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(I'm re-sending this as it didn't seem to go out correctly the first time. Please pardon if you get this twice. - DL) Kim Flint wrote: > > we're gonna make you real happy in the near future.....;-) > I like to hear that! You know, you guys already are batting 1000 as far as I'm concerned. It's hard to describe how much pleasure I've derived over the past few years from looping via the EDP. Many years ago, I used an old TEAC 4 track for awhile but I gave up looping because such "primitve" technology gotin the way. I find the EDP so incredibly easy to use, in comparison, that it usually doesn't get in the way of my creativity. But enough of my effusions...since you brought up the future of the EDP, I've been meaning to share these thoughts: How about a new additional unit, I'll call the "EDP Helper?" I'll try to explain it's proposed features without too much meandering. 1) The EDP is wonderful as a stand-alone unit. A pair of EDPs also works very well for stereo. What I want to do, however, is to use several in a synchronized fashion. The paradigm here, probably due to my history of tape machine usage, is to view multiple EDPs as tracks on a multi-track recorder. Of course, because of the nature of solid-state, digital recorders like the EDP, you'd expect them to do things tape recorders couldn't do. The "EDP Helper" would have many features specifically designed to operate multiple EDPs. These features would include manipulation of MIDI clock timing, starting and stopping loops (perhaps sequencing through the memories of an EDP, e.g., do {play loop from MEM 1 twice, followed by loop from MEM 2} ) and a user interface specifically designed for multiple EDPs. 2) As a central control, the "EDP Helper" would also have MIDI sequencing features (at a basic level) in order to support changing parameters and operating modes of the EDPs. Players would use the "EDP Helper" instead of a full-featured sequencer to change, for example, the number of beats/8ths for a particular EDP. This sequencing feature, as well as other features, could perhaps be optionally controlled by a nifty GUI program on Mac or PC. 3) The display of the "EDP Helper" would supplement the EDP display. For example, I could really use a display that shows where I am in the loop. It could be as simple as a "count-up" which is reset at the loop start (similar to the regular EDP display when recording). The player could select what kind of information to display and which "slave" EDP would be the source. 4) The audio looping features of the "EDP Helper" would be light-weight when compared to the EDP. For example, when I use multiple EDPs in a synchronized fashion, I designate one of them to function as the "master" MIDI clock source. I play a simple pattern into the master, many times just a shaker, clave, or bass drum pattern. I don't need to do things like INSERT, NEXT LOOP, and so forth. I use the "master" EDP simply as the MIDI clock source. Most times, after I build synchronized loops on other EDPs, I fade out the master EDP for the duration of the piece. Conversely, if somebody only had an "EDP Helper", they could still do useful looping with it. This would expand the market for an "EDP Helper" beyond owners of multiple EDPs. As described above, the "EDP Helper" would be very heavy on the control and display features and light on the audio feature. Perhaps, it could even be implemented totally in software. Your thoughts??? - Dennis Leas -- dennis@mdbs.com