Support |
>Now realize: modern synthesizers are quite capable of providing >huge and subtle varieties over the timbre of a sound. You mean opening and closing a low-pass filter? Multi-samples are still the most-widely used audio rendering technology around, and that seems to be the only significant timbral change supported. And I've complained before about the fact that neither the GR-30 nor the super-filter-centric Morpheus synth actually bothers having their filters track dynamic pitch changes (their filters follow triggered pitches, not pitch bent pitches, which is a poor match for how guitar controllers transmit things like hammer-ons-- and the GR-30 is a guitar synth!). I'd much prefer to see them get what they've got now working better than worry about transmitting new stuff. As you say, simply speeding up MIDI will be a useful first step. If someone can multiplex MIDI channels somehow so every note gets its own channel, I think that (the two together) would solve the vast majority of the problems. Sean