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David Kirkdorffer's comments about a "realism phase" are interesting. I can imagine loops that not only don't sound like loops but evolve in some intelligent and predetermined (or perhaps random) way. The loops' evolution might include a combination of phrasing, harmonics, timbre and composition. But doesn't this start to sound like using technology as a compositional tool? Ok, this thread is supposed to avoid discussing specific technology, per se. I think the application of looping to create ambient, atmospehric, trance like (ok repetitive) music will always be around. The use of looping will probably begin to find it's way into more genres of music, perhaps even into pop music. And new genres of music will continue to develop, some out of the use of technology. But creativity in both music and technology will continue to flow, hand-in-hand. New ideas in composition and musical directions will provide incentive for new applications of technology. And new technology will provide inspiration for those who use it. Personally, my tastes lead me in two directions, musically. I enjoy listening to and making music that has both an ethereal and an emotional quality. Two examples are Blues and Ambient Space music. Both have repetetive aspects that provide looportunities. The fusion (oooo sorry to use that word) of those is my current direction.