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Hi......new list member here....enjoying the discussion. Recently someone( I deleted the post before I got the name) brought up the excellent point that many of us seem to assume that looping=ambient/space/new age/instrumental/...what the heck let's throw jazz in there , too!!!! LOL Well...here's my 2 cents on this issue. While I'm a big fan of many "ambient" guys ( Torn, Fripp,Michael Brook), this isn't really where MY muse lies. I come out of a blues, country, folk and rock background, mostly.I've owned a Jamman for @ a year now...and before that spent FAR too much time experimenting with repeat/hold on mere 2 second delays.For years I've felt like I was split in two ( or more) parts...my "spacey/out" side that loved to loop and mess with textures and my "rootsy/down to earth" side that stayed idiomatic, bluesy and melodic. So, the struggle for me in the past year or so has been to somehow join these seemingly divergent pieces into ONE single voice that is uniquely my own.Good luck , huh??? My quest began in earnest when I saw Daniel Lanois with Emmylou Harris doing, in his own way of course, what I'd only begun to consider.My course was set from that point on..... To be honest, I'd almost considered giving up on my more "spacey" proclivities, I had begun to think that the whole thing was just too esoteric.Luckily a couple of situations have shown me that I'm on the right track...... My buddy Caryn Lin ( electric Violinist/loopist) asked me to join her band which is playing around supporting her CD produced and very much played on by David Torn......also in this band in Bon Lozaga from GONG. Well , my loop stuff doesn't sound like Bon's loops....and it CERTAINLY doesn't sound like Torn...so I'm starting to believe it sounds like,well, me!!!!.....also, my wife Lindsay Gilmour( vocalist) has a wonderful band with myself and two of the areas top Jazz musicians on bass and vibes..(yup , there's that J word , again...but they really DO play jazz, the Bill Evans, Herbie Hancock, Charlie Haden kind!!! LOL)..Lindsay and I write fairly simple folky tunes which are then thoroughly messed with by the Jazz guys. Since I'm NOTa jazz musician by ANY stretch,and just strumming C,F &G chords behind them doesn't satisfy any of us, looping and laying down textures is a wonderful option. We recorded an original christmas tune today for a compilation and the arrangement that the other three came up with was real nice , but a bit too"Chestnuts Roasting O'er an Open Fire"-ey!!!! So I made a point of SERIOUSLY stretching it with some "out there" loops...........lo and behold, goodbye lounge, hello??????...welll something kinda, almost, dare i say it, ORIGINAL!!!! yeah!!!! Any way........i guess this is a (VERY) long winded way of telling you how looping has helped me outside of the "ambient" music stereotype that we have.....I'd LOVE to hear from any of you who are trying to travel this path also......and i look forward to all the talk about this crazy, beautiful technique that we love...thanks for your time. Take Care, JIM FOGARTY