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I ramble on a bit, but there's a point at the end bit. Spot my personal agenda and win a prize! On Wed, 17 Jan 2001, Rob Switzer wrote: > At best, I think that government arts funding supports an entrenched > status-quo. At worst, I think that the patron ( person/institution >paying > the tab) often sets the ideological and cultural agenda, either overtly >or > implicitly. This is probably not a good thing. I remember back in the early 90s when NAFTA went through and the US government wanted a nice piece of art commerating the "never before achieved and landmark agreement" (never mind that the indigenous people had coast to coast trade routes). They got an Indian (feathers, not dots) who had done comissioned works for the white house many times before to make it. The format was decided to be a billboard. The thing was beautiful man, They had a preview showing and it had all sorts of neat US type stuff on one side of the border and all sorts of Aztec type motifs on the other side. THe government loved it and the coverings were resecured. At the unveiling the next day, everything went exactly as planned. I t was beautiful ceremony with many diplomats and hig-proifle officials delivering keynote speeches. Then the lifted the tarps again. This time there was a a large rift of barbed wire between the two halves of the symbolized billboard. Nice touch that. My point: Even government sponsored art can have a dramatic impact. (World War II anyone?)