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Oops! David's music page is at: http://www.pulsewidth.com/pages/feedbackmachines.html - Larry -----Original Message----- From: Christopher White <magicicada@mindspring.com> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com> Date: Thursday, November 25, 1999 2:41 PM Subject: Re: Effect as crutch >what is the address? >---------- >>From: "L Tremblay" <ltct@concentric.net> >>To: <Loopers-Delight@annihilist.com> >>Subject: Re: Effect as crutch >>Date: Thu, Nov 25, 1999, 2:59 PM >> > >>Yes, actually you *can* use nothing more than a bunch of FX >>and a mixer as an instrument using feedback (ala David Meyers' >>Feedback Machines). Check out David's fantastic page (and pix of >>his machines). >> >>- Larry >> >>-----Original Message----- >>From: Christopher White <magicicada@mindspring.com> >>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com> >>Date: Thursday, November 25, 1999 12:49 AM >>Subject: Re: Effect as crutch >> >> >>>how about efxs as an instrument? >>>---------- >>>From: "Alan Imberg" <alan_i@sprynet.com> >>>To: <Loopers-Delight@annihilist.com> >>>Subject: Re: Effect as crutch >>>Date: Wed, Nov 24, 1999, 7:52 PM >>> >>> >>>Clifford makes a very valid point. Its easy to take for granted the >sound >>>options we have today. I still marvel at Hendrix's recordings. The effects >>>may sound dated today but when I consider the state of the art circa >1966 >>to >>>1970, I get blown away by the tones he gets almost as much as his playing. >>>Even more impressive in my opinion is the fact I've yet to hear anyone come >>>close to sounding like Jimi even thought the effects he used are now >very >>>common and affordable. >>> >>>Though it is a cliche, I find validity in the analogy that sonic effects >>are >>>the equivalent to musicians what extra colors are to a painter. Today, >we >>>have colors galore. Placed in certain peoples hands, they can become >>nothing >>>more than a smeared mess. Placed in the hands of someone with imagination, >>>patience, and vision, you can get a masterpiece. >>> >>>Bottom line: Its the imagination behind the tools that determines the >>>quality. >>> >>>----- Original Message ----- >>>From: Bien Appraisers <mailto:bienappraisers@mindspring.com> >>>To: Loopers Delight <mailto:Loopers-Delight@annihilist.com> >>>Sent: Wednesday, November 24, 1999 9:50 AM >>>Subject: Effect as crutch >>> >>> >>> This happened a lot in the 60's and 70's- people had concepts for >>>sounds (Miles a great deal I hear) and went looking for them even to the >>>point of having them made from scratch- inspiration- now we find ourselves >>>in a time where anyone from anywhere can go and buy just about every >last >>>effect on the planet for chump change- (basically!) so instead of a ring >>>modulator being a rare item as it used to be, now you can have one and 100 >>>other effects for a few hundred dollars- not a bad thing but of course >>there >>>will be those who just may be using the effect as a "crutch" every so >>often- >>> >>> >>>Clifford >>> >>> >> > >