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- To: music-dsp@shoko.calarts.edu
- From: douglas irving repetto <glmrboy@shoko.calarts.edu>
- Subject: [OT] Announce: Ircam releases jMax under GNU's General PublicLicense
- Date: Tue, 20 Jul 1999 10:40:30 -0400
>>From owner-music-dsp Tue Jul 20 07:27:17 1999 >Received: from linotte.ircam.fr (linotte.ircam.fr [129.102.1.213]) > by shoko.calarts.edu (8.9.3/8.9.3) with ESMTP id HAA22494 > for <music-dsp@shoko.calarts.edu>; Tue, 20 Jul 1999 07:27:14 -0700 >(PDT) >Received: (from dechelle@localhost) > by linotte.ircam.fr (8.8.7/8.8.7) id QAA11751; > Tue, 20 Jul 1999 16:26:43 +0200 >Date: Tue, 20 Jul 1999 16:26:43 +0200 >Message-Id: <199907201426.QAA11751@linotte.ircam.fr> >X-Authentication-Warning: linotte.ircam.fr: dechelle set sender to >dechelle@linotte.ircam.fr using -f >From: Francois Dechelle <dechelle@linotte.ircam.fr> >To: music-dsp@shoko.calarts.edu >Subject: [OT] Announce: Ircam releases jMax under GNU's General Public >License > > >Ircam releases jMax under GNU's General Public License > >Paris, France (July 20, 1999) -- IRCAM announces the distribution of jMax, >its software environment for music performance and real time digital audio >processing, as free software under the GNU General Public License. > >Since its first public release for the SGI and Linux platforms in early >1999, jMax has reached several hundred users that expressed high interest >in >the product and its development. This interest, added to the rapid growth >of >the Linux operating system and the effectiveness of the open development >model, created the conditions for an opening of the jMax development. > >By releasing jMax under GNU's General Public License, IRCAM brings a key >contribution to the computer music community and to the adoption of Linux >for the multimedia market. > >jMax is the new generation of real time systems at IRCAM, designed to >replace the Ircam Signal Processing Workstation. Based on a client/server >architecture, wherein the two components are the C written real-time >engine >already known as FTS and a Java graphical user interface, jMax features a >high portability level. > >jMax is currently supported on SGI workstations and on Linux for >Intel-compatible processors. Porting to other platforms are under >development, including Alpha-Linux, Linux-PPC, Solaris, Apple MacOS X and >Microsoft's Windows. Compatibilities with Max/MSP >(IRCAM/Opcode/Cycling'74) >currently running on MacOS will be pursued. > >Support, documentation, tutorials, CDROMs and musical applications for >jMax >will be provided by the IRCAM Forum, the IRCAM user group accessible via a >yearly subscription. IRCAM Forum can be reached at >http://www.ircam.fr/departements/valorisation/forum/index-e.html. > >jMax is currently being developed at IRCAM by the Real Time Systems team, >lead by FranÁois DÈchelle, with Maurizio de Cecco, Enzo Maggi and Norbert >Schnell. > >jMax is currently used in concert and in studio, at Ircam and on >international tours, for productions featuring real time audio synthesis >and >processing, as well as for virtual reality interactive installations that >combine image and sound synthesis. > >For more information and download, please visit IRCAM's Web site at : >http://www.ircam.fr/jmax/ > >IRCAM (Institut de Recherche et de Coordination Acoustique/ Musique) is a >non-profit organization associated with the Georges Pompidou National >Center >of Art and Culture, Paris, France. Since its foundation in 1969 by the >French composer and conductor Pierre Boulez, IRCAM has always been a >pioneer >in designing real time systems for live interaction between instruments >and >computers. The first generation of systems lead in 1981 to the 4X >processor, >designed at IRCAM by Giuseppe Di Giugno. In the 80s, Miller Puckette >started >developing at IRCAM the Max software, a visual language that brought a new >concept in musical interaction. Max, licensed to Opcode Systems Inc., CA, >has reached a wide audience in the computer music community. The IRCAM >Signal Processing Workstation, designed in 1989 at IRCAM by a team leaded >by >Eric Lindemann, has been adopted by a large number of composers as a >choice >platform for real time interactive musical pieces. > >Contact : FranÁois DÈchelle IRCAM 1, place Igor Stravinsky F-75004 PARIS >FRANCE > >Fax : +33 1 44 78 15 40 email : jmax-info@ircam.fr > >---------------------------------------------------------------------------- >(C) Copyright IRCAM-Centre Georges Pompidou 1999, All Rights Reserved >Max, jMax and FTS are registered trademarks of IRCAM >All other trademarks are the property of their respective owners. > -------------------------------------------------------------------------- douglas irving repetto nee irving bellemead http://music.dartmouth.edu/~douglas music-dsp mailing list web site: http://shoko.calarts.edu/~glmrboy/musicdsp -------------------------------------------------------------------------- dupswapdrop: the music-dsp mailing list and website http://shoko.calarts.edu/~glmrboy/musicdsp/music-dsp.html