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What does a good player do with an ostinato in an improv situation: - leaving out some notes while holding others - variing a part here and there, maybe creating harmonic tension briefly - coming back real strong rhythmically, maybe stressing a smaller rhythmic value (moving from eight notes to sixteenths) or even creating double time/feel - repeating a small 16th note phrase for two or more bars - going back to the original note for note but real articulate - throw in a famous riff quote (ha ha) - fading out w. held notes as above, repeat only one or two characteristic notes in time or do a ritardando - etc. But all that isn't (yet) work for machines and probably shouldn't be, exept maybe absurd changes in tempo or pitch that a musician could not execute. BTW, I just ordered an EDP directly from Bananas at Large in the US(they had it in stock!). Hope it arrives soon & in working condition, solo gigs are coming up in Nov. best, Andreas