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I caught the first set on Thursday night, Frisell used a lot of looping. He had his EH 16 Second Delay resting on-top of his foam clad Lexicon Lxp-5 all within easy reach on a stool. He tapped in and out and tweaked levels and reversed loops with his hands (no dancing involved). He was focused on capturing motifs from his solos and then playing against them or bringing them back later. He seemed vary much at home with the EH and was able to create some very interesting and musical effects with it. One particular moment which stands out; is when he brought back a particularly nasty bluesy lick ladden with tubescreamer (that's right no RAT)after a long quiet section on a dimminuendo which might have been interpreted as a fade out. The nasty lick (playing back in reverse mode) kicked the song back in and he launched into a raunchy outro solo. The achieved effect was clearly amusing to Bill. His performance is a testimony to the value of being intimately connected to all instruments in one's signal chain. There are other devices which might have been more efficient but he has clearly spent a lot of time developing his own techinique for manipulating his chosen foil and from that kind of intimate knowledge one always yields more original and musical effects. _______________________________________________________________ Get Free Email and Do More On The Web. Visit http://www.msn.com