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Echoing your comments on that! Remember where Brian Eno's stuff was in the "conventional" music stores until he helped U2 become somewhat listenable? :) It was a range of "Experimental", "Electronic", the cursed "New Age", and sometimes, believe it or not, "Soundtracks", but never with the Roxy Music material, nor in "Rock". Then when the work for U2 came along, he got put in the "Rock" section. I think it illuminates one of the reasons why the Established Music Industry still can't identify the smell of the tires that ran over them two years ago. Stephen Goodman http://www.earthlight.net/Studios * The free Loop of the Week! http://www.mp3.com/StephenGoodman * New MP3 Releases! http://StephenGoodman.iuma.com * Even more MP3s! From: "Paolo Valladolid" <phv40@hotmail.com> > Reading these recent threads on avant-garde vs. accessible, gig critiquing, > etc. made me wonder if Amy Denio would have been able to draw a bigger > audience to her gigs in the Tampa Bay area if she was marketed as an > "alternative singer-songwriter" instead of as a "new/experimental musician". > I know several people who would have liked her music but are scared >away > by the words "avant-garde", "experimental", etc. > > Paolo > _________________________________________________________________ > Get your FREE download of MSN Explorer at http://explorer.msn.com > > > >