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>ive spent alot of time browsing David Myers page (pulsewidth)this weekend >and >have taken a keen interest in this idea >this have the fun time i had last week taking the out from my stereo >delay/reverb pedal back into the input and getting a world of sounds(then >again, that pedal is broken anyhow so it makes a world of sounds on its >own) >what sort of commercial mixers(pref rack mountable)come close to the ideal >matrix? >i suppose just lots of aux and routing capabilities? > >rodrigo >i think mr. myers was using custom equipment, no? > >later, >rob Using a commercial mixer can open up some additional possibilities for matrixing, like having EQ on every channel, but the problem is in finding one with more than two aux sends at a good price. As far as I can see, the Mackie 1604 is about as cheap as you can go to get 4 sends, pretty much a minimum in my book for real Feedback Music. Building a small mixer is the way to go; not long ago I made a mono mixer with seven channels and seven sends, which is very useful. But be warned that building mixers is a boring, seemingly thankless task. Until you get feedbackin, that is! It's simple, if you can bear it--see Craig Anderton's Electronic Projects for Musicians. Good luck. David Myers