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BAREFEET... This barefootin' thing gives me the willies... I played with a bassist for years who was a barefoot free spirit kind of guy and I was always at least a little concerned... I'm more of the Alan-Hoover-yer-skatin'-on-thin-ice attitude about it. There's serious voltage in the room and you should protect yourself! THAT HOODOO... That thing we do is very hard to quantify isn't it?.. It was mentioned that looping is the tool, not the style, and I agree with that... While I might stumble frequently into ambient territory, I'm just as likely to sound like osterized-hell-in-a-vice and solo loudly and relentlessly, searching for my most obnoxious tones... I have no idea what to call the style because it's so ephemeral. It would almost be a relief to *choose* a more defined genre and adhere to it somewhat, but I'm not quite doing that *yet*. It's still a concern of mine that an audience wants to see creation / inception of some sort and will begin to suspect subterfuge if they hear *far* more than they can account for with their own senses. That can happen very quickly with looping, so I'm looking for that happy mean which can still communicate without disorienting or alienating those present. (I'm talking about those who would already be *stylistically* interested in the first place.) As looping grows as a specific genre maybe more listeners will relate to the actual practice, making it easier for us to describe how we *create* the form which the music rests upon. So what is it that I do?.. Guitarcentric-Techno-Improv-Space-Music... Any suggestions as to a more venue/audience friendly description? Best Regards, -Miko -------------------------------------------------------------------- Miko Biffle "And I am running scared... mike.biffle@wj.com "From all the usual distractions!"