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<META content=text/html;charset=iso-8859-1 http-equiv=Content-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN"><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN"> <META content='"MSHTML 4.71.1712.3"' name=GENERATOR> </HEAD> <BODY bgColor=#ffffff> <DIV><FONT color=#000000 size=2>I've got a friend named Ken Rubenstein who has a cd out of this amazingly microtonal stuff (indian shenhai's done from guitar synths) and LOTS of loops and he has what i believe to be the perfect vibrato arm. He can do so much with quarter steps and eighth steps and he only uses a 12 tone guitar. Although he's been wanting to get a fretless with marks for quarter steps. You might want to check him out. If you've got ahold of any old Guitar Player magazines...he won the LAST soundpage competition and is in there, but his music is now more in the indian and Scottish music's mixed with utter wierdness. If you'd like i can give you his address.</FONT></DIV> <DIV><FONT color=#000000 size=2></FONT><FONT size=2>Jeff</FONT></DIV> <BLOCKQUOTE style="BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: 5px"> <DIV><FONT face=Arial size=2><B>-----Original Message-----</B><BR><B>From: </B>Woehni <<A href="mailto:hovard@online.no">hovard@online.no</A>><BR><B>To: </B>COLLINSCLAN <<A href="mailto:collinsclan@sprintmail.com">collinsclan@sprintmail.com</A>>; <A href="mailto:Loopers-Delight@annihilist.com">Loopers-Delight@annihilist.com</A> <<A href="mailto:Loopers-Delight@annihilist.com">Loopers-Delight@annihilist.com</A>><BR><B>Date: </B>Tuesday, April 28, 1998 3:48 PM<BR><B>Subject: </B>SV: Microtonality<BR><BR></DIV></FONT> <BLOCKQUOTE style="BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: 5px"> <DIV><FONT color=#000000 face=Arial><FONT size=3>Hi Jeff , The other day I discovered a great thing about the singing of Chet Baker.</FONT></FONT><FONT size=3></FONT> </DIV> <DIV><FONT color=#000000 face=Arial><FONT size=3></FONT></FONT><FONT size=3><FONT face=Arial>I was transcribing his scat-solo on "all of you" from the cd Chet baker Sings Again.</FONT></FONT></DIV> <DIV><FONT size=3><FONT face=Arial></FONT><FONT face=Arial>He makes his vocal phrases and lines sound so great because he uses quartersteps in</FONT></FONT></DIV> <DIV><FONT size=3><FONT face=Arial></FONT></FONT><FONT size=3><FONT face=Arial>his pitches here and there.</FONT></FONT></DIV> <DIV><FONT size=3><FONT face=Arial></FONT></FONT> </DIV> <DIV><FONT size=3><FONT face=Arial> To me , this was an amazing discovery , because it led me to two realizations:</FONT></FONT></DIV> <DIV><FONT size=3><FONT face=Arial>1. Microtonality can exist in tonal music and can be a great tool to make old phrases come alive.</FONT></FONT><FONT size=3> </FONT></DIV> <DIV><FONT size=3>2. No way in hell am I gonna be able to play Chat Baker scat-solos without working up</FONT></DIV> <DIV><FONT size=3>a massive vib-arm technique..........(I`m gonna do it , btw)</FONT></DIV> <DIV><FONT size=3></FONT> </DIV> <DIV><FONT size=3></FONT> </DIV> <DIV><FONT size=3>So there , thats all I know about the subject.</FONT></DIV> <DIV><FONT size=3></FONT> </DIV> <DIV><FONT size=3></FONT> </DIV> <DIV><FONT size=3>Yours , Thomas Wøhni</FONT></DIV> <DIV><FONT size=3> </FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML> </html>