the treble pickup. eiree and cool. enjoy! dave at studio seventeen 173451681734516817345168173451681734516817345168 * * * * * * i'll be downstairs if you need me. * * i'll still be downstairs if you DON'T need me * * (Mr. Blint, Consequences/Godley & Creme) * * * * visit: http:www.adnc.com/web/ambient/index.html seventeen: the ambient music page 173451681734516817345168173451681734516817345168