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>I'm interested in this discussion of surround sound during live sets. >I'm looking into 2 possibilities for my live gigs:- >1. This is one I used on a theatre project once and I know it works. >What you do is get a couple of these piezo electric tweeters. They're >quite cheap and attatch them in parallel with your existing PA speakers, >(they are high impedance so you don't have to worry about your amp). >Then you stick them high up on a hook on the wall, window sill, beam >etc, (preferably behind the audience). What happens then is that when >your playing the tweeters will naturally pass certain high frequencies >and they will appear to be coming from above/behind. I've actually had >people look around them to locate the sounds. Like I say its dead cheap >and very easy to do live. > I've used this exact set-up before. Works as advertized. :) >2 I've not tried this one. It involves placing a full range speaker >behind the audience and wiring it up to the two live terminals on a >stereo amp. The speaker signal passes the difference between the two >normal stereo channels. Does anyone know the impedance implications of >this before I try it? The theory is that if say you pan a sound from >hard right to hard left, the initial sound will come from right front >and behind , move to the two front speakers only at centre pan and >finally hard left and behind. You can imagine what this would do to a >full dynamic mix. It's an interesting idea. >Has anyone on this list tried these methods? > This is not disimilar from Eno's ambient set-up as explained on the liner notes of Music for Airports (or Discreet Music, I forget which). I've tried this before and it works. What can I say? It sounds very ambient. I would like to try it in a live setting, though. Anyone done it? - Larry (not so grumpy anymore) ;)