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>If you want to hear a "classical" looper, find some Conlon Nancarrow. >He devoted most of his career to player piano, mostly because humans >were incapable of playing with the degree of precision and speed he >required. Amazing stuff... profoundly mechanical on one hand, deeply >emotional on the other. As for sonic textures - imagine a player >piano with metal hammers rather than felt, sustain pedal down, blowing >through a light-speed fortissimo 88-key cresendo! I heard that on >vinyl once, but I know it must have been just a pale shadow of the >original performance. That one caused problems for him >mechanically... so little paper was left on the roll that it tended to >shred while playing, especially with the piano vibrating like that. I've got a two-cd overview of his music, and there are several pieces where he had attempted to sync two player pianos. It's challenging listening. Travis Hartnett