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ANET@aol.com wrote: > 3) A producer/project-manager would be appointed to "ride-heard". The > producer would solict submissions, weed them out and or put them up for a > vote. Contact and keep track of all the participants. Start time-lines >on > project dates and report back to the group. Mix down the final cuts for > consistant sound quality on the CD, make contact with the submittors to > refine any flaws etc. etc. Contact the CD press and submit the DATs for > press. A cover would need to be designed as well. In short the producer >will > do just about all the work. Please count me in on this list. I have had sporadic talks with Matt on this. I have loops to submit, and access to the technology to help in all aspects of the project. If people would like, I have acess to one of Hollywoods best studios for mixing (and would be happy to mix them myself) sequencing, and premastering. Almost no format too arcane. I also have a friend in Oregon who has a great mastering facility with rockin' package discounts for me on CD's. > Looks like there are about 9 solid respondants to this proposal so far. > 1)Kim, of course (you do play with these things you build don't you) > 2)Matt Mcabe who has volunteered as the Producer > 3)Michael Peters in Colonge, Germany who has some very nice samples set >up. > 4)John Peters, Rochester, Minnesota Acoustic guitarist (27yrs) > 5)Randy Jones down there in Tejas 30 yr. guitarist > 6)Stefano in Italy. > 7)Mike Biffle > 8)Travis Harnett > 9)Siobhan Canty > Please forgive me if I misspelled anyone's name. Looks like a good mix. Keep me in mind - Eric R. Fischer Recording Engineer/Looper Los Angeles,Ca