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Olivier Malhomme: >Matthias, you said we all play ambient? Nono! I was just teasing Kim... :-) >Well, would you call what I do "ambient"? (well, i'm looking for a name >for it for so long a time...) Probably not all, but certainly some bits... How about my sound? I recently called it "folk influenced" here on the list, which might be completely wrong. Could be "very soft rock", too. Basically I thought that my (or even all) music devided into 4 main motives (I might be repeating myself): 1- Concentration: Constant, centered, meditative, mantric, no emotions 2- Dance: movement, atraction, body, lightness. 3- Viagem (= journey): Stimulating imagination, unusual experiences, film music, happenings... 4- Louvacao (=chanting?): Praise Nature, God, yourself, whatever you feel thankfull to. (often the finale of a apresentation) More points anyone? Now "ambient" is none of this, really, or some total integration? Or the negation of any aim? Or a different view of the circumstances to pass the same kind of main motives? Should I add point 5- Just be sound: research of musical language, mind thrilling compositions... I felt familiar with the "ambient" style because I was allways looking for different places to play and kept claiming that my music adapts to the ambient and is helpfull as a background for many things... but this does not say much about the sound, rather about its aim. So? Oliver again: >Must we all be held by some magical "ambient hand" when working with >loops? Yes, its the Great Ambient that plays through you :-) Matthias