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>As a classical singer, I am just starting to expand my electronic >experimentation in my compositions and would welcome any suggestions as to >cool vox applications...Half the time, you guitarists leave me in the dust >of the lexoplexxoLPfiver15echodecomegawizzzzzzzzzzzzzz >So if there are any vocalists lurking (any who survived the recent >tree-shaking thread-o-matic philosophunk), please make a move and share >some info and experiences..... >I'd be really appreciative.... 1) Murmur, howl, click, gurgle, moan into microphone. If so inclined, "record" a fair amount but endeavour to match the pitch/timbre of the start and end-points. This usually makes the loop more "seamless", without a noticeable cliff at the splice. But, it is also fun to insert intentionally jarring noises that lend a rhythmic component. 2) long loops lend themselves to raga-like trance drones or Tuvan(sp?)-monk-style throat singing. Build your own overtones. Paste up sonic wallpaper, etc. 3) it has been, to my experience, much harder to sync up harmonies (like one-voice chorus construction), but then again, I'm not much of a singer. Recording a word or two as an accentuating sample, with a trigger (Echoplex can do this, don't know about Jamguy) to put it in the right spots has been fun. 4) I like looping tv voices and playing them backwards. Classic ambient technique...nothing like good old backwards play! It worked for the Beatles AND Judas Priest! --RtG (yeah, but i still loop a guitar a bunch too...it's so much dang fun!)