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Some friends and I were making a 'live' recording a while ago. Two of us were wired directly in but we also had a flutist looping herself via DOD DFX 94. She was using both contact and regular mics. As you can imagine, we had similar feedback problem. With lack of funds and technological expertise, we just put her in the back corner of the room and set up a bunch of cardboard boxes around her to help keep amplifier sound from getting back into the mic. After some adapting and fussing with all the before and after volume controls, we were able to get a decent recording. Of course, this would not have worked as well aesthetically if we were playing to an audience. >From: "Tiktok World HQ" <tiktok@sprintmail.com> >Reply-To: Loopers-Delight@annihilist.com >To: "Looper's Delight" <Loopers-Delight@annihilist.com> >Subject: Acoustic guitar looping and feedback problems >Date: Sat, 18 Dec 1999 22:46:35 -0600 > >I've been pl`ying out with `n `mplified `coustic recently, `nd I'm >runninginto feedb`ck problems once I get ` loop built up. I've tried >eq, >ph`serevers`l `nd ch`nging my spe`ker pl`cement, but it's still ` >problem.Anyone h`ve `ny experience with the S`bine or Beringer >feedb`ckextermin`tors, or h`ve `ny other suggestions?TH > ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com