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Looper's Delight
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I feel i've been all alone useing these effects and loopers with cello. It's true that all these machines are constructed with guitar in mind, but they all work well withjust about any input you want to give. My problem is in the perception of people about cello. They think it will just be another classical or neo-classical type concert and are always suprised to here the cello sound like Jimi or a keyboard or like more than one at a time. I get my best responces when the audiance is taken completely by suprise, in a club or rock concert setting. My cd has the biggest problems because it's not in any catagorie whatsoever, yet many people are absolutly in love with it! So, perception is something we all must look at. We can't expect it to change any faster than it is i suppose. erich kory >It's more the perception of looping by others. I regularly see it being >depicted as something for guitar players, whether it's by salesmen or >media >or other musicians. *That's* what mysifies me! Is this just because lots >of >guitar players do it? Or because it's been guitar oriented people involved >in manufacturing them and therefore that's where they place it? > >To me, using real-time loops for percussion or cello or radio >transmissions >or whatever seems just as valid. Why don't other people see it that way? >What do we do to change that perception? > >kim > >______________________________________________________________________ >Kim Flint | Looper's Delight >kflint@annihilist.com | http://www.annihilist.com/loop/loop.html >http://www.annihilist.com/ | Loopers-Delight-request@annihilist.com > > > >