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Doug Michael writes: > Count me in for the Looper's CD along with the $100.00 to get it done. > There is a very good article on doing a project like this (CD over the > internet) in the latest Keyboard magazine - Janurary 1998. The article > describes the internet compilation CD "Giant Tracks." It ended up being > completed in a very professional way, many people contributed their > talents and they did the web site thing with samples of each tune. There > is included a breakdown of costs and they actually sold enough CD's to > make a little profit. Anyways I'll check to see if this article is on >the > Keyboard mag web site. > Doug Michael Another list I'm on (the didjeridu list) recently put out a similar compilation, which was hugely successful. Some relevant facts are: o The list is about the same size as this one. o The final CD is just about 74 minutes, with ~ 25 3-minute tracks. o Submissions were limited to one per person, and mostly fixed at 3 minutes. Everyone who sent in a tape ended up on the CD. Most of the people on the disc ended up bought multiple copies, so there was no additional 'submission fee.' o ~ 500 discs were pressed at first and sold for $15 each, to list-members and through a music store one member runs. I believe they're all sold out now. o The biggest unforseen problem ended up being what to do with the left-over $$. Nearly everyone had strong opinions and they all differed... the most popular options were a) send back profit to contributors; b) donate it to non-profits in Australia; b) bankroll it in making a 2nd CD. Beats me what ended up happening. o One list-member took nearly-entire control for collecting submissions, producing, mastering, printing, and distributing the disc. He had experience in doing such things before and -- as he works at a professional studio -- was able to use their facilities for free. 90% of the time invested was his, and it would have been done far less efficiently by committee. Other list-members a) designed the cover art, and b) did a once-over review of a cassette before the disc was pressed. The final CD ended up looking and sounding very professional. The only negatives really came from the compilation format: lots of short tracks. The liner notes couldn't include anything more than names and track titles, and ended up mostly on the web. Nevertheless, it's a fun, diverse, and highly interesting disc. I'd be happy to forward the the address of the compiler to anyone who's interested -- don't have it right now. I believe there's at least one other didj member on this list -- any additions? henry throop@colorado.edu