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> Collins [SMTP:collinsclan@sprintmail.com] > > > You've got that one right. The only parts of the US that you can get good > avant-garde music is NYC. > ** i would have to say that this is absolutely untrue. having been at some really great "avant-garde" musical experiences in both los angeles and san francisco - - as well as great bands from places like new mexico - - i have to take exception to this comment. a friend of mine, who is a very well-known bassist on the nyc avant-garde scene and does much touring in europe, etc, has given me this nugget of wisdom (when attempting to lure me to relocate to nyc): "geography is perception." your comment, IMHO, does nothing but prove his point. in my view, the unfortunate reality is that there are people all over the states who are doing interesting things who will never get the recognition they deserve. why? i feel that it is because of the fact that the nyc press is convinced that what goes on there is the center of the (avant-garde) universe, and that other people in the press follow suit. (i think that you could look at people like eric dolphy, ornette coleman, charles mingus, don cherry, etc. who started there thing in la, but didn't "matter" until they went to nyc.) an example: here in la, the press almost never writes about people unless they come from nyc. all of a sudden they open their eyes and say, "oh, look what's happening here," and then go back into hybernation when the guys from nyc leave. the same thing happens with people who go to see shows, they neglect their own hometown scene, it dries up and then they wonder why people from other parts of the country won't come here (and they don't have place to play). there is plenty of good music being made all over the states, the problem is that people feel that it only comes from nyc, thus creating a self-fulfilling prophecy. if you want to talk about the dearth of places to see shows, i might be inclined to agree. however, people often say that there's nothing going on in la, yet there are three or four different series that provide this kind of music - - not as many as nyc to be sure. if you feel stuck in your town, i guess you can relocate to nyc, or try to develop your own hometown scene . . . if you can deal with the frustration. to be sure, the states in general are a tough nut to crack. i played with julius hemphill for a number of years. in that time period, we did three fairly lengthy tours of europe - - and only four nights in the states. for getting gigs in europe, the magic of being from nyc is often still quite necessary. you mentioned toronto, i've also heard some great stuff coming out of montreal on the ambiances magnetiqiue label. stig