Support |
Jay, I had a chance to buy a E-H Micro Synth in the mid-'80s for $35.00 and I passed on it. It sounds like an octave down and an octave up played through an overdrive with envelope effects that ranged from subtle to (I think) near self-oscillation--like an analog synth when the filter cutoff control is turned down and the resonance control is turned up. I think it could do a decent job of re-creating the "Going Mobile" sound. >From what I remember, it only sounded good with single note lines--it >seemed to cut the highs a fair amount; chords sounded too mushy. Now, since I've been through analog, digital and sampling technologies, I'd welcome the opportunity to re-evaluate the Micro Synth. Vintage units are selling for around $350 ! ? They're occasionally listed in Vintage Guitar's ads. Mark Kata Mark@asisoftware.com ---------- From: Jay Taylor[SMTP:jtaylor@scsn.net] Sent: Tuesday, April 22, 1997 3:00 PM To: Loopers-Delight@annihilist.com Subject: Re: Micro synth i am trying to imagine what this sound is like. is it like the wacky guitar-controlled sound on "goin' mobile" on the "who's next" album? does anybody know what that gizmo that was? At 08:40 PM 4/21/97 -0400, you wrote: > >Is this the gizmo Helios Creed uses (besides Crybaby, delay and everything >else) to get that "retro-future" sound? (Helios Creed = Guitarist of >proto-industrial weirdo-rock band "Chrome", now gone solo). I saw him play >once and he had this metalic big-muff looking thing which was some sort of >quasi-guitar synth. Been wondering ever since what the heck it was. > >(Not quite loop-related, but Helios Creed uses so much delay he almost >counts >as a looper!) > >In a message dated 97-04-21 05:41:26 EDT, you write: > ><< > >>>>Not to spread rumors but I know Sovtek/EH are reissuing the >microsynth > pedal (another VINTGE! item currently selling for hundreds)>>>> > > I got one for free ones upon a time in a store that could not konw what >to > do with it (???!!) Yes!. So I don't now what is its real street price, >but > you can a hold on it..... > > For those who do not know, it is a pedal (EH) with input and ouput both > mono. Then you can adjust, with faders: > Guitar level > A tone an octave lower (quite octaver like but the boss OC-2 et warmer >and > more punchy to my opinion) > A square wave at the pitch of the guitar, sounding quite raw, almost like > a fuzz but... (see at "filter...) > A tone an octave above, that a sound you could mistake for a Roland > GR-300 with right FILTER setting (there an hidden message here) > > The filter (AH, can't Say I did not warn you) > > Analog low pass, resonating at its cutoff frequency with a faders > adjusting 1) the cutoff "in" of the filter when you play your note, then > the cutoff "out" of the note (sorry I don't know haow best say that in > plain english or american). Basically, you adjust the sensitivity of the > pedal with another fader, and the time of decay of the filter, providing > with sensitivity, those to cut-off faders and he decay, a way to have an > envelope for the filter that is even dynamic dependant. Sounds quite >good, > don't you think??? > > Olivier Malhomme > > (OOPPS!, wasn't it off topic...) > >> > > > Jay Taylor Reporter The State Columbia, SC (v) 803 771 8549 (f) 803 771 8430, 8480