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Yeah it can be difficult but I find that with a small ensemble (duo or trio or quartet) it can work out well when the other musicians can hear the loop at a good level in the mix. Maybe the guys I play with just listen as I listen to them. A good long sound check and lower stage levels can also realy help.I go back and forth from loop and no loop ,bring em in when the groove is happening and pedal em out when there's a glitch. The audience doesn't usually catch on if you're quick about it. It's all in practice and experience. I know my brother Robbie Aceto uses a headphone mix to the drummer in loud situations .Works well to keep everything locked up and grooveacous. Regards, Eric -- drop on by for a visit http://www.ithacastring.com