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Yes, I did have a volume pedal set in front of the return, that is how I managed to save my ears. My point is I am only able to get a very short span of interesting sound before the whole thing melts down. I have tried this with the 2.8 second delay in a Boss GT-5 and the 14 second delay in the DL/4. I have not tried it with the EDP for fear it could cause damage. I had this notion that since I was putting the return signal though a delay there would not be an instantaneous overload of ear spliting noise. It seems to me that, even though the majority of the signal is delayed, electical devices have an inherant level of noise and it is this noise that is not delayed which causes the bad feedback. I just remembered a schematic for a 6X6 feedback mixer by David Lee Myers that was posted here a while back. Anyone using this? -Allan Larry Tremblay wrote: > Use a volume pedal or footswitch to cut or reduce the > feedback before it spins out of control. The volume > pedal should go between the output and the return. > > - Larry > > ----- Original Message ----- > From: "Allan Hoeltje" <ahoeltje@best.com> > To: <Loopers-Delight@annihilist.com> > Sent: Wednesday, June 14, 2000 9:23 PM > Subject: Re: ebow, acoustic looping, tambouras, mixer setups, effects, > raspberry smoothies (long) > > > >I can then send the output of the EDP back through > > >the effects units. I can also send the EDP output back > > >into itself to reloop, which makes for some interesting > > >chorusing & timbre changes... > > > > Every attempt I have made to do this (sending a delayed signal back to >the > delay device itself) has resulted in > > momentary interesting sounds followed by ear ripping howling feedback >of > the worst kind. How do you do this > > without destroying ears, speakers, domestic relationships, etc.? > > > > >I hope someone might have found this interesting. > > > > Yes, I did, thanks! > > > > -Allan > > > > > >