Support |
I just read Jim Lanpheer's post and wanted to comment. I can relate to many of the things he pointed out- I am a "bedroom musician" and know that the times I play with others are generally the most exciting, challenging, thought provoking, and satisfying. I just got back from a local music store and I bought a Buddha Zen distortion pedal for my girlfriend- I was excited about the fact it uses tubes etc. so I ran out to get it- well, I have 6 guitars here and have been playing with it for awhile- trying this combination and that one etc. Now- I am taking a break because after a little while it just got dry- riffing over and over just to hear the different tones- necessary but dry- I think playing with others- and especially listening to what they are playing, i.e. saying- is the beginning of musical communication- it becomes an exchange between two persons, and when both are listening and allowing room for the other to speak, it can be like a conversation- a dynamic connected string of events wherein you voice opinions, hear opinions, ask questions, get answers, become inspired, become confusedetc on and on- a process can take place where the result is bigger than the individual parts. This is such good timing for me- I am waiting for my EDP to arrive and getting my own gear together but do not have people I regularly play with- I begin to see how crucial it is- even in a sampling or other environment. It seems important to stop and create from your heart and not always from your head- I know I get wrapped up in gear to the hilt sometimes- but it is great to hear someone else's perspective and to look at what you are doing from a fresh angle. I am just writing from the top of my head so bear with me- I also very much agree with the point that starting with an inspiration and going through the process of realizing it is invaluable. To have an idea about a certain sound you want- or a certain riff or effect- and to work at it and find a way to make what is in your mind a reality- it is something everyone should try at least once. I , for example had an inspiration at a show once- i wanted to find a way to go from a clean guitar sound and swell into a distorted one without having the volume go through the roof- I drew diagrams of dual amp setups and had an idea for a distortion pot rigged to a foot pedal like a wah etc. Then a friend just said- "Hey, just get a new multi effect unit and assign the expression pedal to the gain setting in the distortion- " Well, shit! I was glad to hear that but I really enjoyed trying to figure out how to do it- I started with the sound in my mind and worked at it- it was great- I have yet to actually make it a reality but when I do it will be great- It makes me think of Trilok Gurtru- he worked for 10 years or so to get those custom drums of his designed and perfected- and they are great! I gotta stop rambling- sorry for the incongruities- Cliff