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Thanks to both of you for this msg, it says alot. I think a lot of things play into this whole idea, hearing differences, personal preference, individual threasholds, quality of systems, type and style of music, volume... etc... smiles, and happy listening... Corynne te: >Kim illumined: >>Just so's you know.....As I understand the physiological issue, it's >>not >volume or high frequencies that cause the discomfort in women. >It's particular >types of non-harmonic distortion in the audio system, >which will tend to >be >worse at higher volume. I've seen several >discussions of this in audio >engineering journals, usually under the >context of how to get a wider customer >base for audio products. > >Hmmm. This is really interesting. What are these types of n-h >distortion >called? (So I can find out more about this.) Also, a question comes to mind >regarding human sensitivity in detecting distortion. Assuming we're >talking >about musicians or people with well-trained, discriminating hearing: is there >inharmonic distortion occurring below the range of conscious perception >that >affects us negatively before we actually are aware of hearing it? Might >I >start feeling uncomfortable before I am able to consciously identify this type >of distortion, even if I was somehow miraculously blessed with a superbly >sophisticated ear? (My question comes in part from reading about phase >distortion in amplifiers or equalizers. My text source tells me the associated >slight reduction of response is generally not noticeable. Does it, >however, >have any measurable effect on the listener, even when not audibly >perceived?) > >I'm also curious about lab standards by which something as subjective as >perception is meaningfully quantified. Can anyone recommend a good source for >info on that one? > >>These inharmonic distortions add frequency components to the >sound in a >particular way that women tend to have a negative >reaction to while men >typically don't notice. > >Sarajane's post mentioned differences in inner ear structure between genders. > Is that the mechanism in this case? > >>It is very common with cheap home/audio stereos, cheap PA >systems, >cheap >music gear, etc. It also happens in more expensive >gear that isn't >designed >very well. As the volume is turned up on these >systems, the distortions start >to happen, and women will start to find it >unpleasant for physiological >reasons. On cleaner systems that don't >generate these distortions, the >discomfort doesn't happen. > >[snip] > >On a few occasions, the systems were pretty clean, high end. On the >other >hand, as I recall, I wasn't necessarily the only one suffering; some of >the >boyz were also getting blasted. Which probably just means that those of >us >copping to pain weren't trying to be as macho, we hadn't already toasted >our >eardrums, or we simply weren't as hell-bent on vaporizing ourselves out >of >existence... > >Maybe it's just a difference in individual thresholds. I've run across a very >few musicians who consistently choose to play at *significantly* higher volumes >than most (regardless of gender), yet have no detectable hearing loss >after >years and years of totally cranking their systems, and practically stuffing 10 >inch speakers in their ears. (They also manage to drive everybody else >on >stage totally nuts!) -- And hey, talk about incompatibilities in a >relationship... ;-) > >Anyway, thanks for the clarification, Kim. Very useful info. > >laurie > > > >