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93 Allan Hoeltje wrote: > My first notion is that looping and soundscapes are not really the same > thing; that looping is more phrase sampling with playback and > soundscapes is controlled feedback/regeneration. Is this correct? Soundscapes can be created without looping (usually a very long reverb will do) and looping does not necesarrily create soundscapes (sequencers, dj's, etc.) Any delay of 1 sec or more can be considered a looper, though if you're looking for dj style looping, regeneration is not necessarily a part of the equation. > How much delay time is necessary to do soundscape-like effects? 1 sec. Useful additions to the delay are a fuzz box, a big reverb, and a volume pedal. > How many delay units are needed to do decent soundscapes? One. Again, I've heard amazing things done with a 1sec boss pedal, a volume pedal and an old alesis midiverb. Amazing. > Is the EDP suited more for looping than soundscaping? Both. > Can one come close to that Fripp sound without buying lots of TC > electronics and Harmonizers? Yes. Old style Fripp (i.e. Let the Power Fall) is the easist. A fuzz box, a volume pedal and a 4 sec. delay. For the guitarist, I would advise a beginning minimal setup of: 1. An active volume pedal. DOD FX-17 or Morley Volume/Wah pedal 2. A good fuzz box. My favorite was the Boss Metal Zone 3. A big reverb. Try an Alesis Nanoverb or the Lexicon MPX-100 4. A 4 sec or larger delay. The Zoom or Headrush, or Line Six are all good beginners boxes. And don't forget the old Digitech Time Machines! Useful, but not vital: 1. A modulation source. Chorus, flange, phaser, tremelo, etc. The Digitech XP-200 or maybe the new Line Six box. 2. An ebow. 93 Fr. Doubt-Goat +++ +++++ +++ Sekhet-Maat Oasis, O.T.O. http://www.sekhetmaat.com +++ +++++ +++