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>> It's sad to say, but I really can't see a lot of these shipping in the >UK. >> There hasn't been any innovation in UK guitar (OK, at least not much) >since >> Andy Summers arrived in the early 80s. People will pay for gear in >Britain >> - just not much that's been invented less than 30 years ago. You don't >> need an EDP to play Oasis/Blur/etc/etc/etc..... >Curious that you assume that guitar players will determine the fate of >the EDP. Yes, quite wrong of me. I'm just guitar-centric since, uh, I play one. >I for one would use it with synths; a friend of mine loops with >piano (cf. Harold Budd); and any number of new-age types like to go >'oooh' into loopers as part of a performance (eg. Alquimia). >Trumpet/sax/clarinet also loop pleasingly. I'm sure they do; I'll admit I'm something of an old crusty when it comes to music. I'm sure that there is probably a mass market in the underground rave market (is that word passe yet?), but I'll admit not knowing a great deal about it - these bones weren't built for dancin'. I'll admit a longing for the early days of the 80s when experimentation was cool - the Police the Art of Noise, King Crimson. Nowadays most popular music seems so ... old. And as regards guitar players, I find it sad that most of my guitar "heroes" form two distinct sets - British from pre-1980 (Summers, Fripp, Holdsworth, Mike Oldfield etc) and US post-1980 (Torn, Frizell etc)... Michael Old beyond his 27 years.