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Jamie said: >I would like to unanimously agree with Kim's post about Mr Bungle. Ditto that. >Fortunately, I saw them in brisbane a year ago, and the show was crowded, >but >not a total sellout. (Who would have thought living in Brisbane would >have it's >perks...) >The crowd was a diverse sample to say the least. I can only imagine. Even put Berkeley's best to shame, no doubt. (For anyone unfamiliar with its cultural geography, "Berserkeley" prides itself on exploring all the options.) >In a strange way Mr Bungle are at the same time the antithesis of music >and the >icon of music. Perceptive statement. I only heard the first three cuts from Disco Volante, but these guys don't waste any time letting you know that you're in for a ride. Not exactly elevator music. If it was, the suspension cable would have to be a bungee cord! (Hey, how about "Elastic" mode on a looping device? Temporal disequalizer, cc pedal? Has this been done?) >Also, like a lot of loopers around the place, they use a lot of >interesting >techniques to get their sound. >The mix of sound I experienced at the Bungle concert was so clear, that I could >hear every nuance from every musician. Not a small feat considering what they >played and how often they do a musical about-face. That really is amazing. These guys have lotz 'o chopz, ignited by intense energy. Sort of Ornette Coleman, The Next Generation. laurie