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> In regards to rough sketches vs. finished product. I believe Fripp >has > been very vocal about working fast with limited takes in the studio >to > better capture true musicical moments as opposed to canned rote > performances. (This is a pretty polarized way of putting it). > > Does that imply that Crimson with it's highly composed elements is > actually the most restrictive setting for Fripp and possibly at odds > with his real-time playing philosophy? Nah, it's just the difference between trying to get a hot performance of precomposed piece of music, versus taking a chance on group improvisation. Both are rewarding approaches within a different framework. There are restrictions in any setting. A band playing "tunes" may fall into the trap of a rote recreation of the album. A band improvising may fail to reach the audience, or even their fellow musicians onstage, or even themselves. I think it's amazing that the various members of KC are taking this chance, since not all reviews have been glowing (similiar to the reception of Soundscapes [obligatory looping content]). Travis Hartnett