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Performance setup



Lindsay: you asked. =)  Bear in mind that my setup has
been done from a "how can I do this cheaply,
preferably with stuff I already have" viewpoint, and
may thus be considered an "entry-level" or "budget"
solo looping setup, as it were.  It also probably
doesn't sound as good as other setups. =)  Your
mileage may vary.

I'm currently running a Steinberger Spirit through a
Digitech XP300 Space Station into a Line 6 Flextone. 
The effects send on the amp goes to a Digitech RDS 3.6
set for 100% wet output.  The effect output goes to
the mixer; the dry output goes to a Boomerang, and
then to the mixer.  The Boomerang's aux out (loop
sound only) goes to a Digitech XP400 reverb pedal
(being used as a volume pedal only), into a Digitech
S100 rack multi-effects unit (this looping setup made
possible by Digitech....), and into the mixer, which
is (don't laugh too hard) a Radio Shack passive
4-channel in mono mode.  The mixer output feeds the
Flextone's effects return.  

The way I generally use all this stuff: the RDS is
used mostly for ambient background and "special
effect" loops, taking advantage of the unit's ability
to pitch-shift loops by tweaking the delay time.  I
might scratch the strings with my pick, for example,
and then double or triple the delay time for a
"barking dogs of hell" sort of sound.  This sort of
application means that I don't have to worry about
trying to sync with the Boomerang, which is primarily
used for rhythmic and longer atmospheric loops.  Most
of my stuff tends to build from arpeggiated or
volume-swelled chord sequences or metal-wannabe riffs;
the latter are fun to drop an octave for nasty
industrial sounds.

My personal feeling is that, while shorter-delay
loopers are good at what they do, a serious solo
looper should have a good long-delay box in their
setup: an EDP, JamMan, Boomerang, or Repeater.  One
could make the argument that the Headrush and DL4
should also be included in this list, although I ended
up replacing my Headrush with the 'Rang because I
found that it wasn't flexible enough for my needs. 
Again, YMMV.

Loop music recommendations: You've got Frisell
covered, apparently.  I highly recommend David Torn's
work (my personal introduction to looping),
particularly _What Means Solid, Traveler?_ and the new
Splattercell disc (DT's duo with ex-Living Colour
drummer Will Calhoun).  Robert Fripp's Soundscaping
albums are more ambient and less satisfying to me
personally, but there are lots of Fripp fans on the LD
list who can sing his praises.  If you prefer a more
band-oriented sound, Polytown (featuring Mr. Torn) is
a good choice.  Robby Aceto's album _Code_ is a
wonderful piece of work using looping in a more
rock-band-oriented context (I'm dying to get my hands
on the one disc by Aceto's band Red Letter).  Also,
explore other repetitive musics besides those
specifically made by loop-device-users.  Some
inspiration listening for me lately has been Nine Inch
Nails' _The Fragile_ and a collection of Native
American music.  Enjoy!

Scott Martin
coirbidh_99@yahoo.com



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