Support |
Pulled out my old Roland RD-250s this weekend and plugged into my guitar looping home rig (compressor, Whammy Pedal, volume pedal, Boogie Subway Rocket, ART SGE multi-fx, Rane mixer splitting the effected signal to an 8 second delay and a 4 second delay in parallel, back into the Boogie's power section and out a 10" speaker). The RD-250 is a weighted-key MIDI controller with a few onboard sounds--three acoustic pianos, harpsichord, vibes, clavinova, two electric pianos. This was my first time using it in a looping context, and it was an interesting experience. Altering the eq on the effected signal, with the usual delay/reverb produced all sorts of spooky sounds. The less than perfect fidelity of the delays also helped transform acoustic piano sounds into something new. I was pleased to find that most of my guitar tricks (volume pedal swells, heavy compression before the preamp, judicious use of the Whammy's octave-up harmonization) worked with the keyboard. Turning on the distortion on the amp in conjunction with the Whammy brought up all sorts of cool analog synth sounds. I don't have an external sound module, and you can't edit the sounds in the Roland, but I was really pleased with the "guitaristic" approach to signal processing--running it through low-fi pedals and effects. The Whammy pedal in particular was great for adding all sorts of wobble and usable unpredicatablity in a way that I haven't encountered in synth patches. I'll definitly be trying this out on some of my solo gigs. Travis Hartnett