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>> From: Michael Pycraft Hughes, PhD <pycraft@elec.gla.ac.uk> > >> It's funny, but the most recent Andy Summers material fails to excite me >> the way his Police / XYZ stuff did. It's as if he's become _too_ >competent > >I would agree. I've purchased every one of his solo albums and end up >wondering why. Not a good sign! > Although, there is always one song I like on each disc. >XYZ had some high points...but he should have found a singer. The first >cut off of "The Golden Wire" is a still one of my personal favorites. I really like XYZ - and whilst he can't sing on the whole, he deadpans some tracks quite well. I'm disappointed this album seems to have been "buried" as a bad job - I certainly an't find CD reissues about... >IMO, this most innovative work was with the Police...BUT....his tone and >(subtle) use of effects is just as good today. I'm not a huge fan of jazz >so his solo albums are a little harder for me to digest....and I can't >help >but wonder what would happen if he used a little more of his rock >vocabulary in this writing. But, his approach to guitar and melody are >still unique and interesting. I particularly like the way he slides off >of >notes and his warm, smooth, sustaining lead tone. Ever since buying Charming Snakes (I think it was - does that have him playing a Klien in a rather -ahem - unusual manner on the back?) I've beent trying to figure out who it soundslike he's been listening to, and it's struck me now - he sounds more like a cross between Andy Summers and Larry Carlton (with maybe a dash of Holdsworth or Vai)... a pity, since he seems to be diluting his style as his technique has improved. Practising, kids - just say no. Michael