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Dennis: Regarding your compressor/limitor question, I use a DBX-166, I'm not exactly sure of the settings however, I just gradually adjust the unit by ear so that I get as natural a sound from the EDP when compared to the "live" sound (which for me is usually electric guitar but also includes woodwinds, keyboards and voice, but I've never tried a tambourine). The key issue is to adjust the ratio of compression and the threshold of the peak limiter so that your signal can't go into distortion. However, tambourine may present particular problems due to its fast transience and spectrum. I'm not sure where this info is detailed, perhaps the FAQ area of the Web site but Kim makes clear somewhere that at least on the original units there was some sort of compression scheme which didn't work as well as expected, particularly in relationship to high frequency sounds, i.e the unit was much more prone to distort on these types of signals. I'm told this has been rectified in the machines now in production, or at least somehthing in the gain stage as been improved. I certainly have a problem like yours on my original old unit (hence the limiter). However, I just got a new unit which is being operated from the house mix position by my engineer and when I told him never to let the input get red, he said that he had often been in the red and heard no distortion. (Input was guitar and violin). So maybe they've addressedt this question. Paul Dresher