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Lindsey, Are you from Indiana? Evansville? Scott lindsay@pavestone.com wrote: > Good morning. > > This is my first posting and I am as new to looping as I am this mailing > list. I've always had an intellectual curiosity regarding looping, > thinking, "wouldn't it be cool if..." only to find out that you guys are > out there _doing_ it! Well, I'll be damned if I don't give it a spin, > myself. So, to facilitate this, I'd like to tap your collective >knowledge. > > I'd really like to know some real-world examples of live performance > looping rigs. What's your signal chain? How do you route effects? >Before > the looper? After? Do you use multichannel or multiple-unit loopers for > individual effects/volume control over different, concurrently playing > loops? > > How do you interact with other performers? If you did not want to > intentionally introduce polyrythym (or just plain out-of-time-edness), >how > do you synch? To what? With what? > > I suppose I can count myself lucky to begin the looping odyssey shortly > before a much-anticipated new product, the Repeater. The rerelease of >the > EDP comes shortly, too, doesn't it? Meanwhile, there are other littler > boxes that I'm sure could help. I'm trying to get a feel for what can be > done, what is being done, in the field of looping. Also, listening > suggestions are very welcome. I am a devoted fan of Bill Frisell and >know > his entire body of work. I have read about David Torn, but never heard >him > (except that he appears to be on every movie soundtrack produced in the > last decade. See http://www.gaalore.com/davidtorn.nsf/Pages/Info ). > Anyone else? > > Thanks; I know already this is a friendly and inclusive group. > > Lindsay Graham > Some guy who does financial work for a concrete manufacturer.