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Occasionally, I work with a drummer and a keyboardist who uses MIDI sequences. I asked the drummer how he feels about playing with a computerized time source. He said that the trick for him is to play a little quieter than the sequence. This allows him to hear the timing of the sequence and lock into its beat. Of course, his acoustic drum kit sounds much better than the sequenced drum track--to the point where I completely ignore the sequenced drums and lock into the real drums. Mark Kata Mark@asisoftware.com ---------- From: Matt McCabe[SMTP:mattm@bi-tech.com] Sent: Thursday, August 14, 1997 11:30 AM To: Loopers-Delight@annihilist.com Subject: Re: help wanted -- technique tips, please > This post is not about philosophy. WONDERFUL!!!!!! > I would like to sync up a repeating sampled riff (from Rhodes or > telewanker), captured with an Echoplex DP, with the drummer. > > So far, I've tried playing the riff, letting it loop on a monitor near the > drum kit, and seeing if he can follow along. Things quickly get too loud > and we drift. Plug the Echoplex into a mixer and make the drummer wear headphones. He/she will probably complain but at least he/she can turn it up as loud as he/she wants. > The question is: without MIDI clicks, how can a loop be synced into music > with live drums? I'm looking for new APPROACHES to this problem > here...anyone? Assuming the looping riff has a fairly constant tempo (i.e. loops around smoothly) the drummer *should* be able to follow it -- assuming he/she can heard it. And it will take a fair amount of discipline on the drummers part to *follow* the loop. Remember that in typical bands, the drummer sets the tempo, so having a drummer lock onto something else might take some practice. Good luck! Matt P.S. BTW, playing with a MIDI click isn't as evil as it sounds. The drummer in my last band found it somewhat liberating....after he got the hang of it.