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I believe it was Musician magazine - I remember seeing the same interview. Two takes on U2, if I might... I erased a lot of pieces composed in the early 80s, because they sounded (to me) like someone elses' work. Then I saw U2 making scads of money making music that sounded like someone elses' work. I don't throw away ANYTHING anymore. In the article-in-question, I found a good deal of dark humor in the non-mentioning of the fact that it was ENO that came up with the whole idea with the TV screens/satellite access and all, and Bono who came up with the name for it. Again, credit placed where not deserved. Perhaps a lesson for us as performers, if a cautionary one - make diagrams or some note regarding the idea/composition, even if on a napkin, date it, show it to others, and put it away for safe keeping (or, in this so-called digital age, scan it, but keep the paper). Stephen Goodman EarthLight Productions * http://www.earthlight.net "rich" <rich@nuvision.com> put forth: > I am having trouble remembering the magazine, but the best interview i read > was when this mag was interviewing The Edge from U2, during their ZooTV > tour, where they were culling, cutting, pasting, and manipulating TV > signals during their live show. Edge was going off on how cool it was that > they were able to extrapolate raw material from the mass media and use it > to their own ends and make something creative out of it. After that, >they > pressed him about the legal issues with Negativland and the single. Edge > kindof had to backpedal real quick, especially when he realized that one of > the interviewers was a member of Negativland, and U2/Island had slammed > them with a lawsuit for essentially doing the same thing! > > seeya, > > rich > > >