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There seems to be some interest in Jon Hassell amongst the list, so I thought I'd mention last night's concert at QEH in London. JH appeared with Bluescreen Two who were advertised as being Jamie Muhoberac and Peter Freeman, creators of an `electronic soundscape' amidst which is set JH's `plaintive trumpet'. There was also an uncredited guitarist (who may have been called Joe Harrison - the announcements were off-mic and difficult to hear from 2/3rds back) who made extensive use of a Fernandes Sustainer (now I *really* want one of those) and a multitude of delays and effects to great..erm - effect. Whilst much of the music relied on repetitive phrases (with occasional shifts in the patterns), it was intriguing to see that most of it was performed in real time. Despite all the technology in evidence, there appeared to be little `looping' as such. Percussion sounds were triggered from what looked like an over-sized boomerang (NB the Native Australian hunting tool, not the dedicated looping device), `played' like a standard keyboard, but with (presumably) the ergonomic benefits of it curving around the body. The material was similar in mood to the earlier 4th World albums, less like the `City' and `Bluescreen 1' versions. Well worth viewing if it comes to a town near you. Also: At lunch time yesterday I saw the acoustic guitarist Antonio Forcione dueting with saxophonist Ed Jones. I think Matthias mentioned before that AF has experimented with looping, but this is the first time I've seen him use it (sparingly) in performance. He has a Paradis LoopDelay which in this situation was used to create backing for his solos on two numbers. Again, well worth a listen if you see them advertised near you (particularly if you like Jan Garbarek-style European, folk influenced jazz) Oh yes, and if you've got this far, I'll be back at the Croydon Clocktower on Nov 28th 7-8pm - free! Cheers David <http://subnet.virtual-pc.com/~or387751/>