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> >What I gather from the community of interactive computer music folks is > >that Max is a great tool for prototyping interactive music systems. >Some of > >them then go and program their systems in a faster language like Forth, > >after using Max to quickly build a prototype. > > > >The Powerbook is nice for its portability, which is a big plus for live > >performance. Last I heard, all five members of the computer music band > >The Hub had switched to Powerbooks as the computer of choice for live > >computer music because of the portability and the ability to run Max. > > Is this an exeption or a market (soon)? Certainly Max is great for > prototyping but will non engineer musicians use it commonly in the >future? Max was designed to be used by non-engineers, so there are a fair number of users with no engineering background at all. You put together a Max program (which we call a "patch") using a graphical interface; you select the objects you want then you drag them around with a mouse and draw lines to hook them up. I think Opcode still considers Max too esoteric to port to the Windows platform, though. Paolo Valladolid ----------------------------------------------------------------- |Moderator of Digital Guitar Digest, an Internet mailing list |\ |for Music Technology and Stringed Instruments | \ ----------------------------------------------------------------- | \ finger pvallado@waynesworld.ucsd.edu for more info \ | \ http://waynesworld.ucsd.edu/DigitalGuitar/home.html \| -----------------------------------------------------------------