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Todd Reynolds wrote: > > pardon my stupidity, an EH16 is what? > The Electro-Harmonix 16 Second Delay, also known as "Fripp in a Box". This was probably the earliest and most prized performance-oriented looping device. It had 16 seconds of delay, reverse, modulation, infinite loop, and several other features, and came with an optional 6-button footswitch to activate many functions on the fly. Parameters were controlled with sliders, and the box looked like the one used for the EH Microsynth that is currently back in production. I used to own one... finally sold it because i was too afraid i'd break it to use it anymore. I once had to track down Mike Matthews of Electro-Harmonix in *Russia* to find out who could repair a problem! I've never regretted parting with a piece as much as that one. Despite limitations like poor bandwidth, mono operation, and obvious distortion, this is the COOLEST looping device i've ever used, maybe the coolest in existence! It had a rich, warm sound (lots of older digital delays do... early Lexicon delays, DeltaLabs Echotrons, etc), and you could easily manipulate the sliders live. The best looping performance i ever saw was an EH16 in the hands of Roger Miller during his "Maximum Electric Piano" period. He was using a Yamaha electric baby grand, Cage-style preparations, a volume pedal, a couple of fuzz boxes, an analog echo, and the EH16 to generate more noise than i've ever heard from one person. -dave