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>U2's association with Eno was *Eno's idea* - he heard something >he liked that he knew could be B-I-G with the right amount of >coaxing. I'm going to have to completely disagree here. When it came time start work on the Unforgettable Fire album, it was U2 who wanted Eno. Being Bowie fans, it was they who sought him out. Eno had not heard ANY of their previous work, and was not interested in working with them at the time...his excuse being that he was devoting most of his time and energy in those days to video/multimedia arts. Eno then referred them to Daniel Lanois who coproduced the album, and with further prodding Eno joined the team and played ball. U2 were fans of his, and not the other way around. U2 were actually on their way to becoming "big" with the more straightforward, rock'n roll-ier sounds of the previous album and tour. As I recall, when the semi-ambient, ambiguous Unforgettable Fire album was first released it was not warmly recieved. I do agree that through the music they made with Eno, U2 have become what they are today commercially, technically, etc. I just don't buy the whole "Eno Master Plan" thing at all. MikeH