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The idea appeals to me, but kind of as a second time around. The first time, I think I'd rather hear a random selection of unrelated tunes by strangers. Nobody said there just has to be this one, though. We could do both! matt Dennis W. Leas wrote: > I'm interested in making this a true chain or serial tape. Something >that > we do together as in the sense of later compositions are influenced by > earlier ones. This distinguishes the project from a random selection of > unrelated tunes by strangers. > > Here's an idea. To provide some unity or coherence among the >participates > of this project, we could try the following: > > 1) pick a theme or idea - I'd suggest expressing the theme or idea using >a > phrase of three words. Hopefully, it will provide a starting point but > nobody will feel "hemmed-in." I got this idea from a local music co-op >(the > Friends of Bob see http://dcwi.com/~fobob/Welcome.html ). They have had > "hoot nights" with themes such as "Indiscretions, Indecisions, and > Institutions" and "Escapes, Exits, and Farewells". It seemed to work >well > for them. For our tape project this theme could be quite abstract. Some > brainstorming on my part yields > a) air, breath, or atmospheres > b) colors, textures, and timbres > c) pulse, beats, hearts > > 2) pick something from a previous composition on the tape and >incorporate it > in your composition - This could be a rhythm, sound, or motief. You > wouldn't have to sample the actual item; a cheap imitiation will do. > > We could do 1 and 2. I.e., you can pick your own starting point > corresponding to the theme as you interpret it; or you could pick >something > from a previous composition and interpret it as you like. > > My intention is not to limit or restrict but to have a thread of >continuity > in some sense. > > Does this idea appeal to anybody? > > Dennis Leas > ------------------ > dennis@mdbs.com