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>Sometimes he played 99% live and >then had a tiny bit of >backing (Evidenced in the song "fly" where he >played acoustic and then >at the very end a beautiful ambient wash of sound >filled out over the >lyric). Off topic, but I was a little disappointed with the arrangement of "Fly." In the recorded version, the harp sample (as well as the harp-like guitar figures) help to clearly articulate the metaphorical vs. the literal level of the lyrics, which are loaded with angel/heaven/afterlife symbols. I had hoped that if he was going to allow for pre-recorded material in that song, his arrangement decisions might be more analytical, and less of "a wash at the end." I agree that the song sounded good - but I had hoped that the arranging would have been a little deeper. In more general terms, I think that show made a good case for prerecorded material in a live show. Honestly, I never felt like I was watching karaoke. However, that show also made a strong case for making the most of available (live) materials, like the solo version of "Dinosaur." I think the real issue isn't to allow recordings or not, it's all a matter of making effective arrangements. -Jon